Mr Nevin, photographer, Elizabeth-street, appears in this advertisement as an agent able to take orders for the delivery of coal from the Excelsior Coal Mine which was located on Mr Ebenezer Sims property at Kangaroo Bottom (Kangaroo Valley New Town), in close proximity to the home of Nevin’s parents. This coal was for domestic use but may have been included in the coal specimens which were exported to the Royal Colonial Institute, accompanied by James Boyd on board the Ethel in 1874. … More Nevin’s coal mine stereograph for Messrs Sims and Stops
Untitled, and held at the Tasmanian Museum and Art Gallery, this example by Thomas Nevin of a popular and much photographed vista of the Queen’s Orphan School and St John’s Church, New Town Tasmania, could be titled “Long shadow with guard at the entrance to St John’s Avenue, New Town“. Its uniqueness as an artefact is the very rare studio stamp on the verso.This is the only extant example (to date) of Thomas Nevin’s earliest photography which bears the design with the wording “Thomas Nevins New Town Tasmania” set against a ribbon in three flat loops, enfolding a flowering plant, and printed in bright blue ink. Nevin was barely out of his teens, still a bachelor, and living with his parents in the house built by his father John Nevin next to the Lady Franklin Museum at Kangaroo Valley (New Town, Hobart, Tasmania.) … More A remarkable New Town studio stamp: Thomas Nevin+s
William Curtis, aged 20 yrs old in 1873 was NOT the prisoner William Curtis aka John Curtis who was transported from Plymouth on the Anson in 1843, and who was re-convicted as John Curtis for manslaughter in 1856, sentenced to penal servitude for life. Thomas Nevin photographed John Curtis aka William Curtis, 62 years old, on discharge from the Hobart Gaol (and Police Office) in the week ending 10th February 1875. The inscription of the date “1874” and the name “William Curtis” on the verso of his photograph are both incorrect: Curtis was neither sent to Port Arthur nor returned to the Hobart Gaol from Port Arthur in the years 1873-4. … More A few drinks on Christmas Eve 1885 at New Town
Mindful of his growing family after his dismissal in 1880, the Hobart City Corporation retained Nevin’s services as police photographer and bailiff with the Municipal and Territorial Police Forces on the recommendation of Superintendent F. Pedder, Sub-Inspector J. Connor and the Nevin family solicitor, Attorney-General W. R. Giblin. Younger brother Constable John Nevin (Wm John or Jack), the Hobart Gaol messenger in Campbell St, was his assistant when Nevin was required at Oyer sessions at the adjoining Supreme Court sittings. Together they continued to produce prisoner mugshots typical of commercial studio portraiture until 1888 (see this article).
But by January 1881, on dismissal from the Town Hall residency, Thomas Nevin relocated his family to the house his father John Nevin had built at Kangaroo Valley (now Lenah Valley, Tasmania). He resumed commercial photography nearby from his New Town studio. When Elizabeth Rachel and Thomas Nevin’s second daughter and fifth child was born – Minnie (Mary Ann) Nevin – in November 1884 at New Town, her father declared his profession simply as “photographer” on her birth registration form. … More Thomas Nevin at the New Town studio to 1888
In 1944, the French writer Sidonie-Gabrielle Colette (1873-1954) published a short story called The Photographer’s Wife (La Dame du Photographe 1944), in which Mme Armand, the wife of the photographer – he who is referred to by their neighbour as “little old Big Eyes” – attempts suicide, some might think for an adulterous liaison, while she herself explains the reason as an unbearably trivial life. The drug she self-administers is not named, but at the moment when old Big Eyes raises the alarm, his hands are “all covered with hyposulphite” from a broken bottle in the studio. Hyposulphite was used in daguerreotype, ambrotype and collodion photography, one of several photochemicals including arsenic and cyanide with ready appeal to a self-poisoner. Elizabeth Rachel Day’s life as the wife of photographer Thomas J. Nevin in colonial Tasmania was very different from Colette’s literary portrait. However, from her marriage in 1871 until her husband’s residential appointment at the Hobart Town Hall in 1876, she lived and slept above a veritable factory of poisonous chemicals stored and used in her husband’s studio, a double-windowed building and glasshouse with the business name of The City Photographic Establishment, located at 140 Elizabeth St. Hobart. … More The Photographer’s wife at the studio
George worked on whaling ships, in factories, and shared a carrier business with his older brother Thomas “Sonny” Nevin. One source of income during the depression times of the 1890s was rabbit shooting. The photograph below of a group of rabbiteers with hunting dogs, a bounty of rabbits, and draught horse and cart, shows George in his early twenties on viewer’s extreme right, with a small dog, taken in the Tasmanian countryside ca. 1890. His father Thomas might have been the photographer, since it was taken by someone with photographic expertise travelling with them. … More Fourth son George Ernest Nevin (1880-1957)
The New Town stereographs include views of farms, schools, churches, houses, and mines at nearby Kangaroo Valley where the Nevin family resided, and portraits of groups, including visitors to the Lady Franklin Museum, Nevin family members and friends. The collection of Nevin’s stereographs held at the Tasmanian Museum and Art Gallery mostly date from 1868 to the early 1870s. … More The New Town studio stereographs