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Read this article by Carolyn Strange in which she points to the fictionalisation of the past as the dominant modality of museological practice at the Port Arthur Historic Site. Convict Bewley Tuck’s fictive “voice-over” tale stands in for a new “interpretative” identity between museum and tourist. Thomas Nevin’s photograph of Tuck (ca. 1870), however, is not a construct but an artefact of the convict’s reality as both convict and photographer experienced it. A documentary original photograph is not the same thing at all as a contemporary “interpretation” of it. As one visitor remarked to Strange on leaving the display, “I prefer the real thing.” Continue reading