One of the last portraits by Alfred Bock in Hobart 1865

This photograph of a teenage girl with bare shoulders and ringlets may be one of the very last taken by Alfred Bock in Hobart Tasmania before his departure in 1865. The design of the studio stamp on the verso was altered only minimally by his younger partner Thomas J. Nevin who bought the lease of the studio, shop, the glass house and darkroom, the stock of negatives, camera equipment, backdrops and furniture etc at auction on August 2, 1865. Thomas Nevin continued to use the stamp’s design for his commercial studio portraiture for another decade, although he used at least six other designs for various formats and clients, including the Royal Arms insignia for commissions with the Colonial government. … More One of the last portraits by Alfred Bock in Hobart 1865

The pauper on Thomas Nevin’s carpet and Brother Payne

It is likely that the man photographed here standing on Thomas Nevin’s carpet was William Graves rather than a knife-sharpener known as “Brother Payne” and that Nevin photographed him in May 1875. This may not be the only photograph of William Graves taken by government contractor T. J. Nevin. There may have been a standard half-body prisoner mugshot and carte-de-visite printed as well to attach to William Grave’s rap sheet. But no standard prisoner cdv is extant, and there may be a reason why none ever existed. … More The pauper on Thomas Nevin’s carpet and Brother Payne

The table with the griffin-shaped legs

Charles A. Woolley placed an advertisement in the Tasmanian Mercury, February 11th, 1871 for his wonderful “magalethoscope” [sic]. Charles Woolley’s ad in the Mercury February 11, 1871 This is a misprint, perhaps by the newspaper. The megalethoscope was an apparatus for viewing photographs with stereoptical effect. It was invented in Venice by Swiss-born Carlo Ponti, … More The table with the griffin-shaped legs

Thomas Nevin’s studio decor and tints ca. 1871

This full length portrait in carte-de-visite format is of an unidentified woman. As the same carpet appears in the Nevin-Day wedding photograph dated July 1871, this photo can be dated ca. 1869-72. The verso bears Thomas Nevin’s everyday business stamp which was an elaboration of the stamp used by his mentor, and previous owner of … More Thomas Nevin’s studio decor and tints ca. 1871

Hugh Munro Hull & the wallhanging

This full-length photograph of Hugh Munro Hull in official dress was taken by Alfred Bock or Thomas Nevin at their studio, The City Photographic Establishment, 140 Elizabeth-street Hobart between 1863 and 1868 where one of their backdrops featured a square tiled terrace pattern rising in perspective to a painted balustrade overlooking a vista of disappearing river and mountains. … More Hugh Munro Hull & the wallhanging