During the night of the 16th instant the dwelling of John Nevin, Kangaroo Valley, was burglariously entered, and the following articles stolen there-from: – 2 white shirts, one much worn; 2 Scotch twill shirts, one has a patch of different material across the shoulder, the other broken at the elbow; 1 old flannel shirt, stained in front; 1 white pillow-slip; 2 jars of raspberry jam; 2 lbs. soap; 2 lbs. bacon; the property of and shirts identifiable by John Nevin. … More The Nevin farm burglariously entered 1881
The “vernacular” is defined as any photography that is not “art”: postcards, insurance records, passport photos, touristic photos, court documents, scientific images, forensic photographs taken at crime scenes etc etc. Thomas J. Nevin is somewhat remarkable in that his photographic records for the police, especially from the years 1872-1880s, are among the earliest to survive in Australian public collections and that his prisoner portraits are claimed as both art and vernacular photography. His portraiture techniques applied to judicial photography were “artistic” in a way that the mugshots produced by prison photographers in jurisdictions elsewhere such as Victoria & NSW, in Australia, and Millbank and Pentonville, in the UK were unequivocal, documentary captures. Nevin’s prisoner photographs were not only posed, printed and framed as commercial portraits – either soft-focus framing or vignetted with darker backcloths – in some instances, they were also hand-coloured for heightened realism. … More Vernacular or art? Nevin at the threshold in 1874
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