Convict Carte No. 1: George WHITE aka NUTT

The database image with verso at the Queen Victoria Museum and Art Gallery: note that the verso is inscribed with the conventional date of Nevin’s photographic registration (1874), the alias, and the ship on which Nutt was originally transported before 1853, but the transcription which appears on many other versos of convicts’ cartes – “Taken at Port Arthur” – is absent. Nevin may have photographed Nutt at Port Arthur between 23rd February and 8th May 1874; the former date being another sentence for Nutt for breaking the cell while trying to escape, the latter being one of the dates on which Nevin attended Port Arthur on police business. He was absent from Hobart when his father-in-law Captain James Day registered the birth of Thomas James Nevin jnr in May 1874. … More Convict Carte No. 1: George WHITE aka NUTT

The Kangaroo Valley farm & school stereos

AUGUSTA (Co. Buckingham) is a postal village and residential suburb of Hobart Town, in the police district of Hobart, and electoral district of Glenorchy. It is situate on the main road from Hobart Town to Launceston, about 2 miles from the former place, and on the New Town Rivulet, which empties itself in to the Derwent, near Risdon. A portion of Mount Wellington overlooks the district. There are no mills or manufactories in Augusta at present, except a pottery. The surrounding district is agricultural to a large extent. There are several coal seams in the district; two or three are being worked, and produce very good domestic fuel. The communication with Hobart Town is by ‘busses and other conveyances which run hourly. The city of Hobart Town adjoins Augusta N.W. There is one hotel in the village, the Harvest Home. The surrounding country is undulating and hilly. The population numbers about 300 persons. There are places of worship as follows: Church of England, Church of Rome, and Wesleyan Church. … More The Kangaroo Valley farm & school stereos

Hobart Town from Lime Kiln Hill

Clifford & Nevin appears as a handwritten inscription on the versos of several studio portraits in public and private collections, but their collaboration was principally in stereography, especially in the late 1860s. Several stereographs held at the State Library of Tasmania, collated in “The Clifford Album”, whether unattributed or which bear Clifford’s stamp may be original photographs by Nevin produced during their partnership.

The Tasmanian Museum and Art Gallery holds a sizeable collection of Thomas Nevin’s stereographs dating from 1868. Nevin exhibited at the Wellington Park Exhibition in 1868, and at the Hobart Town Hall Bazaar in 1872. This stereograph titled Hobart from Lime Kiln Hill looking down Harrington Street carries his New Town studio stamp on verso, taken in the mid to late 1860s. … More Hobart Town from Lime Kiln Hill

Recto & verso of cdv of prisoner John FITZPATRICK

The “Taken at Port Arthur 1874” inscription on the verso of a Tasmanian convict carte appears uniformly on many prisoner photographs originally taken by Thomas Nevin. The handwritten inscription and the date “1874” was written by an archivist ca. 1916, probably by John Watt Beattie who salvaged these cartes from the Hobart Gaol, but it has misled researchers into believing in the existence of a “Port Arthur photographer” of prisoners in 1874 (Long, 1995; Reeder, 1995). Thomas Nevin visited the site on several occasions in the company of other photographers (Alfred Bock, Samuel Clifford) from the mid 1860s to the mid 1870s, and by 1874 he was attending to police business there, checking transportation records against police record aliases. … More Recto & verso of cdv of prisoner John FITZPATRICK

Thomas Nevin’s Rank 1871

“Rank” appears on this Hobart Town marriage registration form, when Thomas Nevin married Elizabeth Rachel Day on July 12, 1871. Its usage on this official form is indicative of his status in government service. Detail of Thomas and Elizabeth Nevin’s marriage certificate, July 12, 1871. Click on image for large view Thomas and Elizabeth Nevin’s … More Thomas Nevin’s Rank 1871

Signatures and handwriting 1870s

Examples of Thomas Nevin’s handwriting can assist in identifying inscriptions on the versos of so many unattributed photographs of the period in public holdings. The handwritten inscription – “Clifford & Nevin, Hobart Town” – which appears on several studio portraits in private and public collections, may be one source of either Nevin’s or Clifford’s calligraphy. … More Signatures and handwriting 1870s

Prisoner records of Allan WILLIAMSON and William SMITH

The prisoner carte-de-visite of Allan Williamson pasted to the parchment record might have T. J. Nevin’s stamp on verso, but then again it may not, and for this reason: at least one duplicate of a prisoner’s mounted photograph was intended to be pasted to the prisoner’s record. More duplicates were made to be circulated to the police in the event of a warrant after the prisoner’s release. The photographer would not have wasted ink and time printing every carte on verso when the verso would never be visible. These cartes were co-owned by the government AND the photographer contracted on tender to produce them. Just one carte with the photographer’s official stamp verso per batch of 100 cartes was required by the the Customs and Patents Act. Primarily these cartes were legal instruments stamped with the government contractor’s Royal Arms insignia similar to the seal of the Hobart Supreme Court where many were taken. Their primary function was police records, unlike Thomas Nevin’s other cartes-de-visite of private citizens and those taken on commission, many of which bear his commercial stamps on verso or impressed on mount. No photographer’s stamp other than T. J. Nevin’s appears on these convict cartes-de-visite. … More Prisoner records of Allan WILLIAMSON and William SMITH