Fashions in prison uniforms at the Hobart Gaol in the 1870’s varied according to the class of criminal, his trade or job, and the season. Thomas J. Nevin photographed prisoners William Smith and James Mullins at the Hobart Gaol in July 1875 wearing the grey uniform and leathern caps for police records. A visitor to the gaol in July 1882 noted the grey jacket and leather caps of the old hands, and the yellow and black uniforms worn by prisoners working in gangs at large in the community. The prisoner in these three photographs, Joseph James Cooper, wore three different uniforms on the three different occasions while under sentence: in 1875 for burglary; in 1879 for forgery and uttering; and in 1889 for arson. … More A glaring fraud: Joseph James COOPER aka the “Artful Dodger” 1875-1889
This later photograph of Nathan Hunt taken by Constable John Nevin was printed in the earlier format of an oval framed carte-de-visite vignette typical of his brother Thomas’ commercial technique of printing his 1870s mugshots for the Municipal Police Office and Hobart Gaol. This photograph is only the third mugshot to surface of a Tasmanian prisoner wearing a prison issue cap; the earlier mugshots taken by Thomas Nevin of prisoners James Mullins and William Smith at the Hobart Gaol in 1875 show both men wearing the “black leathern cap” manufactured by prisoners at Port Arthur in 1873. The prison issue woollen cap also made by prisoners at Port Arthur in 1873 is shown here, worn by Nathan Hunt in this later mugshot dated 1890. … More Prisoner Nathan HUNT 1870s-1890s
In late March, 1866, photographer Alfred Bock was at the Port Arthur prison site on the Tasman Peninsula, 60 kms south of Hobart at the request of its Commandant, James Boyd. Alfred Bock’s studio – The City Photographic Establishment – at 140 Elizabeth Street, Hobart, was manned by his junior partner Thomas Nevin and his apprentice, younger brother William Bock, in his absence. Bock’s mission at Port Arthur was to provide a series of landscapes and portraits of officials. However, it was photographer Samuel Clifford, Nevin’s friend and mentor, of Liverpool Street, Hobart, who was the source and supplier of photographic materials to the Port Arthur prison administration, in this instance for Alfred Bock in March 1866, and again in August 1873, when Clifford himself visited the prison site. … More Photographers A. Bock, S. Clifford and T. Nevin at Port Arthur
Neither Morris nor Evans looks cowered, intimidated, or fearful, and why should they on the occasion of their discharge from prison? They look at ease in the presence of the photographer. Both appear healthy, self-possessed, and clean. Both men had shaved, buttoned their jackets, and folded their neckerchiefs neatly into the top of the jacket like a gentleman’s cravat. Although these men appear to be wearing their own standard issue prison uniforms, they may have been supplied with passably clean clothing for the occasion. They needed to be identifiable as prisoners from their clothing. Morris was photographed in spring and posed wearing the light jacket and neckerchief; Evans was photographed in summer but wore the standard issue woollen jacket and neckerchief. Released as “Free”, he was a ‘native” or local prisoner with a short-term sentence whose eyes were firmly fixed on the future and freedom. … More Well-groomed prisoners MORRIS and EVANS
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