Sarah Crouch at Thomas J. Nevin’s studio ca. 1872

“SEVERAL Ladies having been long impressed with the desolate state of females occupying the sphere of domestic servants on leaving their situations while seeking others, the following ideas have been suggested: –
“That a society of ladies be formed, the design of which shall be to protect ALL lone female servants, and afford such advice as experience dictates and by judicious care and oversight prevent exposure to many evils which strangers in the colony are subject to; and also to provide a “Home” to ALL female servants willing to avail themselves of its privileges at a rate within the reach of their limited means. The “Home” will be conducted as much as possible in accordance with similar Institutions in London. Such a home will preclude the necessity of the well-intentioned taking up their abode with persons whose object is gain to themselves, though it should be the destruction of their supporters. With this view the ladies have taken a house in High-street, near the New Town Road (a respectable neighbourhood) at a very moderate rent, in which there is a sitting-room, with table requisites for the use of the inmates, and all necessary utensil for cooking, washing, &c – the dormitories furnished with beds, bedding, and everything necessary to the comfort of those desirous of placing themselves under the guardianship of the ladies….” … More Sarah Crouch at Thomas J. Nevin’s studio ca. 1872

Thomas Nevin and Alfred Barrett Biggs 1872-1876

Posing with an upturned riding crop or cane in his right hand, his left hand resting on the chair where someone decorously placed a book and top hat as signifiers of class and literacy, Alfred Barrett Biggs appears anything but relaxed at the point of capture, despite the casual stance with right leg bent at the knee crossing the left. Although his gaze fell slightly to the left of where Thomas Nevin stood while composing the shot, the exchanges of dialogue between the two men at that point would not explain why Alfred’s eyes fairly burn, they are so bright. Very light or pale blue eyes can cause this sort of look and pin pricks or black dots were sometimes used by studio assistants to accentuate or even animate the client’s eyes when they do appear too pale. Even though Alfred’s eyes do not appear exceedingly light in later portraits taken in the 1880s and 1890s (see Addenda 3 below), his pupils were darkened in this portrait with black ink, and because the alignment of each black dot is slightly askew, Alfred appears somewhat overwrought and anguished. … More Thomas Nevin and Alfred Barrett Biggs 1872-1876