This gallery contains 38 photos.
In early childhood’s joyous hour,
We brought her from her native soil,
To seek some calm and peaceful bower
Far on Tasmania’s sea-girt Isle;
While yet a gentle, fragile thing,
Her infant steps were tottering. Continue reading
This gallery contains 67 photos.
The “T. Nevin Late A. Bock” portrait of a middle-aged couple with a dog was hand-tinted by the family who purchased it or by subsequent owners. Such inept colouring was not the work of Nevin himself. His own family portraits show delicate and precise tinting. Other heavily tinted portraits bearing the same studio stamp used by Nevin for commercial portraiture into the early 1870s show the owners’ preference for red and violet colours. This portrait of a couple with dog is unusual in that green and brown colours were used. In all these extant cartes-de-visite portraits bearing Nevin’s stamp which were coloured subsequent to purchase, it is the carpet which has received the most savage treatment. The strange blobs defy conventional perspective, although the intention may have been the opposite. This carte – as with many of the others bearing amateurish daubs – probably originated from the same family in northern Tasmania. Continue reading
This gallery contains 199 photos.
For some time after Bock’s departure in 1865, Thomas Nevin was using the same supply of blue ink on the same design as Bock’s with just a minimal alteration to include Bock’s name as credential – “T. Nevin Late A. Bock” – enclosed by a belt – the belt being a popular and universal design of the period. The blue ink of the stamp verso of this portrait of a seated woman (below) is from the same stock as Bock’s (above), with the addition of a slight tinge of red on the kangaroo’s breast. Continue reading
This gallery contains 165 photos.
First Cousins and both chidren of master mariners, Edward Goldsmith (1836-1883) and Elizabeth Rachel Day (1847-1914 ) were born in London and baptised at St Mary’s Church, Rotherhithe, known as the Mayflower Church, one decade apart. Elizabeth Rachel Day arrived in Hobart Tasmania as an infant, where her sister Mary Sophia was born in 1853, and married professional photographer Thomas J. Nevin at Kangaroo Valley, Hobart on 12 July 1871. Edward Goldsmith made several voyages to Tasmania with his father Captain Edward Goldsmith, attended the Governor’s Levee there in 1855, went to Trinity College Cambridge in 1857, married, became a surgeon, managed his father’s estates in Kent and died young at Rochester, UK, just 43 yrs old Continue reading
This gallery contains 77 photos.
THE UNION CHAPEL
Samuel Clifford and partner Thomas Nevin produced this photograph as a stereograph of the Congregational Union Chapel in Bathurst Street Hobart not long after it was built by the Rev. J. W. Simmons in 1863. It was also known as “The Helping Hand Mission” . In 1892 the Congregational Union held a flower show at the Chapel to raise much needed funds for repairs to the building. Tom and May Nevin – the two eldest of Thomas and Elizabeth Nevin’s six children – entered chrysanthemums and flower arrangements as a contribution. Continue reading
This gallery contains 47 photos.
This photograph of a teenage girl with bare shoulders and ringlets may be one of the very last taken by Alfred Bock in Hobart Tasmania before his departure in 1865. The design of the studio stamp on the verso was altered only minimally by his younger partner Thomas J. Nevin who bought the lease of the studio, shop, the glass house and darkroom, the stock of negatives, camera equipment, backdrops and furniture etc at auction on August 2, 1865. Thomas Nevin continued to use the stamp’s design for his commercial studio portraiture for another decade, although he used at least six other designs for various formats and clients, including the Royal Arms insignia for commissions with the Colonial government. Continue reading
This gallery contains 13 photos.
Thomas Nevin’s sister-in-law Mary Sophia Axup nee Day, chaired a meeting in 1913 of the Tasmanian Workers’ Political League, the forerunner of the Australian Labor Party, seeking nominations for Labor candidates to stand for the seat of Bass in the forthcoming Federal election: Continue reading
This gallery contains 37 photos.
-Upon receiving the cup, Capt. Goldsmith remarked that he would retain the token until death ; and, with reference to some observations made by Mr. Carter, intimated it was not improbable he should next year, by settling in Van Diemen’s Land with Mrs. Goldsmith, become a fellow-colonist.
-The goblet, which was manufactured by Mr. C. Jones, of Liverpool-street, bears the following inscription:-”Presented to Captain Goldsmith, of the ship Rattler, as a slight testimonial for having introduced many rare and valuable plants into Van Diemen’s Land. January, 1849.” The body has a surrounding circlet of vine leaves in relief. The inscription occupies the place of quarterings in a shield supported the emu and kangaroo in bas relief, surmounting a riband scroll with the Tasmanian motto-” Sic fortis Hobartia crevit.” The foot has a richly chased border of fruit and flowers. In the manufacture of this cup, for the first time in this colony, the inside has undergone the process of gilding. Continue reading
This gallery contains 51 photos.
Photographer Thomas J. Nevin’s father-in-law was Captain James Day (1804-1882), father of his wife Elizabeth Rachel Day and her younger sister Mary Sophia Day (m. Axup). Thomas Nevin’s wife Elizabeth Rachel Day was named after Captain James Day’s sister, Elizabeth Day, who had married master mariner Captain Edward Goldsmith in 1829 at St George, Liverpool, England. Continue reading
This gallery contains 180 photos.
John Nevin, father of Tasmanian photographer Thomas J. Nevin, was born in 1808 at Grey Abbey, County Down, a small town east of Belfast on the coast of Ireland. At that period the region was the centre of Irish cotton … Continue reading
This gallery contains 23 photos.
WESLEYAN CHAPEL KANGAROO VALLEY John Nevin (1808-1887), Wesleyan, poet, teacher, journalist and Royal Scots veteran of the Canadian Rebellions 1837-38, arrived in Tasmania with his wife Mary and four children in 1852, and settled on land adjacent to the Franklin … Continue reading
This gallery contains 12 photos.
Clients of early photographers were not the only ones to pose with the photographer’s own stereoscope(s). Two extant cartes-de-visite self-portraits by Thomas J. Nevin from The Nevin Family Collections captured his treasured stereoscopes, one with him holding a small viewer, … Continue reading
This gallery contains 10 photos.
Mary Ann Nevin (1844-1878), sister of Thomas J. Nevin, dipping a glass at New Town rivulet, Kangaroo Valley Hobart Tasmania, ca. 1870
Salt paper stereograph taken by Thomas J. Nevin ca. 1870.Photo © KLW NFC Imprint & The Nevin Family Collections 2012 Continue reading
This gallery contains 9 photos.
DECOR: the shiny low chair, the table with griffin-shaped legs, tinted flowers and hair ribbons, the draped curtain, the diamond-patterned carpet, and the backdrop of a patterned patio looking out from an Italianate terrace to a vista of a meandering river, characterise this phase or aspect of Nevin’s commercial practice. Continue reading
This gallery contains 7 photos.
T.R. Williams’ stereographs taken of scenes in an English village in the 1850s (“Scenes in Our Village”) have been reproduced by Brian May and Elena Vidal in a superb publication, “A Village Lost and Found” . The book comes in a slip case that includes a stereoscopic viewer invented by Brian May “which makes the magic happen”. Continue reading
This gallery contains 15 photos.
This stereograph on salt paper, which was produced by Thomas J. Nevin in the late 1860s of Tasmanian ferns, bears his blind stamp on the viewer’s left side, viz. “T. NEVIN PHOTO”. It belongs to a series of ferns taken around the foothills of Mt Wellington now held at the Tasmanian Museum and Art Gallery. This example is held in a private collection of Nevin descendants. Continue reading
This gallery contains 14 photos.
DOUGLAS STEWART FINE BOOKS LTD HOBART BOOK FAIR was held on February 12 – 13, 2011 with three items on sale pertaining to Thomas J. Nevin’s commercial photography.
STEREOGRAPH of CLIFFORD’S CAMERA
The first was this stereograph attributed to Samuel Clifford but ostensibly showing Clifford’s camera. Who took the photograph? Did Clifford carry two cumbersome cameras with him into this dense bush setting at Brown’s River, or was he accompanied – as so often he was around Tasmania – by Nevin? If so, the stereograph deserves the double attribution of Clifford & Nevin, an inscription which appears on several items also held in private collections. Continue reading
This gallery contains 6 photos.
Meet Mr Mike Lonergan, present Keeper of the exquisite Faranese Palace miniature, the Hobart Town Hall, Tasmania (erected in 1866). His impromptu guided tour of his ground floor offices and the Mayor’s Court room was a revelation. To the left of the main entrance, Mr Lonergan pointed firstly to his office which had always been occupied by the Keeper, and where Thomas J. Nevin had sat at a desk during his incumbency in the position as both the Town Hall Keeper, and as the official police photographer for the Municipal Police Office, also housed in the Town Hall in those years, between his appointment to the civil service in 1875 and his dismissal in 1880. Continue reading
This gallery contains 52 photos.
THE ODD FELLOWS’ HALL – A very fine photograph of the Odd Fellows’ Hall (corner of Davey and Harrington-streets) has been taken for the Society by Mr. Nevin, of Elizabeth-street. The view is taken from Davey-street, opposite the corner of the Freemasons’ Hotel, and thus shows the entrance to the rooms, with the whole front and side of the buildings. A well-known member of the institution, and a less known youth, have come within the range of the camera, and their presence greatly assists in conveying an idea of the dimensions of the hall. The picture is undoubtedly creditable to the artist. Continue reading
This gallery contains 19 photos.
The eight rioters “were charged with riotously injuring a building”, “riotously injuring the Town Hall” and specifically – “the breaking open of the ante-room of the Town Hall” . The charges would have incurred a severe penal code punishment of seven years’ imprisonment and a trial at the Supreme Court. However, Attorney-General Giblin sought to substitute the charge with the lesser one of disturbing the peace, and at this sitting, reported in The Mercury on 11th July 1879, the charges were withdrawn entirely because of Giblin’s concern with excessive costs involved in such a trial.
This gallery contains 33 photos.
Seven (7) previously unpublished photographs by Thomas J.Nevin or pertaining to Thomas J. Nevin’s photography from the 1870s were scanned and submitted to this weblog by private collector Liam Peters in December 2010. The brief descriptions below of each item will be expanded into an article for each photograph within the next few months. Continue reading
This gallery contains 6 photos.
The research we have provided on these weblogs since 2003 about the police work of professional photographer Thomas J. Nevin in Tasmania during the 1870s and the mugshots he produced has stimulated and inspired a global reading public. If you are curious enough to pursue your own detective work regarding the prisoner’s identity in this handful of the few remaining mugshots yet to be documented (see below), take advice from researcher Peter Doyle. In his latest publication of mugshots from the NSW Justice and Police Museum , Crooks Like Us (2009), Doyle states that the police gazettes were the first he consulted and the most reliable source of information (p.312). The equivalent Tasmanian police gazettes are available as searchable CDs (from Gould’s) and are also online at the Archives Office of Tasmania (although not as easily searchable). Continue reading
This gallery contains 11 photos.
Edward Wallace aka Timothy Donovan was a transported felon, arriving in Hobart from Dublin on board the Blenheim (2), on February 2nd, 1849. He became an habitual offender. His photograph is held at the Mitchell Library Sydney, SLNSW, in a box of nine cartes-de-visite of prisoners taken by Thomas J. Nevin at the Hobart Gaol. The collection was bequeathed by David Scott Mitchell to the State Library of NSW ca 1907 (PXB 274). The Mitchell Library has catalogued all these nine photographs with the date “1878″; however, two of the photographs were taken by Nevin in 1875 (those of Mullins and Smith), and this one, of Edward Wallace was more likely to have been taken by Nevin in 1872 or early 1873, when Wallace was re-arrested for absconding from the Hobart Gaol. Continue reading
This gallery contains 20 photos.
Thomas FRANCIS was discharged from Port Arthur, per the first notice in the police gazette dated 4th February, 1874. Note that no physical details were recorded on 4th February 1874 because he had not yet been photographed. A second notice appeared in the police gazette one week later, dated 6th February 1874, which included his age – 62 yrs, height – 5’5" – colour of hair – "brown" and distinguishing marks, eg. bullet mark on left leg, bayonet mark on thumb, scar on chin. These details were written and recorded when Thomas J. NEVIN photographed Thomas FRANCIS on that date – 6th February 1874 – at the Office of Inspector of Police, Hobart Town Hall. Continue reading
This gallery contains 5 photos.
Private collector and professional photographer Geoff Harrisson kindly forwarded these six scans of studio portraits by Thomas J . Nevin, each bearing verso a different inscription or stamp. Continue reading