Tag Archives: hand coloured cartes

Posing with a stereoscopic viewer

This gallery contains 12 photos.

Clients of early photographers were not the only ones to pose with the photographer’s own stereoscope(s). Two extant cartes-de-visite self-portraits by Thomas J. Nevin from The Nevin Family Collections captured his treasured stereoscopes, one with him holding a small viewer, … Continue reading

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A highly coloured portrait

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Unidentified woman, seated with sewing A highly colored carte-de-visite ca. 1872 Taken by T.Nevin late A.Bock, 140 Elizabeth St., Hobart Town Held at the Archives Office of Tasmania TAHO Ref: PH31/439 Photo © KLW NFC Imprint 2012 ARR This carte-de-visite … Continue reading

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From the C. G. Harrisson Collection: three studio stamps

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Private collector and professional photographer Geoff Harrisson kindly forwarded these six scans of studio portraits by Thomas J . Nevin, each bearing verso a different inscription or stamp. Continue reading

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The Photographer’s Wife

This gallery contains 11 photos.

“Look for a long time at what pleases you and longer still at what pains you.”
Colette

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Christmas 1874: Thomas Nevin’s photographic feat

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Seasons Greetings 2009 to all our readers, researchers, contributors and extended family.

Visitors to Thomas J. Nevin’s weblogs on 2nd January 2010 at midday:
On Christmas Day, 25th December 1874, The Mercury newspaper (Tasmania) published a notice which served the dual purpose of praising Nevin’s photographic talents and suggesting by way of praise that the “literary curiosity” would make a great gift as a Christmas card: Continue reading

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Nevin’s portraits of children gifted to the Duke 1868

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On the day fixed for his departure from Tasmania, 18th January 1868, H.R.H Prince Alfred was presented with an album of photographs.The album contained “eighty three photographs illustrative of the scenery of Tasmania, forty eight portraits of children born in the colony, and nine plates immediately connected with the Prince’s visit” according to the report of the visit written by John George Knight … Continue reading

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Thomas Nevin’s Christmas cards 1874

This gallery contains 5 photos.

A PHOTOGRAPHIC FEAT On Christmas Day, 25th December 1874, The Mercury newspaper (Tasmania) published a notice which served the dual purpose of praising Nevin’s photographic talents and suggesting by way of praise that the “literary curiosity” would make a great … Continue reading

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Portraits by T.J. Nevin in The Lucy Batchelor Collection

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This selection from the Lucy Batchelor Album of 1870s carte-de-visite portraits by Tasmanian photographer Thomas J. Nevin (1842-1923), submitted courtesy of Robyn and Peter Bishop, was scanned from the original page. Each carte is mounted behind the cut-out frame of the album leaves. The album is ca. 150 years old. Continue reading

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Nevin’s big tabletop stereograph viewer

This gallery contains 8 photos.

Although this image is faint – it is a scan of a print pasted into the scrapbook of his son George – it shows clearly enough that George’s father, photographer Thomas J. Nevin, was rather fond of his big box tabletop stereograph viewer. Continue reading

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Key dates in Thomas Nevin’s life

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KEY CHRONOLOGY 1842-1923 SUMMARY Thomas J. Nevin produced large numbers of stereographs and cartes-de-visite within his commercial practice, and prisoner ID photographs on government contract and in civil service. He was one of the first photographers to work with the … Continue reading

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Thomas Nevin self portraits 1850s-1880

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There are not many extant self portraits of Tasmanian colonial photographers of the 1850s-1880. The watercolour attributed to Alfred Bock of a young gentleman is held at the State Library of Tasmania; the photographs are held in descendants’ private collections. … Continue reading

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Red and violet: the impact of Brewster stereoscopy

This gallery contains 13 photos.

More and more examples of Thomas Nevin’s studio portraits have surfaced in recent years, and a few share ONE very odd feature. They have been inexpertly daubed with two colours: RED or raspberry, and VIOLET or blueberry, and some show … Continue reading

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Thomas Nevin’s portraits of his wife Elizabeth Rachel

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This is an old black and white enlargement of a detail of a portrait of Elizabeth Rachel Nevin (1847-1914) in her later years, probably taken ca. 1900 by her husband. Just her face was magnified to an unusually large size, measuring approx. 8×10. It has the impact of a modern cinematic close-up. The magnified final image was pasted to grey cardboard. Continue reading

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Walter Johnstone aka Henry Bramall or Taylor

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Henry Taylor was tried at the Supreme Court Hobart on 4th July 1871, along with John Appleby, one of the first photographs of prisoners taken by T.J. Nevin at the Supreme Court Hobart. The photograph of Taylor aka Bramall or Johnston was hand coloured by Nevin’s studio and placed in his shop window to assist the public in recognition and recapture of the prisoner when he absconded on February 6, 1874 from a gang at the Cascade factory. Continue reading

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Campbell aka Smith, Job

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Hand coloured by Nevin’s studio. Hanged as Job Smith, Hobart Gaol 31st May,1875 POLICE RECORDS William Campbell alias Robert Boodle (or Boodie or Brodie ) alias Job Smith convicted 19th March 1872 William Campbell arraigned for rape 11th May 1875, … Continue reading

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National Library of Australia’s convict portraits

This gallery contains 10 photos.

Many of these convict cartes held at the NLA are duplicates of the same images held at the Queen Victoria Museum and Art Gallery, the Tasmanian Museum and Art Gallery, and the Archives Office of Tasmania. This simple fact underscores the extensive copying which has taken place since the mid 20th century, principally from the QVMAG collection: 1958, 1977, 1982, 1985, 1987 and most recently for a digital database. Although the Nevin brothers photographed more than 3000 prisoners, the bulk has been lost, destroyed or sold at private auction. The remaining 300 or so were selected or salvaged by Beattie ca. 1916 to sell to tourists; he selected only those prisoners whose sentences were severe enough to warrant a criminal sitting in the Supreme Court: the offender’s apparent notoreity was the selling point. In this respect, the are not a random selection, nor a series. But they were not salvaged because they were an archive held at Port Arthur; they were never held at Port Arthur, nor taken there. Nevin photographed the prisoner once as a single capture in Hobart, produced prints from his original glass negatives at his city studio and later at studios in the Gaol and MPO, and made at least four duplicates from his glass negative for circulation to other prisons and police in regional Tasmania, in addition to the copies needed to paste onto warrants, prisoner records sheets, and the central register held at the Hobart Town Hall. Continue reading

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Thomas Nevin’s hand-coloured convict photographs

This gallery contains 3 photos.

By the MAYOR: … It was not true that between the hours of 10 and 11 o’clock on Thursday night, Constables Oakes and Priest took witness home in a state of intoxication. Witness had a photographic apparatus and chemicals in his possession. He had not made any ornaments of different colours for any one lately. He was not at any time on Thursday night under the influence of liquor. He did not think it was right to leave the Town Hall for so many hours as he had. He considered, however, that when he heard the constables’ whistle he was justified in going to render them assistance… Continue reading

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W. R. Giblin, Judge, Attorney-General and Premier

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W. R. Giblin was Tasmanian Administrator for a month during 1886. He was also Attorney-General in August 1873, and Premier in 1878, and 1879 to 1884. Thomas Nevin’s commission to photograph prisoners at the Port Arthur and Hobart Gaols was underwritten by W. R. Giblin in August 1873 on gaining the portfolio of Attorney-General in the government changeover. Continue reading

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Execution of Sutherland and Ogden

This gallery contains 12 photos.

The colouring of these cartes served two purposes: to render a more accurate image reflective of reality, i.e. blue for blue eyes, blue for the prison issue scarf, especially when the man was wanted on warrant; and to profit from the sale of the hanged man’s image to the press and the public. These were called “ornaments of colour”, a term used in reference to Nevin’s tinting of prisoner photographs in the Mercury newspaper account of Nevin’s incident with the “ghost” (December 4, 1880).

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Clifford & Nevin’s cartes:tints versus daubs

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The bright touch of colour highlighting the girl’s posy or sprig of holly on a sepia toned carte is a common attribute of Thomas Nevin’s early portraits of private citizens. Another two portraits with the same red and green sprig … Continue reading

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