Category Archives: Attribution Issues

Protected: The fruitless search of wadsley-1

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Posted in 19th Century Prison Photography, Attribution Issues, National Library of Australia, Police mugshots by Nevin

Samuel Clifford, Thomas Nevin and two cameras

This gallery contains 13 photos.

DOUGLAS STEWART FINE BOOKS LTD HOBART BOOK FAIR was held on February 12 – 13, 2011 with three items on sale pertaining to Thomas J. Nevin’s commercial photography.

STEREOGRAPH of CLIFFORD’S CAMERA
The first was this stereograph attributed to Samuel Clifford but ostensibly showing Clifford’s camera. Who took the photograph? Did Clifford carry two cumbersome cameras with him into this dense bush setting at Brown’s River, or was he accompanied – as so often he was around Tasmania – by Nevin? If so, the stereograph deserves the double attribution of Clifford & Nevin, an inscription which appears on several items also held in private collections. Continue reading

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John Sullivan, cook and thief 1875

This gallery contains 5 photos.

Although catalogued as a “portrait” of a “Port Arthur convict”, it is simply a mugshot – one of thousands taken for the Municipal Police Office at the Hobart Gaol, the Supreme Court and MPO by professional photographer Thomas J. Nevin between 1872 and 1886. He took this photograph at the Hobart Gaol when John Sullivan was tried in the Supreme Court Hobart on 18th August 1875 on a charge of larceny and sentenced to incarceration at the Hobart Gaol for a period of twelve (12) months, Continue reading

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Edwin Barnard: it takes one to know one

This gallery contains 1 photo.

Video excerpt from: ABC TV (Aust) news report by Siobhan Heanue, 2 April 2011. NB: this report contains unfactual and erroneous statements by both the journalist and interviewee. For AUTHENTIC and ACCURATE research see this article which reviews the NLA … Continue reading

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Tasmanian Museum and Art Gallery holdings

This gallery contains 14 photos.

This Tasmanian Museum and Art Gallery notice about their photographic collections appeared in November 2006. It is now September 2010, and the promised website with viewable databases of their vast photographic holdings is still not up and running. The TMAG holds a sizable collection of rare works by Thomas J. Nevin. Continue reading

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Aliases, Copies, and Misattribution

This gallery contains 14 photos.

Cataloguists, librarians, archivists, students, photo historians and others in public service have made a real mess of storing and recording the accession history, numbering, and data collation on these Tasmanian prisoners’ identification photos: obliteration, reinvention, fads, guesses, fashions, and personal agendas have managed to obliterate valuable data and thus the traces of facts from their past. Continue reading

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A Question of Stupidity & the NLA

This gallery contains 7 photos.

If A.H. Boyd were alive today, he would be very surprised indeed to read that he was the photographer of the extant Tasmanian prisoners’ photographs from the 1870s-80s we currently hold in public and private collections. Continue reading

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Improprieties: A. H. Boyd and the Parasitic Attribution

This gallery contains 14 photos.

The root of the notion that A.H. Boyd had any relationship with photography arose from this children’s story forwarded to the Crowther Collection at the State Library of Tasmania in 1942 by its author, Edith Hall. It was NEVER published, and exists only as a typed story, called “The Young Explorer.” Edith Hall claimed in an accompanying letter, dated 1942 and addressed to Dr Crowther that a man she calls the “Chief” in the story was her uncle A.H. Boyd, and that he was “always on the lookout for sitters”. Hopeful Chief! The imaginative Edith and her description of a room where the child protagonist was photographed (and rewarded for it) hardly accords with a set-up for police photography. The photographing of prisoners IS NOT mentioned in either the story or the letter by Edith Hall. In the context of the whole story, only three pages in length, the reference to photography is just another in a long list of imaginative fictions (many about clothes and servants) intended to give the child reader a “taste” of old Port Arthur, when both the author and her readers by 1942 were at a considerable remove in time. Boyd is not mentioned by name in the story, yet Reeder 1995 (after Long, 1995) and Clark (2010) actually cite this piece of fiction as if it contains statements of factual information. A.H. Boyd has never been documented in newspapers or validated in any government record of the day as either an amateur or official photographer. Continue reading

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Convict Wm Meaghers, original by Nevin 1874-5

This gallery contains 13 photos.

William Meaghers was transported to NSW in 1838 on board the Bengal Merchant. Originally from Dublin, he was court martialled in Quebec, Lower Canada on 26 September 1836. In Paramatta, NSW, he was sentenced to 14 years for housebreaking on 10 December 1842 and transported to Van Diemen’s Land (Tasmania) on board the Sir J. Byng, arriving on 23 September 1843. He was married with two children. No date of birth appears on his arrival record, however, police records show he was 56 yrs old in 1871, so he was born ca. 1815, and was ca 59 years old in 1874 when Nevin photographed him. The NLA misattribution to Searle and the date of photographic capture catalogued as 1915 would mean that the prisoner William Meaghers, born in 1815, had to be a 100 year old man; clearly, the prisoner was photographed in his fifties on the occasion of his release, in 1874. Continue reading

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Fraudulent pretensions

This gallery contains 29 photos.

This image of a building is not a vignetted carte-de-visite photograph of a man in prison clothing, yet the curator of photographs at the State Library of NSW, Alan Davies, is proposing it is sufficient evidence to warrant a claim that A.H. Boyd was a photographer, and to extend that claim to a proposition that Boyd was also the photographer of the “bulk” of the 300 extant prisoner cartes, despite all the available evidence of attribution to Thomas J. Nevin. As recently as August 2009, Alan Davies maintained that proposition, which is founded in the cliched equation “Tasmania + convicts=Port Arthur” … Continue reading

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Two histories, one execution

This gallery contains 5 photos.

Job Smith was either photographed by Thomas Nevin when Campbell was one of sixty prisoners who had transferred to the Hobart Gaol and were assigned before July 1873 (see W.R. Giblin’s and the Inspector of Police reportof convicts tabled in the Parliament on July 17th, 1873), or just before William Campbell was returned to Port Arthur on May 8th, 1874 to complete his 8 year sentence, accompanied by Thomas Nevin in his role as police agent and photographer. Both were listed as passengers on the schooner Harriet’s way bill. Continue reading

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Margaret Glover and the fabrication of photohistory

This gallery contains 14 photos.

The true origins of the photographic misattribution to non-photographer and Port Arthur official A.H. Boyd of Thomas J. Nevin’s police mugshots of Tasmanian prisoners 1870s-1880s lies with a reference to the art historian Margaret Glover’s article “Some Port Arthur Experiments” … Continue reading

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The QVMAG convict photos exhibition 1977

This gallery contains 7 photos.

Most of these prisoner ID photographs were acquired by the QVMAG in 1927, as part of photographer John Watt Beattie’s (1859-1930) collection from his estate and convictaria museum in Hobart. Beattie’s sources in turn were the police gazettes and prisoner registers held at the Town Hall Municipal Police Office, where Nevin worked full-time 1876-1880, and from the Sheriff’s Office and Supreme Court at the Hobart Gaol where his brother Constable John Nevin was his assistant. Beattie had ready access as official government photographer ca. 1900s to these documents. Continue reading

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The pauper on Thomas Nevin’s carpet and Brother Payne

This gallery contains 16 photos.

It is likely that the man photographed here standing on Thomas Nevin’s carpet was William Graves, and that Nevin photographed him in May 1875. This may not be the only photograph of William Graves taken by Nevin. There may have been a standard half-body vignette printed as well to attach to Grave’s crime sheet. But such a standard carte is not extant, and there may be a reason why none ever existed. Continue reading

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“In a New Light”: NLA Exhibition with Boyd misattribution

This gallery contains 16 photos.

In November 2000,the National Library of Australia reproduced 22 carte-de-visite vignettes from their holdings of 78 [84] of Thomas Nevin’s Tasmanian prisoner ID photographs, for the purpose of mounting an exhibition called IN A NEW LIGHT: A Love of Order. … Continue reading

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About those photographic glasses 1873 …

This gallery contains 113 photos.

A. H. Boyd had no reputation in his own lifetime as a photographer, none subsequently, and no works by him are extant, yet he suddenly entered photo history as an “artist” in 1995 due largely to a sentence in a children’s fictional tale, and a cargo list. Thomas J. Nevin, well-known within his lifetime as a contractual commercial photographer, civil servant, and special constable with the Municipal and Territorial Police, and with a sizeable legacy dating from the 1860s held in State, National and private collections, was effectively dismissed as a “copyist” by Chris Long. Authoritative commentators who were aware of the problem ensured Chris Long was named as someone in error on this matter when Nevin’s biographical details were published in 1992 ( Willis, Kerr, Stilwell, Neville, etc). Continue reading

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Working with police and prisoners

This gallery contains 89 photos.

The last document (to date) of Thomas Nevin’s direct involvement with government legislation pertaining to police administration was signed as a resolution on the occasion of a bill to be introduced in the House of Assembly to effectively centralise the various municipal and territorial forces. The meeting he attended and its resolutions, which was chaired by His Worship the Mayor Alderman Crouch, was reported in The Mercury, 19 July 1888. Thomas Nevin’s recorded comment was:

“Mr. Thos Nevin was under the impression that the police should be under stricter supervision.” Continue reading

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Brady, James

This gallery contains 3 photos.

Brady was photographed at the Hobart Gaol by Nevin on two different occasions. This one held at the NLA was taken at Brady’s Supreme Court trial on July 23, 1874. The earlier and different photograph  of this convict James Brady … Continue reading

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Convict cartes by Thomas Nevin at the new NPG Canberra

This gallery contains 34 photos.

Currently displayed in the A and S Liangis Gallery are six identification carte-de-visite photographs of Tasmanian convicts borrowed from the National Library of Australia with the correct attribution to the commercial and police photographer Thomas J. Nevin (1842-1923) , and incorrect attribution to A. H. Boyd who was not a photographer, was not known as a photographer in his lifetime, and has no extant works in any public or private collection. Continue reading

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More on the versos of some convict cartes …

This gallery contains 3 photos.

Thomas J. Nevin’s portrait of Port Arthur convict John Fitzpatrick 1874National Library of Australianla.pic-an24612603Location: PIC P1029/11 LOC Album 935Photographer: Nevin, Thomas J., 1842-ca. 1922. John Fitzpatrick, per Ld. [i.e. Lord] Lyndock 2, taken at Port Arthur, 1874 [picture] 1 photograph … Continue reading

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