This gallery contains 45 photos.
Elizabeth Nevin’s uncle, master mariner Captain Edward Goldsmith , departed Hobart Tasmania permanently in December 1855, but his entry of a blue gum plank (eucalyptus globulus) was shipped to France months prior, intended for the opening of the Paris Exposition on 15 May 1855, closing on 15 November 1855. Over five million people visited the exhibition which displayed products from 34 countries across 6 hectares (39 acres). Continue reading
This gallery contains 199 photos.
For some time after Bock’s departure in 1865, Thomas Nevin was using the same supply of blue ink on the same design as Bock’s with just a minimal alteration to include Bock’s name as credential – “T. Nevin Late A. Bock” – enclosed by a belt – the belt being a popular and universal design of the period. The blue ink of the stamp verso of this portrait of a seated woman (below) is from the same stock as Bock’s (above), with the addition of a slight tinge of red on the kangaroo’s breast. Continue reading
This gallery contains 117 photos.
One passenger who gave Captain Goldsmith endless trouble on the voyage was an Irish soldier, Captain Theophilius Ellis of the 1st Royal Infantry (Ireland) Regiment. Against advice from Lloyds’ underwriters not to board the James, he proceeded with his plan to accompany his sister and her nine children, and arranged with Captain Goldsmith to partition the vessel to house his sister, her family, and another Irishman, Captain Francis Whitfield. When the ship sailed, Ellis found that the separate section he had requested was filled with stores and luggage belonging to the ship, and the vessel so crowded with passengers – “the class of labourers” – 84 crew, pigs, geese, sheep and water casks, there was barely enough room to stand on deck. Ellis was versed in the law sufficient to invoke The Passenger Act of 1828, which was intended to enforce sanctions against ship owners who falsely advertised luxurious accommodation, and tyrannical masters who treated passengers with total disdain. His later report to the Colonial Secretary included these vivid details of the cabin space, the toilet, and Captain Edward Goldsmith’s methods of dealing with him: Continue reading
This gallery contains 77 photos.
THE UNION CHAPEL
Samuel Clifford and partner Thomas Nevin produced this photograph as a stereograph of the Congregational Union Chapel in Bathurst Street Hobart not long after it was built by the Rev. J. W. Simmons in 1863. It was also known as “The Helping Hand Mission” . In 1892 the Congregational Union held a flower show at the Chapel to raise much needed funds for repairs to the building. Tom and May Nevin – the two eldest of Thomas and Elizabeth Nevin’s six children – entered chrysanthemums and flower arrangements as a contribution. Continue reading
This gallery contains 66 photos.
MR LIPSCOMBE and CAPTAIN GOLDSMITH
Elizabeth Nevin’s uncle, Captain Edward Goldsmith, master mariner of merchant ships from London to the colony of Van Diemen’s Land from 1830-1853, and local businessman and nurseryman Frederick Lipscombe, had maintained a friendly and profitable business relationship over twenty years until one day in June 1853, they had a very public falling-out over the Mammoth Strawberry, or so it seemed at first blush. Continue reading
This gallery contains 19 photos.
In the same issue of the Hobart newspaper, The Mercury, October 10, 1887, in which the “old boys” of the Royal Scots had placed an affectionate obituary to John Nevin (1808-1887), Thomas Nevin’s father, Hector Axup was mentioned in the following article. His donation to the Boys’ Home was enclosed in a letter expressing his regret that a training ship was not available. No doubt his wish was informed by knowledge of the Vernon, established in 1867 on Sydney Harbor as a reformatory industrial school for vagrant, destitute or juvenile offenders, which provided boys with moral training, nautical and industrial training and instruction, and elementary schooling. Continue reading
This gallery contains 37 photos.
-Upon receiving the cup, Capt. Goldsmith remarked that he would retain the token until death ; and, with reference to some observations made by Mr. Carter, intimated it was not improbable he should next year, by settling in Van Diemen’s Land with Mrs. Goldsmith, become a fellow-colonist.
-The goblet, which was manufactured by Mr. C. Jones, of Liverpool-street, bears the following inscription:-”Presented to Captain Goldsmith, of the ship Rattler, as a slight testimonial for having introduced many rare and valuable plants into Van Diemen’s Land. January, 1849.” The body has a surrounding circlet of vine leaves in relief. The inscription occupies the place of quarterings in a shield supported the emu and kangaroo in bas relief, surmounting a riband scroll with the Tasmanian motto-” Sic fortis Hobartia crevit.” The foot has a richly chased border of fruit and flowers. In the manufacture of this cup, for the first time in this colony, the inside has undergone the process of gilding. Continue reading
This gallery contains 7 photos.
T.R. Williams’ stereographs taken of scenes in an English village in the 1850s (“Scenes in Our Village”) have been reproduced by Brian May and Elena Vidal in a superb publication, “A Village Lost and Found” . The book comes in a slip case that includes a stereoscopic viewer invented by Brian May “which makes the magic happen”. Continue reading
This gallery contains 39 photos.
Portrait of Laura Blanche McVilly. and two other children. Held in McVilly, Richard William, 1862?-1949 :Photograph albums and a group portrait. Ref: PA2-1198. Alexander Turnbull Library, Wellington, New Zealand. Continue reading
This gallery contains 1 photo.
The interviewee Edwin Barnard in this ABC news report poses here as an expert on the Tasmanian convicts photographs taken and produced by commercial and police photographer Thomas J. NEVIN in the 1870s. Original duplicates of these same mugshots held at the NLA which were made by Thomas Nevin and his brother Constable John Nevin for the police are held in other public institutions (TMAG, QVMAG, AOT, State Library of Tas, SLNSW) and private collections. Continue reading
This gallery contains 20 photos.
Thomas FRANCIS was discharged from Port Arthur, per the first notice in the police gazette dated 4th February, 1874. Note that no physical details were recorded on 4th February 1874 because he had not yet been photographed. A second notice appeared in the police gazette one week later, dated 6th February 1874, which included his age – 62 yrs, height – 5’5" – colour of hair – "brown" and distinguishing marks, eg. bullet mark on left leg, bayonet mark on thumb, scar on chin. These details were written and recorded when Thomas J. NEVIN photographed Thomas FRANCIS on that date – 6th February 1874 – at the Office of Inspector of Police, Hobart Town Hall. Continue reading
This gallery contains 14 photos.
This Tasmanian Museum and Art Gallery notice about their photographic collections appeared in November 2006. It is now September 2010, and the promised website with viewable databases of their vast photographic holdings is still not up and running. The TMAG holds a sizable collection of rare works by Thomas J. Nevin. Continue reading
This gallery contains 5 photos.
“… portraits of prisoners taken in the dock …” THOMAS BOCK Police artists worked in the Supreme Court of Tasmania from as early as 1824. An album of portraits of “prisoners taken in the dock” (Dunbar, QVMAG catalogue 1991:25) by … Continue reading
This gallery contains 10 photos.
Who were they? They were T.J. Nevin’s sitters for police records, mostly “Supreme Court men” photographed on committal for trial at the Supreme Court adjoining the Hobart Gaol when they were isolated in silence for a month after sentencing. If sentenced for a long term at the Supreme Court Launceston, they were photographed, bathed, shaved and dressed on being received in Hobart. These procedures, past and present, were reported at length by a visitor to the Hobart Gaol and Supreme Court in The Mercury, 8th July 1882 … Continue reading
This gallery contains 15 photos.
Samuel Page held the government contracts for the Royal Mail coach deliveries between Hobart and Launceston, and contracted Nevin for photographic advertisements of his coachline. Samuel Page lived at Belle Vue, New Town, a villa with stables, paddocks and gardens. He transported prisoners under government contract from regional stations and courts to be “received” at H.M. Gaol, Hobart, accompanied by constables. Continue reading
This gallery contains 56 photos.
Thomas J. Nevin and descendants are apparently one of the more recent examples in a long line of Clark’s personal targets. See this article on her MO in Hobart museums by M. Anderson. Clark’s attack on the “Georgian splendour school of history” is deeply ironic, given that this Commandant A.H. Boyd she so firmly wants to promote as the prisoners’ photographer at Port Arthur was just that – a Georgian middle-class gent revelling in the spoils of his own corruption, a renowned bully reviled by the public in his own day. In Kay Daniel’s words, Clark’s analytical method is hypocritical – it’s “the view from the Commandant’s verandah school of history” – which she prescribes while pretending solidarity with her target, whether Aborigines or convicts. Continue reading
This gallery contains 9 photos.
An exhibition of early colonial portraits titled HUSBANDS and WIVES has recently opened at the National Portrait Gallery, Canberra Australia. Apart from the usual collection of cartes-de-visite, there are several daguerreotypes and ambrotypes of individuals, couples and family groups on display, including the coloured ambrotype by Thomas Glaister, ca. 1858 (below, from the NPG online). Continue reading
This gallery contains 5 photos.
On February 2, 1872 Thomas J. Nevin placed an advertisement in The Mercury informing the public and visitors (tourists) that his photographs, taken on a Colonists’ Trip down the River Derwent to Adventure Bay on the eastern side of Bruny Island, were ready and for sale. Continue reading
This gallery contains 17 photos.
Vernacular photographies are anything that is not used as “art” … Thomas J. Nevin began his photographic career in the mid 1860s within the urban free-settler society of a British penal colony: Hobart Tasmania. His apprenticeships were served with the … Continue reading
This gallery contains 14 photos.
The root of the notion that A.H. Boyd had any relationship with photography arose from this children’s story forwarded to the Crowther Collection at the State Library of Tasmania in 1942 by its author, Edith Hall. It was NEVER published, and exists only as a typed story, called “The Young Explorer.” Edith Hall claimed in an accompanying letter, dated 1942 and addressed to Dr Crowther that a man she calls the “Chief” in the story was her uncle A.H. Boyd, and that he was “always on the lookout for sitters”. Hopeful Chief! The imaginative Edith and her description of a room where the child protagonist was photographed (and rewarded for it) hardly accords with a set-up for police photography. The photographing of prisoners IS NOT mentioned in either the story or the letter by Edith Hall. In the context of the whole story, only three pages in length, the reference to photography is just another in a long list of imaginative fictions (many about clothes and servants) intended to give the child reader a “taste” of old Port Arthur, when both the author and her readers by 1942 were at a considerable remove in time. Boyd is not mentioned by name in the story, yet Reeder 1995 (after Long, 1995) and Clark (2010) actually cite this piece of fiction as if it contains statements of factual information. A.H. Boyd has never been documented in newspapers or validated in any government record of the day as either an amateur or official photographer. Continue reading
This gallery contains 5 photos.
On the day fixed for his departure from Tasmania, 18th January 1868, H.R.H Prince Alfred was presented with an album of photographs.The album contained “eighty three photographs illustrative of the scenery of Tasmania, forty eight portraits of children born in the colony, and nine plates immediately connected with the Prince’s visit” according to the report of the visit written by John George Knight … Continue reading
This gallery contains 25 photos.
Who were they? They were T.J. Nevin’s sitters for police records, mostly “Supreme Court men” photographed on committal for trial at the Supreme Court adjoining the Hobart Gaol when they were isolated in silence for a month after sentencing. If sentenced for a long term at the Supreme Court Launceston, they were photographed, bathed, shaved and dressed on being received in Hobart. These procedures, past and present, were reported at length by a visitor to the Hobart Gaol and Supreme Court in The Mercury, 8th July 1882: Continue reading
This gallery contains 12 photos.
TRAVELLING PHOTOGRAPHERS 1874 On this tour, Clifford and Nevin travelled on the main road north from Hobart to Launceston. Courtesy State Library of Tasmania Samuel Clifford ca. 1874 Melton Mowbray from the Bothwell Road Ref: AUTAS001124850124 Tasmanian professional photographers Thomas … Continue reading
This gallery contains 3 photos.
“A ZOOLOGICAL CURIOSITY. — Mr. Nevin, Town Hall keeper, yesterday brought to our office what Artemus Ward would undoubtedly have christened “an interesting little cus.” It is of the feline order, and has a perfect black coat. The head and body and voice are decidedly pussy’s; but there the relationship with that useful domestic animal ceases. The legs belong to the order of kangaroo rat, and it is quite amusing to see the little stranger perch himself up on his haunches, or drag himself slowly along by the aid of the fore part of the fore legs, which instead of being erect, as in the cat, falls flat on the ground, and so produces that roundness of the body which is the marked feature in the kangaroo… Continue reading
This gallery contains 5 photos.
A PHOTOGRAPHIC FEAT On Christmas Day, 25th December 1874, The Mercury newspaper (Tasmania) published a notice which served the dual purpose of praising Nevin’s photographic talents and suggesting by way of praise that the “literary curiosity” would make a great … Continue reading