Outdoors, just back from a stroll in the fresh country air, hat in hand, was the theme chosen for Mary Louisa Bayles’ session at Alfred Bock’s studio ca. 1865. He stood her next to a circular metal garden table decorated with a metal stand supporting a bowl of artificial fruits and flowers. Behind her, both on her left and right, two plaster plinths were to suggest a patio balustrade leading to steps rising to a terrace just out of frame. Painted on the backsheet to the viewer’s right, the large tree reaching to the top was to soften the edge of the frame in similar manner to the drape which nearly always appears in Alfred Bock and Thomas Nevin’s indoor studio portraits. In the distance to the viewer’s left, the smaller tree was to deepen perspective while allowing enough blank space to foreground the pose Mary Louisa chose as a complement to the outdoor decor. Only the carpet appears incongruous in a setting which has so much outdoor furniture. That same carpet with a pattern of large dark lozenges rimmed in white appears in several portraits by Thomas Nevin of private clients. He may have acquired it from H. H. Baily whose studio was located almost opposite in Elizabeth Street. It appears in Baily’s portrait of Sara Crouch who was photographed by Thomas Nevin about the same time, ca. 1872. … More Alfred Bock and the Bayles sisters
This photograph taken by Thomas J. Nevin at his studio, the City Photographic Establishment of Elizabeth Allport (1835-1925) is arguably the finest portrait taken of her in her mature years. There is no other photograph – and there were many taken throughout her life – which reveals her sublime grace and character to this extent, a quality due in no small measure to the professional expertise of Thomas J. Nevin. Elizabeth Allport was the elder daughter of Lieutenant Thomas Ritchie, wife of Morton Allport (1830–1878), mother of Curzona (Lily), Minnie, Cecil, Evett and Henry Allport, and a friend to the family of Thomas J. Nevin, his wife Elizabeth Rachel Day and his sister Mary Anne Nevin. … More Elizabeth Allport nee Ritchie at Thomas J. Nevin’s studio 1876
James Glen was arrested for receiving the stolen plate from Webb’s Hotel, per notice published in the police gazette of 10th February 1871. He was convicted at the Supreme Court on 4th July, 1871 of “feloniously receiving” and sentenced to ten (10) years. The police noted his ship of arrival in Tasmania as the George & Susan, a whaling vessel of 356/343/287 (tons), built at Dartmouth, MA (1809) and wrecked at Wainwright Inlet, Alaska, Aug 10, 1885. In order to have arrived at Hobart on board this ship, James Glen must have joined its crew at Fremantle, Western Australia as soon as his conditional pardon (CP) was granted, working his passage on the voyage prior to the vessel entering the South Pacific whaling grounds. … More Prisoner James GLEN 1874 and 2003
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