Category Archives: TMAG

Testimonial to Captain Edward Goldsmith 1849

This gallery contains 29 photos.

-Upon receiving the cup, Capt. Goldsmith remarked that he would retain the token until death ; and, with reference to some observations made by Mr. Carter, intimated it was not improbable he should next year, by settling in Van Diemen’s Land with Mrs. Goldsmith, become a fellow-colonist.

-The goblet, which was manufactured by Mr. C. Jones, of Liverpool-street, bears the following inscription:-”Presented to Captain Goldsmith, of the ship Rattler, as a slight testimonial for having introduced many rare and valuable plants into Van Diemen’s Land. January, 1849.” The body has a surrounding circlet of vine leaves in relief. The inscription occupies the place of quarterings in a shield supported the emu and kangaroo in bas relief, surmounting a riband scroll with the Tasmanian motto-” Sic fortis Hobartia crevit.” The foot has a richly chased border of fruit and flowers. In the manufacture of this cup, for the first time in this colony, the inside has undergone the process of gilding. Continue reading

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John Nevin snr and the Genge family

This gallery contains 22 photos.

WESLEYAN CHAPEL KANGAROO VALLEY John Nevin (1808-1887), Wesleyan, poet, teacher, journalist and Royal Scots veteran of the Canadian Rebellions 1837-38, arrived in Tasmania with his wife Mary and four children in 1852, and settled on land adjacent to the Franklin … Continue reading

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Queen’s Brian May & Elena Vidal on T.R. Williams’ stereography 1850s

This gallery contains 7 photos.

T.R. Williams’ stereographs taken of scenes in an English village in the 1850s (“Scenes in Our Village”) have been reproduced by Brian May and Elena Vidal in a superb publication, “A Village Lost and Found” . The book comes in a slip case that includes a stereoscopic viewer invented by Brian May “which makes the magic happen”. Continue reading

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Tasmanian Museum and Art Gallery holdings

This gallery contains 14 photos.

This Tasmanian Museum and Art Gallery notice about their photographic collections appeared in November 2006. It is now September 2010, and the promised website with viewable databases of their vast photographic holdings is still not up and running. The TMAG holds a sizable collection of rare works by Thomas J. Nevin. Continue reading

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The Photographer’s Wife

This gallery contains 11 photos.

“Look for a long time at what pleases you and longer still at what pains you.”
Colette

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Ferns, convicts, and Charles Darwin

This gallery contains 3 photos.

NEVIN’s FERN STEREOGRAPHS Tasmanian Museum and Art Gallery Collections TMAG Ref: Q1994.56.13 T. Nevin impress At least five stereographs of ferns by Thomas Nevin are held at the Tasmanian Museum and Art Gallery, dated to ca. 1870. Their catalogue entries … Continue reading

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Thomas Nevin’s stereography

This gallery contains 11 photos.

This carte-de-visite is a jewel in the crown of early stereography in Australia. It is the only surviving image of an 1860s photographer at work with a stereoscopic viewer. Thomas J. Nevin, late 1860s, pictured seated here holding a stereoscopic … Continue reading

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Stereographs slideshow

This gallery contains 12 photos.

A selection of salt paper stereographs from the late 1860s and early 1870s by Thomas J. Nevin  are included here and can also be viewed in Picasa Albums. Several are from the series Q1994.56 from The Tasmanian Museum and Art … Continue reading

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Wellington Park Exhibition July 1868

This gallery contains 3 photos.

Thomas J. Nevin exhibited the photograph at the Wellington Park Exhibition, Hobart, in July 1868. It appeared in the publication Tasmanian Photographers 1840-1940: A Directory (Tasmanian Museum and Art Gallery, 1995:82) Continue reading

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Tasmanian Museum and Art Gallery databases

This gallery contains 4 photos.

This Tasmanian Museum and Art Gallery notice about their photographic collections appeared in November 2006. It is now September 2010, and the promised website with viewable databases of their vast photographic holdings is still not up and running. The TMAG holds a sizable collection of rare works by Thomas J. Nevin. Continue reading

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Nevin & Clifford identical views

This gallery contains 4 photos.

Below is an example of the same photograph printed twice, once as a single image, the other as a stereograph.The black and white copy is dated 1869 and held at the Archives Office of Tasmania with attribution to Samuel Clifford. The stereograph (double image) is held at the Tasmanian Museum and Art Gallery, and carries the impress of T. Nevin on mount. Continue reading

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With Alfred Bock at The City Photographic Establishment

This gallery contains 5 photos.

An Apprentice Wanted – 1863 Sennotypes and oils by Alfred Bock held at the Tasmanian Museum and Art Gallery. Top: Self portrait and signature Lower from left to right: Mr Crouch; Mrs Crouch; Unknown Man Thomas J. Nevin answered an … Continue reading

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Dry plate photography 1860s

This gallery contains 5 photos.

TALK IN THE STUDIO The Photographic News would have been read to tatters by professional photographers Alfred Bock, Thomas Nevin, Samuel Clifford, Charles Woolley, and amateurs such as Morton Allport when it arrived in Tasmania 1863-64. It may have been … Continue reading

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Hobart Town from Lime Kiln Hill

This gallery contains 9 photos.

Samuel Clifford advertised in The Mercury, January 1876, that he had acquired the “interest” in Nevin’s commercial photographs taken for private clients and would reprint them at request. Between 1876 and 1880 Nevin was engaged full-time as the police and … Continue reading

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Thomas Nevin’s salt paper stereos at the TMAG

This gallery contains 2 photos.

The Tasmanian Museum and Art Gallery holds several stereographs on salt paper by Thomas J. Nevin taken in the late 1860s – ca 1870. These six were online in 2006: Series Q1994.56 from The Tasmanian Museum and Art Gallery Collection … Continue reading

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At Lady Franklin’s Museum, Kangaroo Valley

This gallery contains 3 photos.

This scan from a book publication by Dan Sprod answers the description of a Thomas Nevin stereograph of a group at the Franklin Museum, Ancanthe (known later as Lady Franklin’s Museum), Kangaroo Valley, listed at the Tasmanian Museum and Art … Continue reading

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Rocking Stone Parties on Mount Wellington

This gallery contains 5 photos.

The Captain of the party pushed forward to the hut at a place called the Springs to have breakfast prepared for us. The water flows down the mountain to the city. It is conveyed by a channel cut in the earth (about three feet wide). The old man & woman who reside at the hut supply visitors with implements and cook what provender they may take with them for which 1/- per head is generally presented to them. We arrived there at 1/2 past eight & were glad to sit down to an excellent breakfast of cold lamb and coffee. We also enjoyed a draught of the cold crystal water from the murmuring spring. Continue reading

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Clifford & Nevin’s cartes:tints versus daubs

This gallery contains 2 photos.

The bright touch of colour highlighting the girl’s posy or sprig of holly on a sepia toned carte is a common attribute of Thomas Nevin’s early portraits of private citizens. Another two portraits with the same red and green sprig … Continue reading

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At the Salmon Ponds and Plenty

This gallery contains 2 photos.

This stereograph by Thomas Nevin, titled Salmon Ponds, at Plenty near New Norfolk, ca. 1870, which is held by the Tasmanian Museum and Art Gallery is very similar to one by Samuel Clifford. Several views of the upper reaches of the Derwent were taken by Nevin, and copied by Clifford. Continue reading

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The red and green tinted sprig and Wm Maguire

This gallery contains 6 photos.

The carte-de-visite full-length studio portrait of William Maguire was on display within the extensive exhibition of Islands to Ice: The Great Southern Ocean and Antarctica held at the Tasmanian Museum and Art Gallery (2007). The sprig daubed red and green is visible on his left-hand lapel. Continue reading

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