When a carte-de-visite taken by Thomas J. Nevin in the early 1870s was acquired for our private collection in 2013, the sitters were simply described as an unidentified “wealthy” couple. Examination of their facial features and general demeanour alongside earlier photographs showing – potentially – the same two people as their younger selves, prompted further investigation. Once a tentative comparison was made with photographs taken by George Cherry of himself and his wife Matilda in the 1850s-1860s, the possibility emerged that these two might be one and the same. Given the unhappy circumstances of their meagre finances and the failing health of both Matilda and George between 1870-1873, the way they dressed for the occasion, the way they posed and the way they regarded the photographer, led to the conclusion that this couple who sat for Thomas J. Nevin in 1872 may well have been Mary Ann Matilda James (1836-1873) who married photographer George Cherry (1820-1878) at Hobart in 1855. … More George and Matilda Cherry at Thomas Nevin’s studio ca. 1872
Race horses, draught horses and trotters were the focus of Minnie Drew’s family life and livelihood. Husband James Drew entered a starter “Miss Bobby” in the Spring Handicap, January 1917, and younger brother Albert Nevin, recently returned from Launceston with his new bride Emily, was racing his starter “Rosalind” in the Derwent Handicap at Moonah by August. James Drew also showcased draught and dray horses at the annual Hobart Show, selling them eventually when he acquired a motor van for his parcel delivery business. Minnie’s older brother William Nevin established a carrier and furniture removal business which he partnered with James Drew in the 1910s, operating from Morrison St. Hobart Wharf. When siblings May, Albert, George and William Nevin moved to the property at 23-29 Newdegate St. in 1923 on the death of their father Thomas J. Nevin (once a photographer, always a photographer – he was buried with “photographer” listed as his occupation on his burial certificate), William Nevin maintained the carrier business there until his untimely death in a horse and cart accident in 1927. … More Youngest daughter Minnie Nevin m. James Drew (1884-1974)
A full-length carte-de-visite studio portrait of a young girl, possibly nine years old wearing a dark dress with a white collar and braiding along the sleeve, showing the lace of her bloomers at the hem against her bare legs. Spats cover her shoes. Her hair hangs loose in ringlets, and her gaze is slightly dropped and held steady to the viewer’s left. The studio decor includes an occasional table on wheels to the viewer’s right of frame on which sits a book, and a dining chair on the left on which the child rests her right arm. In her left hand she holds a thickly folded card. Charles Woolley’s signature technique was to produce prints in rich dark tones which made his portraits especially appealing. The verso bears Woolley’s “Advance Tasmania” studio stamp with emu and kangaroo animal iconography flanking the Tasmanian colonial insignia. His studio address for more than two decades was 42 Macquarie St. Hobart where he also ran a furniture business with his father. He must have supplied furniture, carpets and wall-hangings to all the Hobart photographic studios during the 1860s, and even sold items from his own studio when he ceased professional practice in the 1870s, because the same items appear in different photographers’ studio portraits. … More Portraits and landscapes from T. J. Nevin’s cohort
By 1877 Elizabeth Mayson was petitioning for separation. She filed an application for protection of her earnings and property in 1879, citing Alfred Mayson’s alcoholism, gambling and loss of his job as Stipendiary Magistrate as reasons. She separated permanently from Alfred T. Mayson in 1877 taking both children with her to the residence of her father, John Amos. Alfred T. Mayson used Dobson & Mitchell lawyers in response to the petition. They claimed Elizabeth Mayson could not be found by June 1882, so Mayson’s claim to set aside his wife’s application was discharged. Elizabeth Mayson married Charles Borradale (1845- 1917) sometime after gaining a divorce from Alfred T, Mayson (date ?), and resided in Victoria. She died at the Borradale family home, 33 Morah St Parkville, Melbourne in 1907, aged 62 years. Widower Charles Borradale then remarried to Margaret McGregor who survived him and continued to live at the house in Morah St. Parkville. Charles Borradale died on 22nd April 1917, aged 71 years. He was wealthy enough to erect a large tombstone for his wife Elizabeth Mayson Borradale nee Amos and himself in the Melbourne General Cemetery, Victoria. His estate was considerable, although his last occupation was simply “cabdriver”. … More Marriage breakdown: Elizabeth Amos v Alfred Threlkeld Mayson 1879-1882
The verso of this photograph carries Thomas Nevin’s most common commercial studio stamp and the wording “This by W. J. T. Stops Esq.”which suggests that the photograph was presented to Frederick Stops by Nevin in 1868, perhaps as a gift to Emily Stops on the birth of their daughter, and was then passed down to his son W. J. T. Stops, who subsequently donated it to the Tasmanian Museum and Art Gallery from the Stops estate or even from the University archives (Royal Society Collection) where more of Nevin’s photographs are held. It was then inscribed by an archivist on accession with the note – “This by W.J.T. Stops Esq” … More Thomas Nevin and Frederick Stops, right-hand man to the A-G
One example of excessive damage to the original glass plate is evident in this print taken from the negative of Nevin’s only sitting with prisoner Peter Killeen in the week preceding the 20th January, 1875, when Killeen was discharged from the Hobart Gaol. He was given a life sentence for assault and robbery in 1856, and when discharged in 1875 with a ticket-of-leave, he was 64 yrs old. He subsequently re-offended, was sentenced to a further 6 weeks and discharged again on 29 September 1875. Peter Killeen offended again within six months of discharge. He was given a sentence of seven (7) years for larceny at the Supreme Court Hobart on 8th March, 1876, sent to the Port Arthur prison, arriving there on 6th April, 1876, and transferred back to the Hobart Gaol on 17th April, 1877. Peter Killeen died from senile decay, aged 76 yrs, as a Prisoner of the Crown at the Hobart Gaol on 27th June, 1889. See originals of these records here.
The only image, whether extant as duplicates of the carte-de-visite or negative prints surviving from Peter Killeen’s criminal sentences is the one taken by Thomas Nevin at his single sitting with the prisoner in January 1875. The scratched condition of the glass plate by the time of Killeen’s death in 1889 at the Hobart Gaol is evidence of repeated use, the print showing even more wear and tear than the other 39 prints used by Beattie for the line-up of 40 on his three panels created in 1915. … More Thomas Nevin’s glass plates of prisoners 1870s
This collection of studio portraits taken by Thomas J. Nevin in the early 1870s of otherwise unidentified older women includes just one whose name is inscribed verso: Mrs Morrison. Who might she have been? A servant, a farmer, a post-mistress, some relation to Askin Morrison, ship owner, of Morrison Street, opposite Franklin Wharf, Hobart? Or Mrs Morrison, teacher of Kangaroo Point whose health had forced her to retire (Mercury, 6 December 1872). Perhaps she was Mrs Ellen Morrison, licensee of the Launceston Hotel, Brisbane St. on a visit south to Hobart? Whoever this sitter was, she appears to have worked hard all her life, no fuss or frills about it. … More Portraits of older women by Thomas Nevin 1870s
Given that Thomas Nevin was partial to a drink, inebriation being the chief reason he was dismissed by the Police Committee from his position of Town Hall keeper in December 1880, the Old Bell Hotel was the closest public bar to his studio during the 1870s. Thomas Nevin was still alive in 1920 (d. 1923) when the hotel, known as the Old Bell, was delicensed, so he may have contributed to this story that Marcus Clarke drank there while writing his famous novel, published in 1870 after a visit to the derelict prison at Port Arthur on the Tasman Peninsula. … More Marcus Clarke and Thomas Nevin at the Old Bell Hotel 1870
Amateur photo-historian Chris Long was among the first to be targeted by A. H. Boyd’s descendants in 1984 with only their hearsay offered as proof, and together with co-editor Gillian Winter, assumed that there would be extant photographs by A. H. Boyd, if indeed he had photographed prisoners. Strangely enough, they found none. Gillian Winter found mention of THREE photographs of parliamentarian George William Keach, his wife and daughter, with a Boyd attribution in the Archives Office Tasmania. But those photographs were missing from the original Allport Album when she listed its contents. Those photographs were taken by Sydney photographer Thomas H. Boyd, loosely collated originally with other carte-de-visite items taken of Allport family members and their friends by photographers in Hobart, Melbourne, Brisbane, Rome and elsewhere … … More Blame it on Beattie: the Parliamentarians photograph
When the Nevin family of Kangaroo Valley, Hobart, sat down to read The Mercury on the 4th October 1865, they must have despaired at the notice it contained about their application for aid of £25 p.a. to open a school at Kangaroo Valley, especially Mary Ann Nevin, 18 years old, and determined to start her working life as a teacher. The reporter had mispelt the family name – McNevis instead of Nevin. A week later, when The Mercury reported that Mary Ann’s application was rejected, the reporter again mispelt her name as NEVEN. … More Miss Nevin and Morton Allport
For some time after Bock’s departure in 1865, Thomas Nevin was using the same supply of blue ink on the same design as Bock’s with just a minimal alteration to include Bock’s name as credential – “T. Nevin Late A. Bock” – enclosed by a belt – the belt being a popular and universal design of the period. The blue ink used in the verso stamp on this portrait of a baby is paler, suggesting Nevin’s supply was running low, expending the last for the vivid blue tinting around the baby’s shoulders, possibly executed by a studio assistant. … More Thomas J. Nevin’s Blue Ink Series
William Ford, prisoner, booking photographs taken on 27 July 1886 when he was “disposed of by the Supreme Court”. On the left, a semi profile photograph without hat, unframed; on the right, torso facing front, gaze deflected down and to left, wearing hat, printed as a carte-de-visite in an oval mount .William Ford was photographed at the Hobart Gaol by Constable John Nevin, produced by Thomas J. Nevin for the Municipal Police Office, Hobart Town Hall. Both photographs were taken and printed within the conventions of 1870s commercial studio portraiture, typical of Nevin’s earlier mugshots of Tasmanian convicts. In 1886 Thomas J. Nevin was working with police in both capacities as photographer and assistant bailiff to Detective Inspector Dorsett, noted in The Mercury, 11 August 1886. … More Mugshots removed: prisoner William FORD 1886
In June 2005, the National Library of Australia had digitised just 25 photographs of their collection of 84 prisoner identification cartes-de-visite of Tasmanian prisoners, titled “Convict portraits, Port Arhur,1874”, with the long-standing and correct attribution to commercial and police photographer Thomas J. Nevin. … More Convict portraits by Thomas J. Nevin at the National Library of Australia
This photograph of a teenage girl with bare shoulders and ringlets may be one of the very last taken by Alfred Bock in Hobart Tasmania before his departure in 1865. The design of the studio stamp on the verso was altered only minimally by his younger partner Thomas J. Nevin who bought the lease of the studio, shop, the glass house and darkroom, the stock of negatives, camera equipment, backdrops and furniture etc at auction on August 2, 1865. Thomas Nevin continued to use the stamp’s design for his commercial studio portraiture for another decade, although he used at least six other designs for various formats and clients, including the Royal Arms insignia for his contracts and commission with the Colonial government. … More One of the last portraits by Alfred Bock in Hobart 1865
Professional photographer Thomas J. Nevin was commissioned by his family solicitor, the Attorney-General W.R. Giblin, to photograph prisoners for the Colonial Government of Tasmania as early as 1871, the year the government of NSW authorised the Inspector of Prisons, Harold McClean, to commence the photographing of all prisoners convicted in the NSW Superior Courts. … More “Securing a proper likeness”: Tasmania, NSW and Victoria from 1871
The photographer of the original photos was not recorded by the TAHO in 1974, and no studio stamp is evident of the recto of each copy. As the original family album from which they were copied has yet to come to light, a photographer attribution is not yet possible. The copies deposited at TAHO by the Drew family included two childhood photographs of Thomas and Elizabeth Nevin’s daughter Minnie Nevin, and one of son George Nevin. … More Childhood photos of son George and daughter Minnie Nevin
DOUGLAS STEWART FINE BOOKS LTD HOBART BOOK FAIR was held on February 12 – 13, 2011 with three items on sale pertaining to Thomas J. Nevin’s commercial photography.
STEREOGRAPH of CLIFFORD’S CAMERA
The first was this stereograph attributed to Samuel Clifford but ostensibly showing Clifford’s camera. Who took the photograph? Did Clifford carry two cumbersome cameras with him into this dense bush setting at Brown’s River, or was he accompanied – as so often he was around Tasmania – by Nevin? If so, the stereograph deserves the double attribution of Clifford & Nevin, an inscription which appears on several items also held in private collections. … More Samuel Clifford, Thomas Nevin and two cameras
Laura (on left) and Richard (centre) were photographed by Thomas J. Nevin at his studio, 140 Elizabeth St. Hobart, a week before Christmas, 18 December, 1874 (per date on verso). Both photographs are hand-tinted. The versos of these two photographs of Laura and Richard bear Nevin’s Royal Arms studio stamp used primarily to indicate photographs taken for the Municipal Police Office within the Hobart City Corporation, and at the Hobart Gaol. Their father, William Thomas McVilly was a constable and later clerk for the Lands and Works Department, HCC and Clerk of Papers, etc., of the Legislative Council in 1883. The unidentified toddler on the left may be a boy rather than a girl, another brother of Laura and Richard called Albert Francis, born 1873. The verso of his/her photograph bears Nevin’s most common commercial studio stamp, unlike the other two, and may have been taken earlier or later than 1874. … More T.J. Nevin’s portraits of the McVilly children 1874
“THE ODD FELLOWS’ HALL – A very fine photograph of the Odd Fellows’ Hall (corner of Davey and Harrington-streets) has been taken for the Society by Mr. Nevin, of Elizabeth-street. The view is taken from Davey-street, opposite the corner of the Freemasons’ Hotel, and thus shows the entrance to the rooms, with the whole front and side of the buildings. A well-known member of the institution, and a less known youth, have come within the range of the camera, and their presence greatly assists in conveying an idea of the dimensions of the hall. The picture is undoubtedly creditable to the artist.” … More The Odd Fellows’ Hall photograph 1871
The eight rioters “were charged with riotously injuring a building”, “riotously injuring the Town Hall” and specifically – “the breaking open of the ante-room of the Town Hall” . The charges would have incurred a severe penal code punishment of seven years’ imprisonment and a trial at the Supreme Court. However, Attorney-General Giblin sought to substitute the charge with the lesser one of disturbing the peace, and at this sitting, reported in The Mercury on 11th July 1879, the charges were withdrawn entirely because of Giblin’s concern with excessive costs involved in such a trial.
“… portraits of prisoners taken in the dock …” THOMAS BOCK Police artists worked in the Supreme Court of Tasmania from as early as 1824. An album of portraits of “prisoners taken in the dock” (Dunbar, QVMAG catalogue 1991:25) by Thomas Bock, the father of Thomas Nevin’s mentor Alfred Bock, was on sale at the … More From Thomas Bock to Thomas Nevin: Supreme Court prisoner portraits
An exhibition of early colonial portraits titled HUSBANDS and WIVES has recently opened at the National Portrait Gallery, Canberra Australia. Apart from the usual collection of cartes-de-visite, there are several daguerreotypes and ambrotypes of individuals, couples and family groups on display, including the coloured ambrotype by Thomas Glaister, ca. 1858 (below, from the NPG online). … More Husbands and Wives NPG Exhibition 2010
On February 2, 1872 Thomas J. Nevin placed an advertisement in The Mercury informing the public and visitors (tourists) that his photographs, taken on a Colonists’ Trip down the River Derwent to Adventure Bay on the eastern side of Bruny Island, were ready and for sale. … More The Colonists’ Trip to Adventure Bay 1872
In early December 1880, Thomas Nevin was dismissed from the position of “Keeper” at the Hobart Town Hall for inebriation while on duty. The Mayor’s Committee expressed deep regret at the dismissal (reported in The Mercury December-January 1880-1881), and mindful of his growing family, the Council decided to retain his photographic services. He was re-assigned to civil service with warrant and photographic duties as assistant bailiff with The Municipal Police Office, located at the Hobart Town Hall. Working principally in the City Police Court and Hobart Supreme Court as assistant to Sub-Inspector John Dorset(t), Nevin continued to provide identification photographs of prisoners up until 1889, a service he had provided for the Prisons Department and MPO since 1872. … More Thomas Nevin 1886: assistant bailiff to Inspector Dorsett
Tasmanian professional photographers Thomas J. Nevin and Samuel Clifford were close friends and business partners from the 1860s until Samuel Clifford’s death in 1890. On this tour, they travelled on the main road north from Hobart to Launceston via Bothwell. In the final week of September 1874, while passing through Bothwell, 45 miles north of Hobart, they were enjoined to photograph the procession of Templars attending a large meeting. The Mercury reported their arrival in the town in a long account of the meeting, published on 26 September, 1874 … More On the road with Sam Clifford and Thomas Nevin 1874
AN ORNITHOLOGICAL DISASTER.– A young Emu the property of Mr. Nevin keeper of the Town Hall, came to an untimely end last week by being strangled in trying to force itself through the fence of the paddock in which it was kept at the rear of the Town Hall. The owner states his intention to present the Emu to the Royal Society’s Museum. … More An Ornithological Disaster: Thomas Nevin’s emu 1878
THE TRIP DOWN THE RIVER.- A photograph of the “Colonists’ Trip” has been very well taken by Mr. Nevin, which will be of special interest to those who took part, and will probably like to secure this remembrance of so memorable event. … More Thomas Nevin and H.H. Baily at the Regatta 1872
Although this image is faint – it is a scan of a print pasted into the scrapbook of his son George Ernest Nevin (1880-1957) which is held by Thomas and Elizabeth Nevin’s descendants in the Shelverton family – it shows clearly enough that George’s father, photographer Thomas J. Nevin, was rather fond of his big box table top stereograph viewer. It provided clientele with a ready amusement, a novel experience of 3D. The Victorian fascination with this “advanced” photography is quite understandable. Viewing a static stereograph, three images can be seen, not just one: the central image appears in deep perspective, with the image split into halves on either side. A double lens stereograph viewer of this size could hold a large number of stereograph cards; turning the wooden handle changed the card being viewed, providing a motion picture effect. In Nevin’s self-portrait – not a selfie in the strict sense, of course, taken probably by his younger brother Jack Nevin – a frame holder on top is propped up. In the two portraits below, the holder is flat. An earlier portrait of Thomas Nevin, taken ca. 1868, shows him wearing white gloves, posing with a smaller portable stereoscopic viewer, similar in size to a stereoscope camera. … More T. J. Nevin’s big tabletop stereograph viewer
From the early 1860s Thomas Nevin operated a photographic studio at New Town with the business name of “Thomas Nevins”, i.e. the “s” signifying the possessive, as in “the studio of Thomas Nevin”. By 1865 he was assistant to photographer Alfred Bock whose residence and studio he leased from A. Biggs at 138-140 Elizabeth Street, Hobart Town on Alfred Bock’s departure for Victoria in 1867 (Hobart Town Gazettes 1870s). Nevin maintained the business name of the studio, The City Photographic Establishment, 140 Elizabeth St. Hobart Town. With partner Robert Smith, they formed the firm Nevin & Smith, producing stereographic views and hand-tinted studio portraits (TMAG and Private Collections). The firm Nevin & Smith was commissioned to take an album of portraits of Tasmanian children in 1868 to be presented to the Duke of Edinburgh (State Library of Victoria Collection). However, the partnership was short-lived. Robert Smith moved to Goulburn, NSW and the firm known as Nevin & Smith was dissolved on 22nd February 1868, undersigned by Thomas Nevin’s solicitor, later Attorney-General, W.R. Giblin. Thomas Nevin continued with the business name, the City Photographic Establishment at the same address, and exhibited photographs of Melville St under snow (1868) and A Party at the Rocking Stone Mt Wellington (1870) at the Wellington Park Exhibitions (TMAG Collection). He also exhibited stereoscopic views, prize cards and cartes-de-visite at the Tasmanian Poultry Society’s annual exhibition at the Town Hall in August 1869 and the Town Hall Bazaar on 1st April, 1870 (Mercury Friday 1 Apr 1870 Page 2 ). For his work as the firm of Nevin & Smith, he was granted a colonial Royal Warrant, and for his work with the Lands and Survey Department of the colonial government, he was granted another colonial Royal warrant by authority. By 1870 Nevin was providing photographs of mining and reservoir works at the Huon and Cascades on government commission, as well as providing group portraits and landscapes for tourists to the Lady Franklin Museum and and John Franklin’s Tree at Kangaroo Valley, Hobart. … More Key dates in Thomas Nevin’s life
The Queen Victoria Museum and Art Gallery, Launceston, holds a number of similar criminal record sheets with ID cartes attached, though the QVMAG has yet to digitise them online. The Tasmanian Archives and Heritage office (State Library of Tasmania) holds registers of prisoner photographs attached to the criminal record sheet with later dates of 1890 and 1892. This document, however, is held on display at the Penitentiary Chapel Historic Site, Hobart. It is a complete prison record on parchment of Allan Matthew Williamson, per the ship Maria Somes (2) , from his arrival in Van Diemen’s Land in 1850 right up to his death in 1893. Williamson’s photograph was pasted onto the parchment at the centre of the document, which was folded back on each side, rotated, and used for documenting Williamson’s criminal career for more than forty years. T … More Three significant prisoner photographs by T. J. Nevin, 1870s
With the passing of Eva Morris nee Nevin (1917-2008), grand daughter of photographer Thomas J. Nevin and Elizabeth Rachel Nevin nee Day, we include a selection from her private collection of family photographs. Please respect copyright. … More Preview of 2009: a selection from Nevin family collections
“The man in the centre of the road threw a reflection upon the one alongside the wall. The reflection was also upon the wall for a height of about 7 ft. Witness walked quickly towards the man in the road, and at the same time two men came stealthily out of George-street. Witness then commenced to run. One of those who came out of George-street said, “Come back, George.” Witness replied, “Don’t you see this fellow playing the ghost?” when the man in the middle of the road again threw a reflection upon the ghost. Witness arrested this man, who proved to be Nevin. The other two me pursued the man who had been acting as ghost. Nevin was taken to the police station, where he was searched at his own request. There was nothing that would account for the appearance of the ghost found upon him…” … More Thomas Nevin’s GHOST incident makes news in Maitland NSW
An examination of the criminal history of the individual prisoners whose photographs survive indicates that each photograph was selected, even salvaged by archivists because each man had been committed and sentenced at the Tasmanian Supreme Court for a lengthy term. If sentenced at the Supreme Court in Launceston, he was transferred to the Hobart Gaol where he was bathed, shaved, photographed and isolated for one month in silence after being received, along with those already sentenced in criminal sittings of the Hobart Supreme Court . … More Prisoner portraits taken at trial and discharge 1870s
Charles Nettleton’s Patents (Victoria) National Archives of Australia Ref: A2388 Registers of Proprietors of Paintings, Photographs, Works of Art and Sculpture Charles Nettleton’s government commission to take photographs of the Benevolent Asylum, National Museum, the Royal Mint (1873) etc Photography © KLW NFC 2008 ARR PATENTS REGISTRATION The numbers appearing on these cartes-de-visite (below) taken … More Cartes-de-visite photographs of convicts by Nettleton and Nevin
PERSONAL: – Mr Alfred Bock, writing from Auburn, Victoria, intimates that he is not dead, neither is he “the late Mr. Bock”, as stated in a note under a picture of the late Mr Boyd in a recent copy of “The Tasmanian Mail.” He adds:- “I suppose by the ‘late Mr. Bock’ it means to refer to my father, but he never took a photograph in his life. The picture was actually taken by me on the occasion of my visiting Port Arthur at the request on the officers of the station for the purpose of painting a portrait of Mr Boyd for presentation to that gentleman; I think about 1863 or 1864; I am not quite sure as to the year. I should be glad if you could make the correction, especially as some of my friends have been inquiring about my decease.
… More Alfred Bock & Thomas Nevin at Port Arthur 1860s
NEVIN-DAY – On Wednesday, 12th July, at the Wesleyan Chapel, Kangaroo Valley, by the Rev. J. Hutchison [Hutchinson], Thomas, eldest son of Mr. J. Nevin, of Kangaroo Valley, to Elizabeth Rachael [Rachel], eldest daughter of Captain Day, of Hobart Town.
Thomas and Elizabeth Nevin had seven children between 1872 and 1888, six surviving to adulthood. … More Elizabeth Rachel Nevin nee Day & children
Thomas J. Nevin belonged to a cohort of Tasmanian professional photographers of the 1860s-1880 which included his two partners Alfred Bock who was an accomplished sennotypist (until 1867) and Samuel Clifford whose output of stereographs was prodigious (1860s-1878). From Bock he learnt studio portraiture, from Clifford he learnt stereography. Others with a close association were Charles A. Woolley who experimented with mega and micro photography and whose father furnished the cohort’s studios with carpets, tables, chairs, wall hangings etc from his furniture warehouse; Alfred Winter who was a society portraitist and landscape photographer; and the Nevin family friend, H. H. Baily who was also a press lithographer. … More Charles A. Woolley and H.H. Baily
Tasmanian photographer Thomas Nevin (1842-1923).
Self-portrait ca. 1871. This is one of five extant photographs of Thomas J. Nevin held in family collections. … More Thomas Nevin, self-portrait ca. 1871
“AUGUSTA (Co. Buckingham) is a postal village and residential suburb of Hobart Town, in the police district of Hobart, and electoral district of Glenorchy. It is situate on the main road from Hobart Town to Launceston, about 2 miles from the former place, and on the New Town Rivulet, which empties itself in to the Derwent, near Risdon. A portion of Mount Wellington overlooks the district. There are no mills or manufactories in Augusta at present, except a pottery. The surrounding district is agricultural to a large extent. There are several coal seams in the district; two or three are being worked, and produce very good domestic fuel. The communication with Hobart Town is by ‘busses and other conveyances which run hourly. The city of Hobart Town adjoins Augusta N.W. There is one hotel in the village, the Harvest Home. The surrounding country is undulating and hilly. The population numbers about 300 persons. There are places of worship as follows: Church of England, Church of Rome, and Wesleyan Church…” … More The Kangaroo Valley house & New Town stereographs ca. 1868
Clifford & Nevin appears as a handwritten inscription on the versos of several studio portraits in public and private collections, but their collaboration was principally in stereography, especially in the late 1860s. Several stereographs held at the State Library of Tasmania, collated in “The Clifford Album”, whether unattributed or which bear Clifford’s stamp may be original photographs by Nevin produced during their partnership.
The Tasmanian Museum and Art Gallery holds a sizeable collection of Thomas Nevin’s stereographs dating from 1868. Nevin exhibited at the Wellington Park Exhibition in 1868, and at the Hobart Town Hall Bazaar in 1872. This stereograph titled Hobart from Lime Kiln Hill looking down Harrington Street carries his New Town studio stamp on verso, taken in the mid to late 1860s. … More Hobart Town from Lime Kiln Hill