One of the last portraits by Alfred Bock in Hobart 1865

This photograph of a teenage girl with bare shoulders and ringlets may be one of the very last taken by Alfred Bock in Hobart Tasmania before his departure in 1865. The design of the studio stamp on the verso was altered only minimally by his younger partner Thomas J. Nevin who bought the lease of the studio, shop, the glass house and darkroom, the stock of negatives, camera equipment, backdrops and furniture etc at auction on August 2, 1865. Thomas Nevin continued to use the stamp’s design for his commercial studio portraiture for another decade, although he used at least six other designs for various formats and clients, including the Royal Arms insignia for commissions with the Colonial government. … More One of the last portraits by Alfred Bock in Hobart 1865

Apprentices: The Good, The Bad and The Careless

Commercial photographer Alfred Winter (1837-1911) was fond of fashionable society and grand landscapes. On Saturdays and Sundays he would travel to beauty spots with his apprentice, Frank Miller, who had a prison record, and who ended up in Detective Connor’s custody for the appropriation of Winter’s photographs, valued at 6 shillings: … More Apprentices: The Good, The Bad and The Careless

The Nevin group portrait and wedding photographs 1871

Elizabeth Rachel Nevin nee Day, wife of Thomas J. Nevin (1842-1923), was born in London on 26 March 1847, and christened at St Mary’s, Rotherhithe, London, UK on 28th April 1847, the eldest daughter of  Captain James Day and Rachael Pocock who were married at St David’s Church Hobart on January 6th, 1841. Her younger … More The Nevin group portrait and wedding photographs 1871

Thomas Nevin and Robert Smith 1865-1868

Robert Smith may have operated a studio prior to his partnership with Nevin, as Mrs Esther Mather referred briefly to the “coloured ones from Smith’s” in a letter to her step-son, dated October 1865. On Robert Smith’s departure to Goulburn, NSW, where he opened a small photographic studio before taking  up farming and politics, Thomas Nevin pasted the verso of a few more photographs with the label bearing their name, but with Smith’s name struck through, and the word “Late”added. … More Thomas Nevin and Robert Smith 1865-1868

Tasmanian Studios to 1900

PHOTOGRAPHERS working in TASMANIA 1860s-1900s HOBART, LAUNCESTON & REGIONAL PHOTOGRAPHIC STUDIOS ABBOTT, Alfred. Amateur. Hobart. 1859-1863 ABBOTT, Charles (brother). Amateur. Hobart. 1857-1859. AIKENHEAD, William. Launceston. Amateur 1860-1890. ALLPORT, Morton. Amateur. Holbrook Place 1859-1866. AMERICAN STUDIO CO. Collins St. 1880; Allen & Gove. ANSON, Joshua at H.H.BAILY, 1872-1877. ANSON Bros; 132 Liverpool St. 1878-1880; 36 Elizabeth … More Tasmanian Studios to 1900

With Alfred Bock mid 1860s

The verso of this portrait of a standing child bears Alfred Bock’s studio stamp for the City Photographic Establishment which is identical in design to one of the stamps adopted by Thomas Nevin while working with Bock in the early 1860s. Nevin continued to use this design when he acquired Bock’s studio and stock, The City Photographic Establishment, in 1865 on Bock’s departure from Tasmania. … More With Alfred Bock mid 1860s

Alfred Bock & Thomas Nevin at Port Arthur 1860s

PERSONAL: – Mr Alfred Bock, writing from Auburn, Victoria, intimates that he is not dead, neither is he “the late Mr. Bock”, as stated in a note under a picture of the late Mr Boyd in a recent copy of “The Tasmanian Mail.” He adds:- “I suppose by the ‘late Mr. Bock’ it means to refer to my father, but he never took a photograph in his life. The picture was actually taken by me on the occasion of my visiting Port Arthur at the request on the officers of the station for the purpose of painting a portrait of Mr Boyd for presentation to that gentleman; I think about 1863 or 1864; I am not quite sure as to the year. I should be glad if you could make the correction, especially as some of my friends have been inquiring about my decease.
More Alfred Bock & Thomas Nevin at Port Arthur 1860s

Clifford & Nevin, and the coloured cartes

Thomas J. Nevin and Samuel Clifford (1827-1890) were close friends and colleagues over a period dating from ca. 1865 to Clifford’s death in 1890. This carte bearing the handwritten inscription “Clifford and Nevin, Hobart Town” is one of several in private and public collections. Scans courtesy © The Private Collection of John & Robyn McCullagh … More Clifford & Nevin, and the coloured cartes

Tasmanian Newspapers: The Mercury & STILWELL Index

Researchers are indebted to the late G.T. Stilwell for his creation of the Stilwell Index during his service at the State Library of Tasmania. G.T. Stilwell also published a short biography of Thomas Nevin with J. S. Kerr outlining the Town Hall dismissal and the misattribution by Chris Long of Nevin’s convict portraiture to A.H. Boyd in The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870, edited by Joan Kerr. (Melbourne: Oxford University Press 1992). … More Tasmanian Newspapers: The Mercury & STILWELL Index

Nevin & Smith studio Elizabeth St.

In this full-length portrait and the one below, she wears the same top coat. The studio decor of the full-length portrait above, however, is very different from the later portraits taken by Thomas Nevin at the City Photographic Establishment. The carpet and table and drape are not the same, suggesting either another studio in another venue or furnishings belonging to Alfred Bock who was the previous proprietor of the City Photographic Establishment, and whose stock was sold at auction … … More Nevin & Smith studio Elizabeth St.