How cheap was “cheap”? Three years previously, when Thomas Nevin was assistant in Alfred Bock’s studio at 140 Elizabeth St. Hobart before Bock’s departure and Nevin &Smith acquiring the business, he would have taken exception to the word “cheap” directed at Alfred Bock’s practice. The dispute about the ownership and copyright of the sennotype process between Henry Frith and Alfred Bock in 1864-1865 embittered both to the point of deciding to quit Tasmania. Frith’s rates for carte-de-visite portraits were expensive, two for 10/-, and his disdain for “cheap trash palmed off on the public as cheap photography” was loudly proclaimed in this advertisement in the Mercury of 6th April 1864. … More Tombstones copied, Terms: – Cheap!
Robert Smith and Thomas Nevin established the firm of Nevin & Smith soon after Thomas Nevin acquired the stock, studio and glass house of Alfred Bock at 140 Elizabeth St. Hobart Town in 1865. The partnership was brief, lasting less than two years. It was dissolved by Nevin’s family solicitor, the Hon. W. R. Giblin, in February 1868.
Robert Smith may have operated a studio prior to his partnership with Nevin, as Mrs Esther Mather referred briefly to the “coloured ones from Smith’s” in a letter to her step-son, dated October 1865. On Robert Smith’s departure to Victoria, where he took up farming and politics, Thomas Nevin pasted the verso of a few more photographs with the label bearing their name, but with Smith’s name struck through, and the word “Late”added. … More The firm of Nevin & Smith stamps and label 1867-1868
Thomas Nevin set up the firm Nevin & Smith ca. 1865 at the City Photographic Establishment, 140 Elizabeth Street, Hobart Town, in partnership with Robert Smith. However, by February 1868, the partnership was dissolved. … More The firm of Nevin & Smith 1867-1868
Robert Smith may have operated a studio prior to his partnership with Nevin, as Mrs Esther Mather referred briefly to the “coloured ones from Smith’s” in a letter to her step-son, dated October 1865. On Robert Smith’s departure to Victoria, where he took up farming and politics, Thomas Nevin pasted the verso of a few more photographs with the label bearing their name, but with Smith’s name struck through, and the word “Late”added. … More Thomas Nevin and Robert Smith 1865-1868
This studio stamp – with the Prince of Wales insignia – is the second type of stamp from Thomas Nevin’s studio that bears an official insignia. His other government stamp, which he used on the verso of several portraits of Tasmanian convicts while contracted as prison photographer at Port Arthur and the Hobart Gaol, features the Royal Arms insignia with lion and unicorn rampant. The Prince of Wales emblem was used on decorations for official functions during the Duke of Edinburgh’s visit in 1868 … … More Another rare Nevin & Smith studio stamp
This is a rare hand-tinted portrait taken by Thomas Nevin of his fiancee while in partnership with Robert Smith, who may have been an independent photographer prior to his partnership with Nevin between ca. 1865 and its dissolution in 1868. By about 1863, according to Esther Mather (d.1872, aged 77 years), Smith was providing the citizens of Hobart Town with coloured photographs. … More Nevin & Smith tinted vignette of Elizabeth Rachel Day
In this full-length portrait and the one below, she wears the same top coat. The studio decor of the full-length portrait above, however, is very different from the later portraits taken by Thomas Nevin at the City Photographic Establishment. The carpet and table and drape are not the same, suggesting either another studio in another venue or furnishings belonging to Alfred Bock who was the previous proprietor of the City Photographic Establishment, and whose stock was sold at auction … … More Nevin & Smith studio Elizabeth St.