Photographic works extant in public collections taken by Hobart professional photographer Thomas J. Nevin (1842-1923) in Tasmania during the 1860s and 1870s are regularly displayed at exhibitions held by Australian national galleries and museums. In many cases, a publication in book form accompanies the exhibition. This year’s exhibition titled WHO ARE YOU includes a hand-tinted carte-de-visite of a woman yet to be identified, taken by Thomas J. Nevin ca. 1865-67. The exhibition of 230 works – 79 from the National Portrait Gallery in Canberra, and 160 from the National Gallery of Victoria, Melbourne – represent all visual media of photography, painting, sculpture, works on papers and video. … More T. Nevin cdv at the “Who Are You” exhibition, NGV and NPG 2022
Photographs of Tasmanian “convicts” – i.e. prisoner mugshots – taken by T. J. Nevin in the 1870s were exhibited at the Centenary of the Art Gallery of New South Wales, Sydney and at the National Gallery of Victoria, Melbourne in 1976. The Exhibition Catalogue was written by Daniel Thomas Senior Curator and Curator of Australian Art, Art Gallery of NSW. The Tasmanian contributor was antiquarian Geoffrey Stilwell, a Trustee of the Centenary Celebrations of the Art Gallery of NSW and Special Collections curator of the Allport Library and Museum of Fine Arts, State Library of Tasmania. … More Convict photographs by T. J. Nevin at the Art Gallery NSW Centenary Exhibition 1976
The National Portrait Gallery (Australia) at Canberra is currently displaying this wooden frame containing ten “convict portraits” under glass at the exhibition, Sideshow Alley: Infamy, the macabre and the portrait, 4th December 2015 – 28th February 2016. The National Library of Australia has repeatedly chosen the same set of photographs from their collection of 85 Tasmanian prisoners’ mugshots (catalogued as “convicts”) for loan to the National Portrait Gallery because they are clean examples of the professional photographer’s use of the albumen process. Other examples in the NLA’s collection are damaged and dirty, and some are unmounted, e.g. Searle’s album. Most of the NLA’s collection is online, yet the versos of these photographs, which can provide researchers with valuable information. have not been digitised. The NLA believes that the absence of a photographer’s studio stamp on the versos – of police mugshots no less – is reason enough to engage in puerile political games of re-attribution, despite historical documentation, expert curatorial validation, and the presence of T. J. Nevin’s government contract stamp on several of these mugshots held in other national collections. … More Sideshow Alley: Thomas Nevin at the NPG exhibition 2015
These three frames of 40 photographs in total were included in the exhibition Heads of the People, held at the National Portrait Gallery, Canberra, June to October, 2000, with a doubly erroneous attribution. Beattie’s name appears as the source, giving the impression that these are indeed HIS photographs, and that they were re-created by him “after” an earlier source, Adolarious Humphrey Boyd, the accountant and Commandant at the Port Arthur site from 1871-1873. Thomas J. Nevin was the original photographer of these 40 prints sourced from the QVMAG and exhibited at the National Portrait Gallery, Canberra, 2000. … More Heads of the People exhibition NPG Canberra 2000
This stereograph, and others taken at the same time and place of the Prisoners Barracks (see below) are held at the State Library of Tasmania, and although unattributed, they were most likely taken by Thomas Nevin working with Alfred Bock between 1863-1866 at their studio, 140 Elizabeth St. Hobart. The Nevin brothers’ association with the Hon. W. R. Giblin and the Hobart Gaol continued throughout the 1870s and 1880s while Nevin was contracted to the Municipal Police Office as prisons photographer, both as a commercial photographer on tender, and as a full-time civil servant. His principal studio, The City Photographic Establishment, was located one block away, close to the corner of Melville and Elizabeth Streets directly to the west. … More Melville Street from the Hobart Gaol 140 years ago
Thomas J. Nevin exhibited the photograph at the Wellington Park Exhibition, Hobart, in July 1868. It appeared in the publication Tasmanian Photographers 1840-1940: A Directory (Tasmanian Museum and Art Gallery, 1995:82) … More Wellington Park Exhibition July 1868
A new National Portrait Gallery of Australia is under construction in Canberra. No doubt the new spaces will display photographic portraits of convicts transported to Australia, as part of the country’s rich history of migration. How will the National Portrait Gallery handle issues of attribution? Will the contradictions of the exhibition Mirror with a Memory … More Mirror with a Memory Exhibition, National Portrait Gallery 2000
Thomas James Nevin jnr was born in 1874 at the residence attached to his father’s photographic studio at 140 Elizabeth St, Hobart Town. He was the second child of Thomas and Elizabeth Nevin and the first son – his elder sister May (Mary Florence) was born in 1872).
Known as “Sonny” to family descendants, he travelled to California to reside there for a time with his wife Gertrude Tennyson Bates and his wife’s family who migrated there in the early 1900s. Both returned to Hobart and both died there, Thomas James in 1948, and Gertrude Bates in 1955. … More Thomas James ‘Sonny’ Nevin (1874 – 1948)
Professor Joan Kerr (1938-2004) conducted research in collaboration with Special Collections Librarian at the State Library of Tasmania, G. T. Stilwell, on Thomas J. Nevin’s life and career for inclusion of an entry in her massive two volume biographical dictionary of Australian artists and photographers which she published in 1992 (page 568): Photo KLW NFC … More Professor Joan Kerr 1992-4
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