Rosanna Mary Domeney nee Tilley at Thomas Nevin’s studio 1870s

Rosanna Mary Domeney’s father John Tilley, licensed victualler who died in 1850, had stipulated that his Trustees Thomas Mezger and Christopher Basstian provide for the maintenance and education of his daughter Rosanna Mary until she married or turned 21 years old, whichever came first, and that the profits from his estate be passed to her for her exclusive use and not of any husband, should she marry. However, when her mother died in 1848, the properties she had inherited from both parents were registered jointly on the Valuation Rolls in both her name and that of her husband William Lemuel Domeney once she was married. Her Hobart address was 75 Warwick St. Hobart by 1872, the year she most likely visited Thomas Nevin for a portrait at his studio. In 1876 she sought to convey the land and four properties described in Title Deed No. 06/2114, dated 15 August 1876 to Trustees William Robert Giblin (1840-1887) and William Ansty Knight “with the concurrence of the said William Lemuel Domeney” her husband, and when both Trustees were deceased by 1889, she transferred their interest to Henry William Chapman and Henry Priest who offered the Warwick Street properties for sale within months of Rosanna Domeney’s death in 1907.. … More Rosanna Mary Domeney nee Tilley at Thomas Nevin’s studio 1870s

Thomas J. Nevin’s Blue Ink Series

For some time after Bock’s departure in 1865, Thomas Nevin was using the same supply of blue ink on the same design as Bock’s with just a minimal alteration to include Bock’s name as credential – “T. Nevin Late A. Bock” – enclosed by a belt – the belt being a popular and universal design of the period. The blue ink used in the verso stamp on this portrait of a baby is paler, suggesting Nevin’s supply was running low, expending the last for the vivid blue tinting around the baby’s shoulders, possibly executed by a studio assistant. … More Thomas J. Nevin’s Blue Ink Series