Category Archives: John McCullagh Collection

One of the last portraits by Alfred Bock in Hobart 1865

This gallery contains 12 photos.

This photograph of a teenage girl with bare shoulders and ringlets may be one of the very last taken by Alfred Bock in Hobart Tasmania before his departure in 1865. The design of the studio stamp on the verso was altered only minimally by his younger partner Thomas J. Nevin who bought the lease of the studio, shop, the glass house and darkroom, the stock of negatives, camera equipment, backdrops and furniture etc at auction on August 2, 1865. Thomas Nevin continued to use the stamp’s design for his commercial studio portraiture for another decade, although he used at least six other designs for various formats and clients, including the Royal Arms insignia for commissions with the Colonial government. Continue reading

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Posing with a stereoscopic viewer

This gallery contains 12 photos.

Clients of early photographers were not the only ones to pose with the photographer’s own stereoscope(s). Two extant cartes-de-visite self-portraits by Thomas J. Nevin from The Nevin Family Collections captured his treasured stereoscopes, one with him holding a small viewer, … Continue reading

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A highly coloured portrait

This gallery contains 9 photos.

Unidentified woman, seated with sewing A highly colored carte-de-visite ca. 1872 Taken by T.Nevin late A.Bock, 140 Elizabeth St., Hobart Town Held at the Archives Office of Tasmania TAHO Ref: PH31/439 Photo © KLW NFC Imprint 2012 ARR This carte-de-visite … Continue reading

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Nevin’s big tabletop stereograph viewer

This gallery contains 8 photos.

Although this image is faint – it is a scan of a print pasted into the scrapbook of his son George – it shows clearly enough that George’s father, photographer Thomas J. Nevin, was rather fond of his big box tabletop stereograph viewer. Continue reading

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Clifford & Nevin’s cartes:tints versus daubs

This gallery contains 2 photos.

The bright touch of colour highlighting the girl’s posy or sprig of holly on a sepia toned carte is a common attribute of Thomas Nevin’s early portraits of private citizens. Another two portraits with the same red and green sprig … Continue reading

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Clifford & Nevin, and the coloured cartes

This gallery contains 2 photos.

Thomas J. Nevin and Samuel Clifford (1827-1890) were close friends and colleagues over a period dating from ca. 1865 to Clifford’s death in 1890. This carte bearing the handwritten inscription “Clifford and Nevin, Hobart Town” is one of several in … Continue reading

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