Two couples, two dogs by A. Bock and T. Nevin

The “T. Nevin Late A. Bock” portrait of a middle-aged couple with a dog was hand-tinted by the family who purchased it or by subsequent owners. Such inept colouring was not the work of Nevin himself. His own family portraits show delicate and precise tinting. Other heavily tinted portraits bearing the same studio stamp used by Nevin for commercial portraiture into the early 1870s show the owners’ preference for red and violet colours. This portrait of a couple with dog is unusual in that green and brown colours were used. In all these extant cartes-de-visite portraits bearing Nevin’s stamp which were coloured subsequent to purchase, it is the carpet which has received the most savage treatment. The strange blobs defy conventional perspective, although the intention may have been the opposite. This carte – as with many of the others bearing amateurish daubs – probably originated from the same family in northern Tasmania. … More Two couples, two dogs by A. Bock and T. Nevin

Prisoner Robert aka James OGDEN, photographed by Nevin 1875

This photograph – a standard 1870s carte-de-visite prisoner identification photograph produced by Thomas J. Nevin – has escaped the attention of photo-historians of the 1870s Tasmanian prisoners’ identification photographs, the so-called “Port Arthur convict portraits 1874” labelled and catalogued as such in Australian national collections, viz. the National Library of Australia, Canberra, and the Queen Victoria Museum and Art Gallery, Launceston. It belongs to the same series of fine albumen prints of prisoners taken by commercial and police photographer Thomas J. Nevin for the Hobart Gaol and Hobart Municipal Police authorities from 1872- 1880. … More Prisoner Robert aka James OGDEN, photographed by Nevin 1875