Prisoner Henry CLABBY alias Cooper, 22 yrs old, and locally born (“native”) in Tasmania was photographed by Thomas J. Nevin at the Hobart Gaol for the Municipal Police Office Hobart, between 4th-24th January 1874. This photograph of Henry Clabby was originally held at the QVMAG, numbered “142” on recto and transcribed verso in 1915 for display at convictarian John Watt Beattie’s Port Arthur Museum, located in Hobart. It is now held at the TMAG Ref: Q15600. More than sixty photographs taken by government contractor Thomas J. Nevin in the 1870s of Tasmanian prisoners – or “convicts” as they are labelled in tourism discourse – are held at The Tasmanian Museum and Art Gallery. See 56 copies from the TMAG Collection, acquired by this weblog in 2015. Unlike the majority of those prisoner mugshots mounted as cdvs from the QVMAG and TMAG collections which show verso evidence of having been pasted to paper or cardboard and then removed, this cdv of Henry Clabby is clean apart from the curator’s number recto “142”, suggesting it was reprinted in recent times, or even composed entirely as a new artefact for exhibition in the late 20th century. … More “Hair inclined to be curley”: prisoner Henry SMITH aka Clabby aka Cooper
The National Portrait Gallery (Australia) at Canberra is currently displaying this wooden frame containing ten “convict portraits” under glass at the exhibition, Sideshow Alley: Infamy, the macabre and the portrait, 4th December 2015 – 28th February 2016. The National Library of Australia has repeatedly chosen the same set of photographs from their collection of 85 Tasmanian prisoners’ mugshots (catalogued as “convicts”) for loan to the National Portrait Gallery because they are clean examples of the professional photographer’s use of the albumen process. Other examples in the NLA’s collection are damaged and dirty, and some are unmounted, e.g. Searle’s album. Most of the NLA’s collection is online, yet the versos of these photographs, which can provide researchers with valuable information. have not been digitised. The NLA believes that the absence of a photographer’s studio stamp on the versos – of police mugshots no less – is reason enough to engage in puerile political games of re-attribution, despite historical documentation, expert curatorial validation, and the presence of T. J. Nevin’s government contract stamp on several of these mugshots held in other national collections. … More Sideshow Alley: Thomas Nevin at the NPG exhibition 2015
This untitled stereograph by Thomas J. Nevin, taken ca. 1868 of a group of 19 people sitting by a stream, including a woman holding a concertina, is held at the Tasmanian Museum and Art Gallery, Ref: Q1994.56.31. Photographed together with its blank verso on 10th November, 2014 at the TMAG (by this weblog), the stereo is one of a series, some bearing Nevin’s New Town stamp, some blank, originally attributed and sequenced by Specialist Collections librarian G. T. Stilwell at the State Library and Archives Office of Tasmania in the 1970s while preparing an exhibition of Nevin’s portraits of convicts (at the QVMAG with John McPhee 1977). … More The concertina player 1860s
An exhibition of early colonial portraits titled HUSBANDS and WIVES has recently opened at the National Portrait Gallery, Canberra Australia. Apart from the usual collection of cartes-de-visite, there are several daguerreotypes and ambrotypes of individuals, couples and family groups on display, including the coloured ambrotype by Thomas Glaister, ca. 1858 (below, from the NPG online). … More Husbands and Wives NPG Exhibition 2010
These three frames of 40 photographs in total were included in the exhibition Heads of the People, held at the National Portrait Gallery, Canberra, June to October, 2000, with a doubly erroneous attribution. Beattie’s name appears as the source, giving the impression that these are indeed HIS photographs, and that they were re-created by him “after” an earlier source, Adolarious Humphrey Boyd, the accountant and Commandant at the Port Arthur site from 1871-1873. Thomas J. Nevin was the original photographer of these 40 prints sourced from the QVMAG and exhibited at the National Portrait Gallery, Canberra, 2000. … More Heads of the People exhibition NPG Canberra 2000
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