This gallery contains 12 photos.
Clients of early photographers were not the only ones to pose with the photographer’s own stereoscope(s). Two extant cartes-de-visite self-portraits by Thomas J. Nevin from The Nevin Family Collections captured his treasured stereoscopes, one with him holding a small viewer, … Continue reading
This gallery contains 15 photos.
This stereograph on salt paper, which was produced by Thomas J. Nevin in the late 1860s of Tasmanian ferns, bears his blind stamp on the viewer’s left side, viz. “T. NEVIN PHOTO”. It belongs to a series of ferns taken around the foothills of Mt Wellington now held at the Tasmanian Museum and Art Gallery. This example is held in a private collection of Nevin descendants. Continue reading
This gallery contains 14 photos.
DOUGLAS STEWART FINE BOOKS LTD HOBART BOOK FAIR was held on February 12 – 13, 2011 with three items on sale pertaining to Thomas J. Nevin’s commercial photography.
STEREOGRAPH of CLIFFORD’S CAMERA
The first was this stereograph attributed to Samuel Clifford but ostensibly showing Clifford’s camera. Who took the photograph? Did Clifford carry two cumbersome cameras with him into this dense bush setting at Brown’s River, or was he accompanied – as so often he was around Tasmania – by Nevin? If so, the stereograph deserves the double attribution of Clifford & Nevin, an inscription which appears on several items also held in private collections. Continue reading
This gallery contains 8 photos.
Although this image is faint – it is a scan of a print pasted into the scrapbook of his son George – it shows clearly enough that George’s father, photographer Thomas J. Nevin, was rather fond of his big box tabletop stereograph viewer. Continue reading
This gallery contains 15 photos.
A modern viewer would assume that these portraits all have their provenance in a family album, and that a small childish hand had been at work with a paintbox. And perhaps that was the case, but there may yet be another explanation for why the portraits below, all bearing Thomas Nevin’s studio stamp, should exhibit such crude hand colouring when the hand-tinting of his other portraits – of family members, of himself, and even of a few convict cartes – is remarkably fine and delicate. The four examples here were all sold commercially, and were painted over after their purchase by their owners who had enough knowledge of stereoscopy to experiment, and may have possessed a stereo viewer. Single cartes were also viewed using a stereoscope, and the addition of colour and lines enhanced the depth of field. They were not painted by Nevin during printing, and they are not stereographs. None of Nevin’s stereographs were coloured in this manner. Continue reading
This gallery contains 6 photos.
AUGUSTA (Co. Buckingham) is a postal village and residential suburb of Hobart Town, in the police district of Hobart, and electoral district of Glenorchy. It is situate on the main road from Hobart Town to Launceston, about 2 miles from the former place, and on the New Town Rivulet, which empties itself in to the Derwent, near Risdon. A portion of Mount Wellington overlooks the district. There are no mills or manufactories in Augusta at present, except a pottery. The surrounding district is agricultural to a large extent. There are several coal seams in the district; two or three are being worked, and produce very good domestic fuel. The communication with Hobart Town is by ‘busses and other conveyances which run hourly. The city of Hobart Town adjoins Augusta N.W. There is one hotel in the village, the Harvest Home. The surrounding country is undulating and hilly. The population numbers about 300 persons. There are places of worship as follows: Church of England, Church of Rome, and Wesleyan Church. Continue reading
This gallery contains 10 photos.
Samuel Clifford advertised in The Mercury, January 1876, that he had acquired the “interest” in Nevin’s commercial photographs taken for private clients and would reprint them at request. Between 1876 and 1880 Nevin was engaged full-time as the police and … Continue reading
This gallery contains 5 photos.
The Captain of the party pushed forward to the hut at a place called the Springs to have breakfast prepared for us. The water flows down the mountain to the city. It is conveyed by a channel cut in the earth (about three feet wide). The old man & woman who reside at the hut supply visitors with implements and cook what provender they may take with them for which 1/- per head is generally presented to them. We arrived there at 1/2 past eight & were glad to sit down to an excellent breakfast of cold lamb and coffee. We also enjoyed a draught of the cold crystal water from the murmuring spring. Continue reading
This gallery contains 9 photos.
In this full-length portrait and the one below, she wears the same top coat. The studio decor of the full-length portrait above, however, is very different from the later portraits taken by Thomas Nevin at the City Photographic Establishment. The carpet and table and drape are not the same, suggesting either another studio in another venue or furnishings belonging to Alfred Bock who was the previous proprietor of the City Photographic Establishment, and whose stock was sold at auction … Continue reading
This gallery contains 2 photos.
This stereograph is one of about fifty by Nevin held at the Tasmanian Museum and Art Gallery. It bears the relatively rare New Town studio of Thomas Nevin, “Thos. Nevin New Town” . He used the abbreviation “Thos. Nevin” on … Continue reading