prison photography Tasmania – Tasmanian photographer

A missing photograph and missing letter: John SMITH (x 2) per “Mangles” and Lord Calthorpe

September 21, 2021

One of these two men called John Smith per Mangles (1835), prisoner no. 2035 arrived with a letter of reference from his former employer, Lord Calthorpe, addressed to the Governor who would have been Lt-Gov Colonel George Arthur in August 1835 at the time of the ship’s arrival, the letter now apparently lost. The other prisoner called John Smith per Mangles, no. 2045 reportedly absconded from the Port Arthur prison on December 3, 1873. According to the Tasmanian police gazette notice of his escape on December 12, 1873 (p. 203), the police had in their possession photographs of prisoner no. 2045 which they stated they had distributed. Lacking further information, we are assuming the photographs were police mugshots rather than private studio portraits, and that the police had distributed them to colleagues in regional police stations. Those photographs, apparently, are now lost as well. A recidivist who consistently offended from 1860s to the 1880s, he would have been photographed by T. J. Nevin as a matter of course at the Hobart Gaol. … More A missing photograph and missing letter: John SMITH (x 2) per “Mangles” and Lord Calthorpe

Prisoner Thomas JEFFRIES, aka five-fingered Tom

September 1, 2014

One of Thomas Jeffries’ distinguishing physical features was the sixth finger on his right hand which earned him the ironic moniker of “five-fingered Tom”. Mugshots showing hands was a feature of police photographs of prisoners in some jurisdictions such as New Zealand around this date, but not until the late 1880s in single mugshots of Tasmanian prisoners, when the frontal gaze had also become the standard pose, thought not consistent until the 1890s where the two-shot system of full frontal and profile photographs was introduced (after Bertillon). For example, in these two photographs of Francis Shearan taken by Nevin at the Hobart: the 1877 booking shot shows the hands and the full frontal gaze, but the shot taken on sentencing and incarceration betrays the classic 1870s studio portraiture technique typical of Nevin’s commercial practice. … More Prisoner Thomas JEFFRIES, aka five-fingered Tom

Photographers A. Bock, S. Clifford and T. Nevin at Port Arthur

December 21, 2013

In late March, 1866, photographer Alfred Bock was at the Port Arthur prison site on the Tasman Peninsula, 60 kms south of Hobart at the request of its Commandant, James Boyd. Alfred Bock’s studio – The City Photographic Establishment – at 140 Elizabeth Street, Hobart, was manned by his junior partner Thomas Nevin and his apprentice, younger brother William Bock, in his absence. Bock’s mission at Port Arthur was to provide a series of landscapes and portraits of officials. However, it was photographer Samuel Clifford, Nevin’s friend and mentor, of Liverpool Street, Hobart, who was the source and supplier of photographic materials to the Port Arthur prison administration, in this instance for Alfred Bock in March 1866, and again in August 1873, when Clifford himself visited the prison site. … More Photographers A. Bock, S. Clifford and T. Nevin at Port Arthur

Poster boys 1991 of Tasmanian prisoners 1870s

November 12, 2009

Who were they? They were T. J. Nevin’s sitters for police records, mostly “Supreme Court men” photographed on committal for trial at the Supreme Court adjoining the Hobart Gaol when they were isolated in silence for a month after sentencing. If sentenced for a long term at the Supreme Court Launceston, they were photographed, bathed, shaved and dressed on being received in Hobart. These procedures, past and present, were reported at length by a visitor to the Hobart Gaol and Supreme Court in The Mercury, 8th July 1882: … More Poster boys 1991 of Tasmanian prisoners 1870s