This carte-de-visite of William Kellow, one of the extant hundreds of Tasmanian prisoners taken in the 1870s and printed in an oval mount, is held at the Tasmanian Museum and Art Gallery, Hobart. It was originally held in the Queen Victoria Museum and Art Gallery, Launceston, together with another three hundred or more 1870s mugshots taken at the Hobart Gaol by government contractor Thomas J. Nevin which were acquired by the QVMAG as part of the bequest from the estate of John Watt Beattie in the 1930s. When this cdv, along with 55 more now at the TMAG, were removed from Beattie’s collection and taken down to Port Arthur for an exhibition in 1983, it was not returned to the QVMAG. It was deposited instead at the TMAG . The QVMAG list (2005) showed a total of 199 mugshots, but only 72 were physically held at the QVMAG when the list was devised. A total of 127 mugshots were missing by 2005. This carte-de-visite of William KELLOW is one of those listed as missing, number 143. … More Prisoner William KELLOW 1872
The verso gives no indication of the name of the prisoner, but from the inscribed details, this prisoner fits the physical description of John Pope, the ship on which he arrived in Tasmania, the sentence served of 2 years, and discharged free with conditions (FC). This photograph was not reprinted by John Watt Beattie from Nevin’s original negative, or from Nevin’s duplicates of his own cdv produced for gaol records from his single sitting with the prisoner. Its verso shows it was removed from paper, probably the prisoner’s criminal record sheet. Many of the later Hobart Gaol records books dating from the mid 1880s retain the prisoner’s mugshot(s) intact (held at the Archives Office Tasmania), but the earlier 1870s mugshots have survived mostly only as loose duplicates, so this loose carte is unusual in that respect. This photograph’s late date of production, 1881-83, is possibly one reason it appears to be an original prisoner identification photograph by Nevin, typical of his commercial posing and printing in an oval cdv mount. … More Prisoner John POPE 1881
Thirty-three year old John Mayne was a Member of the Table Cape Road Trust when he was wrongfully convicted for rape in January 1874. A sentence of death was recorded which was remitted to 15 years. He was released 10 months later, in December 1874 after protracted protests in the press and several juror capitulations, the same jurors who had initially returned a verdict of guilty after two hours’ deliberation at the trial (13 January 1874), a case strongly defended by John Mayne’s barrister R. Byron Miller. Thomas Nevin photographed John Mayne on arrival at the Hobart Gaol from the Supreme Court, Launceston, in February 1874 before Mayne was sent to the Port Arthur prison, from where he was discharged as “Free.” The release was effected by barrister R. Byron Miller and Attorney-General W. R. Giblin, two key members of the legal fraternity along with John Woodcock Graves jnr, whose endorsement of Thomas J. Nevin as government contractor for the provision of prisoner identification photographs was effected in 1872 and extended through to the late 1880s. Thomas Nevin also provided portraits of these lawyers, including members of their respective families. … More Miscarriage of justice: the case of John MAYNE 1874
Captain James Bayley’s first marriage to Emma Elizabeth Butchard, daughter of Captain Tom Butchard, on December 30th 1856 ended at her death ten years later, on 4th December 1866. She died of pulmonary consumption, aged 27 yrs at Battery Point. Witnesses at the marriage were his brother-in-law Alexander McGregor and his brother Charles Bayley. Her daughter Harriet Louisa Bayley, named after the Bayley brothers’ sister, was motherless at just 5 years old. Her widowed father took her to England and when they returned on the Harriet McGregor in 1872, he was accompanied by a prospective new wife and stepmother to Harriet, his distant relative Miss Elizabeth Bayley. … More Elizabeth Bayley at Runnymede, New Town 1874-1875
Inscribed on this glass plate taken with a stereo camera of a ship berthed at the New Wharf, Hobart – not the Old wharf – is the wording “Taken 4th Feb 1871” on the right hand side. Mirror-flip the image vertically, and wording becomes clear, the hand-writing identifiable, and therefore the photographer who took it. This is Thomas J. Nevin’s handwriting, examples of which are found on the versos of photographs, and on the birth registrations of his children 1872, 1876, 1878, 1880, 1884, and 1888. The only birth registration not signed by Nevin was of his son Thomas James Nevin jnr in 1874; it was signed by his father-in-law master mariner Captain James Day while Nevin was away on business at the Port Arthur prison. … More The barque “Harriet McGregor” 1870s
One example of excessive damage to the original glass plate is evident in this print taken from the negative of Nevin’s only sitting with prisoner Peter Killeen in the week preceding the 20th January, 1875, when Killeen was discharged from the Hobart Gaol. He was given a life sentence for assault and robbery in 1856, and when discharged in 1875 with a ticket-of-leave, he was 64 yrs old. He subsequently re-offended, was sentenced to a further 6 weeks and discharged again on 29 September 1875. Peter Killeen offended again within six months of discharge. He was given a sentence of seven (7) years for larceny at the Supreme Court Hobart on 8th March, 1876, sent to the Port Arthur prison, arriving there on 6th April, 1876, and transferred back to the Hobart Gaol on 17th April, 1877. Peter Killeen died from senile decay, aged 76 yrs, as a Prisoner of the Crown at the Hobart Gaol on 27th June, 1889. See originals of these records here.
The only image, whether extant as duplicates of the carte-de-visite or negative prints surviving from Peter Killeen’s criminal sentences is the one taken by Thomas Nevin at his single sitting with the prisoner in January 1875. The scratched condition of the glass plate by the time of Killeen’s death in 1889 at the Hobart Gaol is evidence of repeated use, the print showing even more wear and tear than the other 39 prints used by Beattie for the line-up of 40 on his three panels created in 1915. … More Thomas Nevin’s glass plates of prisoners 1870s
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