John Nevin: “My Cottage in  the Wilderness” 1868

My Cottage in the Wilderness

Tir’d at last of Ocean dangers
I’ve sought and found a lone retreat,
Oft in youth deceiv’d by strangers
My home is now where friends may meet.
In a Vale by woods surrounded,
Romantic scenes I must confess, –
A rural building I have founded,
My cottage in the wilderness. … More John Nevin: “My Cottage in  the Wilderness” 1868

Nevin’s mugshots: the transitional pose and frame

Between 1876 and 1884, transitional years in the history of 19th century prison photography, changes took place in the way Jack and Thomas Nevin posed the prisoner and and printed the final carte-de-visite. The technology changed too. Lenses after 1875 enabled a closer or larger image of the face. The prisoner was also posed closer to the camera in a full frontal position facing the photographer, and although the oval vignette was still the preferred format for printing, square frames were also used. The formalised front and profile pair of portraits using the methods of Bertillonage did not appear in Tasmanian prison photography until the late 1890s, by which time both Nevin brothers had ceased professional photography. … More Nevin’s mugshots: the transitional pose and frame