Tag: women

Elizabeth Goldsmith's signature 1870

Mrs Elizabeth Goldsmith and the saltmarsh known as Lady’s Tippett, 1870

May 4, 2023

The title deed to the parcel of marshland in the Higham Salts, County of Kent (UK), known as “Lady’s Tippett” which Captain Edward Goldsmith asumed to be legally his according to his last will and testament prepared in 1865 and proved July 1869 on his death, was not found among his conveyancing documents when his entire estate was prepared for auction in June 1870. Yet he had received “rents and profits” from its tenants since 1857, income which his executors continued to accrue up to the planned date of sale. “Lady’s Tippett” could only be sold legitimately if Captain Goldsmith’s widow, Mrs Elizabeth Goldsmith, set forth in Chancery a declaration (oath) that this piece of land’s provenance in her husband’s estate was the result of an informal arrangement with wine merchant James Saxton in 1857. Up until a week before the date of auction set for the 14th June 1870 at the Bull Hotel Rochester where purchaser Robert Lake would bring to light the property’s “fee simple” status, Elizabeth Goldsmith, as one of three executors to her husband’s estate along with silk merchants Alfred Bentley and William Bell Bentley, was still receiving rent from the tenant Mrs Mary Youens. To absolve the executors of any suspicion they had knowledge of the anomaly, Elizabeth Goldsmith’s sworn declaration was made in Chancery just days prior to the auction, on Thursday 9th June 1870 under an Act of Parliament which was incepted at the time of William IV’s reign and later amended to abolish unnecessary oaths and suppress voluntary, extrajudicial affadavits. … More Mrs Elizabeth Goldsmith and the saltmarsh known as Lady’s Tippett, 1870

Eva (Nevin) Morris and Hilda,(Nevin) Warren, Sydney 1940s

Preview of new research 2023

January 17, 2023

This year we cross the globe to visit the Great Fires of San Francisco, California, USA with Captain James Day (1851); to hear about old friends at Grey Abbey, County Down, Ireland from John Nevin snr’s sisters (1855); and to survey the estate of Captain Edward Goldsmith’s many freehold properties at Gad’s Hill, Higham, County Kent, UK (1870), for a closer look at historical documents recently come to hand. These beautifully preserved archival ephemera deepen our knowledge of events in the lives of the preceding generation of photographer Thomas J. Nevin (1842-1923) and his wife Elizabeth Rachel (Day) Nevin (1847-1914). We also cross the threshold of the 20th century to begin a new private collection called “The Grandchildren’s Albums”. The following are synopses of full articles to come in 2023. … More Preview of new research 2023

George Chandler, cdv by Thos J. Nevin 1871

Lost originals: the Nevin, Genge and Chandler family photographs

November 28, 2021

A boy and his photograph: no longer “Anon”
Item no. NS434-1-121 – “Photograph – Anon – boy – c. 1870s” from the series “NS434 Photographs of the Chandler, Genge and Hooper Families 01 Jan 1860 31 Dec 1960” was listed online at the Archives Office of Tasmania but without the digitised image when a Nevin family descendant recently requested a preview and scan. It was a stab in the dark, a random choice from the two dozen family photographs of the Nevin, Genge, and Chandler families from the Chandler/Hooper collection, more so since neither the “boy” nor the photographer was named. The scan provided by the AOT revealed this fine portrait of a very handsome eleven year old boy in uniform, immediately identifiable as a portrait taken by Thomas J. Nevin ca. 1871 at his studio and business, the City Photographic Establishment, 140 Elizabeth St. Hobart Town, Tasmania. The Archives Office has since placed the image online … … More Lost originals: the Nevin, Genge and Chandler family photographs

Young man at Nevin & Smith's studio, Hobart 1868

NEVIN & SMITH, 1868: the client with white fingernails

October 21, 2021

Robert Smith was known to Mrs Esther Mather. She was not happy about the colouring he had applied to a portrait of her brother when he visited the studio she called “Smith’s” in Hobart. She said so in a letter to her step-son, dated 1865. Nothing was known about this partner of Thomas J. Nevin called Robert Smith until recently when portraits and stereoscopes bearing the business name NEVIN & SMITH came to light. Robert Smith may have been an independent photographer prior to forming a partnership with Thomas J. Nevin at Alfred Bock’s former studio. The partnership lasted less than a year and was promptly dissolved in February 1868 following the Royal visit to Hobart, Tasmania of Alfred Ernest Albert, Duke of Edinburgh, second son of Queen Victoria, in late 1867 on his first command, H.M.S. Galatea. Thomas J. Nevin continued the photographic business in his own name at Alfred Bock’s former studio, 140 Elizabeth St. Hobart Town, while Robert Smith departed for Goulburn NSW where he set up a photographic studio before taking to farming and politics. … More NEVIN & SMITH, 1868: the client with white fingernails

Barque Sir Charles Napier

Captains, emigrants and convicts: the summer of 1842-3 in Hobart, VDL

October 10, 2021

Among the 220 bounty emigrants who disembarked at Hobart from the Sir Charles Napier on 29 November 1842 were members of the JUDD family from Barkway, Hertfordshire (UK). Parents Thomas Judd snr and Elizabeth Judd nee Cane [var. Cain] arrived with eight of their children: Elizabeth, Thomas, John, Ann, Rebecca, Susan, Martha and Henry. A remarkable account of the voyage and the tragedy which followed was documented by twenty-year-old Thomas Judd in his diary, from departure in August 1842 to arrival and aftermath, in January 1843. Twenty five years later, Hobart photographer Thomas J. Nevin would hear about this family from one of his sitters, Joseph THOMAS, farmer of Cygnet who married a daughter of the JUDD family, Rebecca Judd, in 1852 only to lose her in childbirth in 1864 … More Captains, emigrants and convicts: the summer of 1842-3 in Hobart, VDL

Emma Pitt cdv June 1866

Best of friends: Emma PITT and Liz O’MEAGHER 1866

September 24, 2021

The verso inscription on this carte-de-visite – “I say Captain Mackie is not to show his face in Nelson without you Liz O’Meagher” – signed by Emma Pitt, dated 6th June 1866, has created differences in perception as to the identity of the young woman in the photograph, first by the seller (DSFB) on the one hand, and second by the purchaser (KLW NFC Imprint) on the other. Is it a photograph of Emma Pitt’s addressee “you Liz O’Meagher”, or does it represent the sender Emma Pitt herself? The cdv as a multimodal message is quite complex in tenor and text. Emma’s single sentence is a powerful theatrical gesture. She uses the deictic “you” as a cataphoric pointer forward to the name “Liz O’Meagher” without reference to the photograph itself or to the name of the woman it portrays. “This is you” or “this is me” are absent pointers which could identify the subject of the photograph. Liz O’Meagher is clearly intended as the receiver, the addressee, the “you” in script, in textual form on the verso of the cdv but there is the addition of a visual signifier in the message, the photograph of a young woman on the recto of the cdv, whose identity is not altogether straightforward despite comparisons with extant photographic records taken in the same decade and into the 1880s of (potentially) both young women … More Best of friends: Emma PITT and Liz O’MEAGHER 1866

Letter to Mercury 1961 re cdv of Tasmanian Aborigines in Nevin family collections

Lost and found: one day in 1866 and the scientific racism which followed

August 30, 2021

In August 1866 at his Hobart studio, 42 Macquarie Street, photographer Charles A. Woolley (1834-1922) would ask of his three sitters, Truganini, William Lanney and Bessy Clark, to bear with him while he rearranged their clothing, repositioned the studio decor, swapped their seating, and gave instructions as to sightlines. This short session, perhaps no more than an hour, resulted in a series consisting of at least four full-length portraits of the trio as a group, each slightly different in configuration and composition. The earliest example to survive from this session, an original carte-de-visite produced by Charles A. Woolley before 1869, has surfaced in the family collections of Woolley’s young contemporary, Thomas J. Nevin (1842-1923). … More Lost and found: one day in 1866 and the scientific racism which followed

Edward Macdowell

Captain Goldsmith’s “private friend” Edward Macdowell 1840s

June 14, 2021

In January 1849 Elizabeth Rachel Nevin’s uncle, merchant mariner Captain Edward Goldsmith, was presented with a silver goblet as a token of appreciation for his services to the colony of Van Diemen’s Land’s horticultural enterprises. The occasion was scheduled to take place on Wednesday, 17th January 1849 with Captain Goldsmith’s “private friend”, barrister Edward Macdowell, nominated to make the presentation, but he was otherwise “engaged in Court.” Edward Macdowell was at the Supreme Court Hobart acting as counsel in the defense of John Buchanan, charged with the rape of a six year old child, reported in the press as either Mary Ann Challenor or Challender. A technical error on the part of the judge in this instance led to a pardon pending for the rapist John Buchanan. It was noted he had been capitally convicted of a similar offence in England but escaped punishment “by a technical error”. He managed again to escape the death sentence in the Hobart Supreme Court on a judicial error. … More Captain Goldsmith’s “private friend” Edward Macdowell 1840s

Matilda Cherry nee James, ambrotype by her hsuband George Cherry 1850s

George and Matilda Cherry at Thomas Nevin’s studio ca. 1872

April 6, 2021

When a carte-de-visite taken by Thomas J. Nevin in the early 1870s was acquired for our private collection in 2013, the sitters were simply described as an unidentified “wealthy” couple. Examination of their facial features and general demeanour alongside earlier photographs showing – potentially – the same two people as their younger selves, prompted further investigation. Once a tentative comparison was made with photographs taken by George Cherry of himself and his wife Matilda in the 1850s-1860s, the possibility emerged that these two might be one and the same. Given the unhappy circumstances of their meagre finances and the failing health of both Matilda and George between 1870-1873, the way they dressed for the occasion, the way they posed and the way they regarded the photographer, led to the conclusion that this couple who sat for Thomas J. Nevin in 1872 may well have been Mary Ann Matilda James (1836-1873) who married photographer George Cherry (1820-1878) at Hobart in 1855. … More George and Matilda Cherry at Thomas Nevin’s studio ca. 1872

Tasmanian Aborigines, photo by Charles A.Woolley 1866

Reproductions of Charles A. Woolley’s portrait of Tasmanian Aborigines 1860s-1915

March 21, 2021

This carte-de-visite print of Charles Woolley’s original photograph of three Tasmanian Aborigines – Truganini (seated on left), William Lanne (centre, standing) and Bessy Clarke (on right), taken in 1866, was reprinted by another photographer’s studio, possibly Thomas Nevin’s, before Truganini’s death in 1876. The owner of the cdv print after purchase attempted hand-colouring of the drape and carpet with crimson. Similar inept hand-colouring was applied to a series of cdvs bearing Nevin’s name inscribed as “Clifford & Nevin” or his studio stamp with provenance in the north of Tasmania (QVMAG, Launceston; McCullagh Private Collection, etc). The provenance of this particular print is from the private collection of Thomas and Elizabeth Nevin’s grandchildren. The word “living” on the printed label, verso of this print, which appears to have been pasted over the back of the original cdv and probably bearing the stamp of another photographic studio, uses the present tense to indicate that Truganini was still alive in April 1869, while Bessy Clarke had died, 12th February 1867, and William Lanne had died, 3rd March 1869, thereby dating the first reprint of this photograph to April 1869 but not necessarily any subsequent prints which could have been produced in every decade until the early 1920s in the name of tourism, especially by John Watt Beattie, when this particular trio was heralded to represent the “Last Aborigines of Tasmania”. … More Reproductions of Charles A. Woolley’s portrait of Tasmanian Aborigines 1860s-1915

Prop. of Green Island, Bass Strait, Elizabeth Robinson formerly Virieux

Captain Hector Axup and the French lady of Green Island, 1888

March 4, 2021

“Green Island … is a remarkable island in more ways than one. Formerly a rabbit warren and mutton bird rookery (which perhaps accounts for its rich soil), it has gained a well-earned notoriety under the able management of the present proprietress (of whom more anon) for its extraordinary sheep-fattening properties. Yet this seemed an apparent paradox, for until a comparatively recent date not a blade of grass was visible, although it always bore the palm for the fattest sheep. Many interested in sheep farming paid it a visit for the purpose of solving the mystery. Upon questioning the lady above referred to (who by the way is French, and a devout Roman Catholic) as to what the animals fed on she replied, with the proverbial French gesture, that ‘God was good to give her sheep the instinct and feet which enabled them to dig for their food.’ They certainly thrive remarkably well upon whatever they dig up. One time she only kept a limited number, about 400, and these were all pets. To each of them she gave a French name; and each answered to it when called. About eight years since, one memorable morning, she was almost as much astounded as Robinson Crusoe at the ‘naked footprint’ to observe a narrow ridge of green grass close to the water’s edge, which has gradually extended until now it covers the whole of the island, embracing several varieties, but chiefly barley grass. This enabled her to augment the number to a thousand, all in excellent condition, and considered by a good authority to be a very large number per acre. However, the pets are a thing of the past, and I presume the great increase in numbers has exhausted the good lady’s stock of French names. But to return to the proprietress, whose career has rendered her not the least interesting feature of the island domain. The widow of a captain and owner of a smart bark which years ago traded between Australia and Mauritius, she was at one time well known in several of the seaport towns of Australia. Her stately figure rendered her conspicuous, and she was invariably accompanied with a pure bred Spanish poodle, and a black servant. From a life of almost oriental ease, she was left through the death of her husband to face the stern realities of the battle of life. She settled on what was then a barren and lonely isle, where with an adopted daughter, and no external aid, these two lone women commenced their hermit mode of existence. It would require the pen of a Dickens to do justice to the indomitable pluck and perseverance they displayed, and the massive stonewall fences which traverse the island in various directions are silent, yet speaking monuments of their untiring industry….” … More Captain Hector Axup and the French lady of Green Island, 1888

Prisoner Henry Stock 1883 photo by T. J. Nevin

The case against Henry Stock (var. Stocks) 1884 for the murder of his wife and her child

February 20, 2021

“EXECUTION OF STOCK.
The execution of Henry Stock, who was convicted at the last Criminal Sessions of the murder of his wife and child, took place at 8 o’clock this morning, in the presence of Messrs. Seager, the Deputy Sheriff; Quodling, the Governor of the Gaol ; Hedberg, Sub Inspector of the Territorial Police ; Smith, the Under Gaoler : Rev. Geo. W. Shoobridge, Chaplain to the Gaol ; Rev. T. M. O’Callaghan ; the members of the Press, and the gaol officials. On Mr Seager asking Stock whether he had anything to say, he replied, ‘All I have to say is that I am innocent.’ When asked whether he had any message he would like taken to anybody, he replied ‘ .No.’ He was then pinioned by Solomon Blay, and he followed Mr Shoobridge to the drop. The condemned man appeared somewhat faint, but his step was firm, and he walked on to the platform bravely and exhibited no signs of breaking down. In his right hand he carried a little bunch of flowers with the following text attached : ‘ He shall speak peace unto the heathen.’ He then mounted the platform, the white cap was placed over his head, the bolt drawn, and the unfortunate man launched into eternity. The operation took over three minutes, Mr Shoobridge continuing the prayer during the whole time. Whilst in gaol Stock was respectful to all the officials. Up to the time of his death he made no confession. On Sunday night his rest was partially disturbed, but this morning he eat [sic – ate] a hearty breakfast of fish. The body was cut down after an hour’s time and examined by Dr. Turnley, who pronounced the body to be dead. His remains were conveyed at 11 o’clock to Cornelian Bay. Mr A. J. Taylor took cast of his head.” … More The case against Henry Stock (var. Stocks) 1884 for the murder of his wife and her child

Prisoner Joseph Walmsley 1872

Prisoner Joseph WALMSLEY: “a queer-looking man” 1842-1891

February 9, 2021

Joseph Walmsley, 14 years old, one of 267 convicts transported on the Isabella (2), arrived at Hobart, Van Diemen’s Land (Tasmania) on 19th May 1842. He was tried at Lancaster, Salford Quarter Sessions (UK), transported for seven (7) years for stealing shoes, coppers and money. He had in his possession when arrested a William the Fourth coin. His record (https://stors.tas.gov.au/NI/1443405) was transcribed with “Again transported” at some date, though no record shows how this was literally possible, since he remained in the Australian colonies from 1842 (including three years in a Melbourne prison from 1869-1871) to his death from senility in Tasmania in 1891, at 67 years old (born therefore ca. 1824). Rather, his sentence of seven years was extended to ten years’ transportation in Hobart, 4th July 1850, for burglary. Thereafter, his criminal offences – he was a man “as works for a living” as he put it in 1872 – were a series of breaking and entering, robbery, burglary, larceny, and the occasional swearing at and assault of the constabulary (see records below). When he was photographed by government contractor T. J. Nevin in 1872 on incarceration at the Hobart Gaol, he was 46 years old. … More Prisoner Joseph WALMSLEY: “a queer-looking man” 1842-1891

Camille Del Sarte family, Tasmania. cdv by Thomas J. Nevin 1860s-1870s

Thomas J. Nevin at his finest: Camille Del Sarte and family 1860s-1870s

December 21, 2020

Who is this child?
Nine children were born to Camille Del Sarte and Ann Caroline Conroy between 1861 and 1874. Of the six boys, three are known to have survived to adulthood – Leopold Zavier, Camille Frederick and Ernest Ashley; and three did not live longer than 16 months – Francis Henry, Rolland Augustus (registered at birth as Gustavus Rowland at Hobart in 1864 but died in Sydney, 1865, 12 months old), and Henry John (twin of Henrietta Daisy).  Of the three girls, Marie Albertine survived to adulthood, Henrietta Daisy (twin of Henry) died before the age of 12 months, and the third – Madalene – is known to have married as Madeline [sic] Ethel in 1918. The first to survive was Marie Albertine Del Sarte. She was likely a Francophone, or more competently bilingual than her younger siblings, an important factor in what follows. If this confident lad who visited Thomas Nevin’s studio is indeed a son of Camille Auguste and Ann Caroline Del Sarte nee Conroy, his identity could be established from the ages of two of their sons who were 3 to 6 yrs old between 1874-1876 while Thomas J. Nevin was still active at his Elizabeth St. studio. He could be Leopold Zavier (born 1866 in Sydney NSW who died in Victoria 1936). Or he could be Camille Frederick (born Sydney 1873, died Victoria 1960). The third son, Ernest Ashley (born Sydney 1874), was still a baby, less two years old and too young to be a contender. … More Thomas J. Nevin at his finest: Camille Del Sarte and family 1860s-1870s

Mary Louisa Bayles 1865, photo by Alfred Bock

Alfred Bock and the Bayles sisters

September 30, 2020

Outdoors, just back from a stroll in the fresh country air, hat in hand, was the theme chosen for Mary Louisa Bayles’ session at Alfred Bock’s studio ca. 1865.  He stood her next to a circular metal garden table decorated with a metal stand supporting a bowl of artificial fruits and flowers. Behind her, both on her left and right, two plaster plinths were to suggest a patio balustrade leading to steps rising to a terrace just out of frame. Painted on the backsheet to the viewer’s right, the large tree reaching to the top was to soften the edge of the frame in similar manner to the drape which nearly always appears in Alfred Bock and Thomas Nevin’s indoor studio portraits. In the distance to the viewer’s left, the smaller tree was to deepen perspective while allowing enough blank space to foreground the pose Mary Louisa chose as a complement to the outdoor decor. Only the carpet appears incongruous in a setting which has so much outdoor furniture. That same carpet with a pattern of large dark lozenges rimmed in white appears in several portraits by Thomas Nevin of private clients. He may have acquired it from H. H. Baily whose studio was located almost opposite in Elizabeth Street. It appears in Baily’s portrait of Sara Crouch who was photographed by Thomas Nevin about the same time, ca. 1872. … More Alfred Bock and the Bayles sisters

Elizabeth Allport nee Ritchie 1875

Elizabeth Allport nee Ritchie at Thomas J. Nevin’s studio 1876

September 8, 2020

This photograph taken by Thomas J. Nevin at his studio, the City Photographic Establishment of Elizabeth Allport (1835-1925) is arguably the finest portrait taken of her in her mature years. There is no other photograph – and there were many taken throughout her life – which reveals her sublime grace and character to this extent, a quality due in no small measure to the professional expertise of Thomas J. Nevin. Elizabeth Allport was the elder daughter of Lieutenant Thomas Ritchie, wife of Morton Allport (1830–1878), mother of Curzona (Lily), Minnie, Cecil, Evett and Henry Allport, and a friend to the family of Thomas J. Nevin, his wife Elizabeth Rachel Day and his sister Mary Anne Nevin. … More Elizabeth Allport nee Ritchie at Thomas J. Nevin’s studio 1876

Alfred Hope's carriage with Albert Nevin on horseback

Alfred Hope and his landau with Albert Nevin early 1900s

August 24, 2020

This tattered – and therefore much loved – photograph was found among the family memorabilia of Albert Edward Nevin (1888-1955), the youngest child born to photographer Thomas J. Nevin and Elizabeth Rachel Nevin nee Day in 1888 at 236 Elizabeth St. Hobart. One of Albert’s children – a grandchild of Thomas and Elizabeth Nevin – wrote the inscription on the verso in capital letters: “HOPES CARRIAGE WITH MY DAD ON HORSE BEHIND” – identifying the man on horseback behind the carriage as Albert Nevin. As to the identities of the rest of the group in this photograph, including the identity of the photographer, all is open to speculation. The more senior man seated centre may have been William Hope, owner of the carriage; the younger driver holding the reins his son Alfred Hope who took over his fathers’s horse-drawn cab business in 1913. As a group dressed for a semi-formal occasion in the fashions of the Edwardian period (1890s -1920), their destination might have been the Northall Park race course at Moonah or the Risdon Park race course in Bell Street, New Town, which would explain why Albert Nevin was on horseback accompanying the group. He trained pacers and rode several horses at both tracks: on Saturday 20th February, 1915, at Northall Park, for example, Albert Nevin the rider was reported to make a splendid recovery in the saddle when his mount Dinah Rose’s “gear went wrong” during the second round of the February Cup. … More Alfred Hope and his landau with Albert Nevin early 1900s

Sarah Crouch cdv by Thomas J Nevin 1871

Sarah Crouch at Thomas J. Nevin’s studio ca. 1872

July 31, 2020

“SEVERAL Ladies having been long impressed with the desolate state of females occupying the sphere of domestic servants on leaving their situations while seeking others, the following ideas have been suggested: –
“That a society of ladies be formed, the design of which shall be to protect ALL lone female servants, and afford such advice as experience dictates and by judicious care and oversight prevent exposure to many evils which strangers in the colony are subject to; and also to provide a “Home” to ALL female servants willing to avail themselves of its privileges at a rate within the reach of their limited means. The “Home” will be conducted as much as possible in accordance with similar Institutions in London. Such a home will preclude the necessity of the well-intentioned taking up their abode with persons whose object is gain to themselves, though it should be the destruction of their supporters. With this view the ladies have taken a house in High-street, near the New Town Road (a respectable neighbourhood) at a very moderate rent, in which there is a sitting-room, with table requisites for the use of the inmates, and all necessary utensil for cooking, washing, &c – the dormitories furnished with beds, bedding, and everything necessary to the comfort of those desirous of placing themselves under the guardianship of the ladies….” … More Sarah Crouch at Thomas J. Nevin’s studio ca. 1872

Mary Ann (Minnie) Drew nee Nevin ca. 1917

Youngest daughter Minnie Nevin m. James Drew (1884-1974)

January 3, 2020

Race horses, draught horses and trotters were the focus of Minnie Drew’s family life and livelihood. Husband James Drew entered a starter “Miss Bobby” in the Spring Handicap, January 1917, and younger brother Albert Nevin, recently returned from Launceston with his new bride Emily, was racing his starter “Rosalind” in the Derwent Handicap at Moonah by August. James Drew also showcased draught and dray horses at the annual Hobart Show, selling them eventually when he acquired a motor van for his parcel delivery business. Minnie’s older brother William Nevin established a carrier and furniture removal business which he partnered with James Drew in the 1910s, operating from Morrison St. Hobart Wharf. When siblings May, Albert, George and William Nevin moved to the property  at 23-29 Newdegate St. in 1923 on the death of their father Thomas J. Nevin (once a photographer, always a photographer – he was buried with “photographer” listed as his occupation on his burial certificate), William Nevin maintained the carrier business there until his untimely death in a horse and cart accident in 1927. … More Youngest daughter Minnie Nevin m. James Drew (1884-1974)

92 Warwick St. Hobart

Rosanna Mary Domeney nee Tilley at Thomas Nevin’s studio 1870s

November 7, 2019

Rosanna Mary Domeney’s father John Tilley, licensed victualler who died in 1850, had stipulated that his Trustees Thomas Mezger and Christopher Basstian provide for the maintenance and education of his daughter Rosanna Mary until she married or turned 21 years old, whichever came first, and that the profits from his estate be passed to her for her exclusive use and not of any husband, should she marry. However, when her mother died in 1848, the properties she had inherited from both parents were registered jointly on the Valuation Rolls in both her name and that of her husband William Lemuel Domeney once she was married. Her Hobart address was 75 Warwick St. Hobart by 1872, the year she most likely visited Thomas Nevin for a portrait at his studio. In 1876 she sought to convey the land and four properties described in Title Deed No. 06/2114, dated 15 August 1876 to Trustees William Robert Giblin (1840-1887) and William Ansty Knight “with the concurrence of the said William Lemuel Domeney” her husband, and when both Trustees were deceased by 1889, she transferred their interest to Henry William Chapman and Henry Priest who offered the Warwick Street properties for sale within months of Rosanna Domeney’s death in 1907.. … More Rosanna Mary Domeney nee Tilley at Thomas Nevin’s studio 1870s

Alfred Barrett Biggs, photo by T. J. Nevin ca. 1874

Thomas Nevin and Alfred Barrett Biggs 1872-1876

September 11, 2019

Posing with an upturned riding crop or cane in his right hand, his left hand resting on the chair where someone decorously placed a book and top hat as signifiers of class and literacy, Alfred Barrett Biggs appears anything but relaxed at the point of capture, despite the casual stance with right leg bent at the knee crossing the left. Although his gaze fell slightly to the left of where Thomas Nevin stood while composing the shot, the exchanges of dialogue between the two men at that point would not explain why Alfred’s eyes fairly burn, they are so bright. Very light or pale blue eyes can cause this sort of look and pin pricks or black dots were sometimes used by studio assistants to accentuate or even animate the client’s eyes when they do appear too pale. Even though Alfred’s eyes do not appear exceedingly light in later portraits taken in the 1880s and 1890s (see Addenda 3 below), his pupils were darkened in this portrait with black ink, and because the alignment of each black dot is slightly askew, Alfred appears somewhat overwrought and anguished. … More Thomas Nevin and Alfred Barrett Biggs 1872-1876

Prisoner James Blanchfield poster at Hobart exhibition 2019

Exhibition 2019: T. J. NEVIN’s mugshot of prisoner James BLANCHFIELD 1875

July 29, 2019

The large wall poster (on right) at the exhibition titled “Photographs of Australian and British Convicts” which opened at the Hobart Penitentiary (the former Hobart Gaol and House of Corrections, Campbell St.) in July 2019 features the mugshot of James Blanchfield taken by Thomas Nevin in 1875, together with a jolly japes biography of the prisoner, finishing with the sentence:

“…at the age of fifty he found himself sentenced to 5 years imprisonment and was packed off to Port Arthur where this photograph was taken.”

Actually, no: as the police gazette states, James Blanchfield was 48 years old on release in 1875, not 50 years old on sentence in 1873, and he spent less than two months at the Port Arthur prison, from 21st February 1873 to 20th April 1873. He served just twenty-six months of a three year sentence, not a five year sentence when he was discharged in April 1875. Additionally, he was photographed, not at the Port Arthur prison as claimed by the exhibition poster but at the Hobart Gaol, the very same site where Thomas Nevin’s photograph of him taken for police in 1875 now looms over visitors to the current exhibition, exactly 144 years later. … More Exhibition 2019: T. J. NEVIN’s mugshot of prisoner James BLANCHFIELD 1875

Prisoner John NOWLAN alias DOWLING

Prisoner John NOWLAN alias DOWLING 1870-1876

June 26, 2019

This prisoner stated that he arrived free in Tasmania as a sailor on the Bangalore with the name John Dowling, but he might have arrived as a convict with the name John Nowlan on the transport London in March 1851. Shipping documents testifying to his arrival on the Bangalore at any port and under any circumstance unfortunately, if true, are not extant. He was sentenced to five years in March 1870 for indecent assault as John Dowling. He was photographed as John Dowling by T. J. Nevin on release from the House of Corrections, Hobart in December 1874, and convicted again in February 1875 for larceny. A year later, in February 1876 he was convicted at the Supreme Court, Hobart, for rape of a girl between 10-11 yrs old, this time as John Nowlan, alias John Dowling. The sentence for rape was death, commuted to life imprisonment. John Nowlan alias John Dowling was sent to the Port Arthur prison on 25th February 1876 and transferred back to the House of Corrections, Hobart Gaol, Campbell St. on 17th April 1877. A prisoner who called himself John Dowling died at the New Town Charitable Institution, Hobart in 1906 of senilis. … More Prisoner John NOWLAN alias DOWLING 1870-1876

Shipowner Joseph Somes

Joseph Somes, Captain Edward Goldsmith and the “Angelina” 1844-46

April 24, 2019

In all, the month of July 1845 saw Captain Edward Goldsmith make some swift changes to the course of his life and that of his eldest son Richard Sydney Goldsmith. Having swapped his commission to sail the Parrock Hall, due to depart on 15 July 1845 on yet one more round trip to NSW, he sailed instead on that very date for Sydney in command of the Angelina,  Robert Brook’s newest acquisition which was transformed from a female transport ship within months of returning from Tasmania (VDL). Now fitted out as a  merchant barque with a cargo of luxury goods and well-heeled passengers, the Angelina sailed for Port Jackson, NSW on 19th July 1845 with Richard Sydney Goldsmith indentured as his father’s  apprentice thanks to another swift decision on his father’s part to cancel his son’s prior engagement as an apprentice on the Perseverance. … More Joseph Somes, Captain Edward Goldsmith and the “Angelina” 1844-46

A distinguished forelock: Henry Dresser Atkinson on board the “City of Hobart” 1872

March 11, 2019

This stereograph by Thomas Nevin foregrounds an unidentified young woman, who may have been one of event organiser John Woodcock Graves’ four young daughters – Mimi (b. 1862), Mathinna (Matte b. 1859) Trucaninni (Truca b. 1864), the latter two both given Tasmanian Aboriginal names – or even fourteen year old Jean Porthouse Graves (b. 1858) who collected these photographs of the trip by Thomas Nevin for her album (see her portraits by Nevin below). This young woman with a steady gaze and fully rounded face, however, was possibly in her late teens. As she is sitting next to Henry Dresser Atkinson (1841–1921), she may have been his fiancee Sarah-Ann Ward (b. 1841 Launceston). Their son  Henry Bruné Dresser, born  on 17th  March 1874 at Gordon, Tasmania, was nursed – so legend goes – by Tasmanian Aboriginal  woman Trugernanner (Truganini) (1812–1876). Henry Dresser Atkinson’s first appointment on arrival from England was the Channel mission at Oyster Cove where Truganini’s group had been relocated to her traditional territory. … More A distinguished forelock: Henry Dresser Atkinson on board the “City of Hobart” 1872

Captain Goldsmith, AWOL seaman Geeves, and HMS Havannah

January 2, 2019

Henry Geeves was an articled seaman, one of twenty-two (22) crew members who sailed from the Downs (UK) on 22nd August 1850 on board the barque Rattler, 522 tons, Captain Edward Goldsmith in command, arriving at Hobart, Van Diemen’s Land (Tasmania) on 14th December 1850.  Cabin passengers numbered seven, with four more in steerage. The return voyage of the Rattler to London would commence on 19th March 1851, after three months at Hobart while Captain Goldsmith attended to his construction of the vehicular twin steam ferry SS Kangaroo and the development of a patent slip at his shipyard on the Queen’s Domain. Henry Geeves, however, had no intention of joining the crew on the Rattler’s return voyage to London when he went absent without leave (AWOL) on 31st December 1850. He returned to the ship three days later for his clothes. Appearing as the plaintiff in the Police Magistrate’s Court on January 20th 1851, his complaint against Captain Goldsmith was for wages which he claimed were due to him because he felt he had been discharged by the Rattler’s chief officer, having volunteered as an “old man-of-war’s man” to join the frigate H.M.S. Havannah  when an officer from the Havannah boarded the Rattler seeking additional crew … More Captain Goldsmith, AWOL seaman Geeves, and HMS Havannah

Captain Edward Goldsmith and wife Elizabeth’s land deals in VDL

December 9, 2018

This is a brief guide to the property dealings of Captain Edward Goldsmith in the colony of Van Diemen’s Land (Tasmania) from 1839 to 1862, viz his construction of patent slips at Secheron Bay and the Queen’s Domain, Hobart; his acquisition of acreage for timber felling and sheep pasturing in the north and south of the island; his purchase and sale of land and residences in Battery Point, Hobart, and finally the sale of his licensed premises and residence at 19 Davey Street, Hobart months before his permanent departure from the colony in 1856 with wife Elizabeth and sole surviving son Edward jnr. He retired to Gadshill House, his estate in the village of Higham, Kent, UK, where he continued land management of fifty ancestral leaseholds and plantations in the neighbouring parish of Chalk. … More Captain Edward Goldsmith and wife Elizabeth’s land deals in VDL

Thomas Nevin’s photographs mounted on calico 1870s

November 7, 2018

Dozens of extant photographs by Thomas Nevin that carry no studio stamp on verso were deliberately kept blank because they were mounted on calico, and delivered by mail to the purchaser with the expectation that they would either be placed intact inside a wooden frame, to be hung on the wall; or indeed, removed from the calico to be placed on an album leaf. Thomas Nevin used calico mounts as a means of saving on costs when posting through the mail. Dozens of his extant photographs with blank versos held in public and private collections bear traces of removal from woven fabric or parchment. Handwritten inscriptions, in many instances, were added subsequently by the client, collector or archivist. … More Thomas Nevin’s photographs mounted on calico 1870s

Thomas Nevin at the Canary and Cage Bird Show 1869

September 19, 2018

” The prize cards had on them a large and well-executed photograph by Mr Nevin, photographer, of this city, of what is called in England a model canary; and, accepting that model as the correct one, the Judges found several birds which came well up to the standard — notably the variegated yellows of Mr Northcote, Mr Aldred, and Mr Walch’s buff, Mr Montgomerie’s yellow, and many others specified in the subjoined prize list. Much interest was taken in seven birds at the upper part of the room, which had been entered for a sweep of seven pounds …” … More Thomas Nevin at the Canary and Cage Bird Show 1869

Bleak Expectations: Captain Goldsmith’s will in Chancery 1871-1922

June 21, 2018

This was one of Captain Edward Goldsmith’s properties, Craddock’s Cottage, believed to be where Dickens spent his honeymoon with Catherine Hogarth, April 1836. It was listed for auction in 1870 as  – “2a. 0r. 0p. of valuable plantation, house and garden, and building land, in the occupation of Mr. John Craddock, at a rental of £30 per annum”. The land next door was known as Goldsmith’s Plantation until the 1930s. It is mentioned in Goldsmith’s will on pages 6 and 8: “Due from John Craddock of Chalk Kent labourer and considered to be irrecoverable …. £40.0.0 ,,,,” … More Bleak Expectations: Captain Goldsmith’s will in Chancery 1871-1922

1854: a year onshore at Hobart Tasmania for Captain Edward Goldsmith

June 6, 2018

The year 1854 was significant in the life of Captain Edward Goldsmith (1804-1869) because he spent it ashore at his antipodean residence, 19 Davey Street, Hobart, Van Diemen’s Land (Tasmania) with his immediate family: his wife Elizabeth Goldsmith nee Day and his two sons Richard Sydney Goldsmith and Edward Goldsmith jnr, unlike the two preceding decades from 1830 to 1852 when he was at sea for eight months of every year as commander of merchant vessels plying the wool trade routes from London via the Americas, the Falklands and South Africa to Port Jackson (Sydney) NSW and Hobart, VDL.
In brief, the year 1854 ashore at Hobart saw Captain Goldsmith’s participation in these events, and probably several more not noted in the press:
Licensed as wholesale liquor merchant
Attendance at banquet to celebrate the opening of the New Market
Death of eldest son Richard Sydney Goldsmith from fever
Committee member for Royal Society dinner to honour Sir William Denison
Committee member for farewell dinner for John Dunn
Construction and sale of a schooner, 25 tons, at his Domain slipyard
Construction of the twin steamer ferry SS Kangaroo at his Domain slipyard
Director of the Hobart Town & Launceston Marine insurance company
Shareholder in the Tasmanian Steamship Navigation company
Planned defence battery next to Goldsmith’s Yard on the Domain
Committee member on the Gold Exploration Committee
Construction of the patent slip at the Domain and personal illness
Regatta Judge 9 December 1854
Petitioner to the HCC for sewage and water pipes to be laid in Davey St. … More 1854: a year onshore at Hobart Tasmania for Captain Edward Goldsmith

John Nevin snr and family 1851-1854: shipping documents

April 30, 2018

The point here is to negate any speculation that the document above which shows John Nevin paid £5 for the passage of two relatives on a family ticket on 11th July 1854 is the actual same document that proves he paid for three members of the Hurst family who arrived on 3rd February, 1855 on board the Flora McDonald viz. John Hurst, 16 years old, a designer, with Eliza Hurst, 40 years old, a needlewoman, and 14 year old house servant Mary Jane, despite the claims of the author of a Wikipedia page about William Nevin Tatlow Hurst (viz. serial troll Karen Mather who also references irrelevant documents in pursuit of her claims). These are two separate events, two different dates, and two separate groups of passengers. Even if the Hurst and Nevin families had associations in both Ireland and Tasmania before and after both families emigrated, the  list clearly shows these three Hursts arrived in 1855, not 1854, at Launceston via Hobart.  So, if their sponsor was the same John Nevin (no address given on this document below) who had sponsored two emigrants on a family ticket the previous year, in 1854, the document cited above with his address at Kangaroo Valley (http://stors.tas.gov.au/CB7-30-1-1 Nevin John 1854 image 27) does not reference this document below dated 1855 which names the three Hursts: … More John Nevin snr and family 1851-1854: shipping documents

Captain Edward Goldsmith and the conundrums of the Ethiopian Serenaders 1851

February 12, 2018

WARNING & DISCLAIMER:
The resources in this article contain offensive language and negative stereotypes. Such materials should be seen in the context of the time period and as a reflection of attitudes of the time. The items are part of the historical record, and do not represent the views of this weblog. These primary historical documents reflect the attitudes, perspectives, and beliefs of different times. Please note that this example of a mid-19th century performance genre called “blackface” and the use of the “N” word here will offend 21st century readers; proceeding is your responsibility.
… More Captain Edward Goldsmith and the conundrums of the Ethiopian Serenaders 1851

The Will of Richard Goldsmith snr (1769-1839)

January 31, 2018

Plaintiff George Matthews Arnold filed this suit in Chancery against the heirs to the will and estate of Richard Goldsmith snr for the purpose of acquiring the mortgages, rents and other income derived principally from Richard Goldsmith’s properties, the China Hall and the Victoria Inn at Rotherhithe, London, and farm holdings at Chalk, Kent. He also wanted the Goldsmith heirs to produce evidence of other deeds held on properties but they refused (see pages 9-11). The Court ordered they should comply under penalty of arrest. When Captain Edward Goldsmith’s own estate was put at auction in 1870 at the Bull hotel, Rochester, the auction took place under the watchful eye of solicitor George Matthews Arnold. The Bull was Mr Jingle’s “good house” in Dickens’ Pickwick Papers and the hotel he named the Blue Boar in Great Expectations. … More The Will of Richard Goldsmith snr (1769-1839)

Treasures passed down from Captain Edward Goldsmith and Captain James Day

November 14, 2017

To contemporary Western eyes, each of these two carved ornaments might look like 19th century funerary artefacts, flower vases for example, which were customarily placed on the graves of the dearly departed. To the Sinophile, however, they are more likely to be brush washers used by a calligrapher or a watercolourist. Each appears to have a narrow pot and a wider one carved deep into the interior of the chunk of stone, where the narrow one might have held the brushes, and the wider pot the water to wash them. The age of these two “vases” – assuming their provenance goes back as gifts to the two daughters of Captain James Day in the 1860s-1870s – is at least 150 years old, and perhaps much older. If they were gifted as a pair of brush washers, why would they be deemed appropriate for these two young sisters? The answer now seems quite obvious: they were the colourists working in Thomas J. Nevin’s studio at 140 Elizabeth Street, Hobart from the late 1860s when Elizabeth Rachel Day became Thomas J. Nevin’s fiancée … … More Treasures passed down from Captain Edward Goldsmith and Captain James Day

The Monarch, River Derwent 1880s

Thomas Nevin and the Terpsichoreans, New Norfolk 1867

November 5, 2017

If the newspaper report is at all accurate, these excursionists danced up a storm. They never stopped. They danced on the bridge, accompanied by a brass band, whatever bridge that may have been, and they danced non-stop on board the Monarch steaming its way up the River Derwent until they reached their destination. Once at Shoobridge’s, they continued dancing non-stop for hours in the hop room, and then moved out to the paddock where they not only danced, they played a game called “kiss the ring” [?]. On the homeward journey, aboard the Monarch, their dancing reached fever-pitch – or, as the reporter phrased it, “all went merry as a marriage peal”.  The merriment of the New Norfolk excursionists was captured by Thomas Nevin with three photographs, according to the newspaper report, so where are the photographs now? The only extant photograph of dancers identified as Thomas Nevin’s  is this one, printed as a stereograph on a buff mount, and labelled verso with the firm’s name – … More Thomas Nevin and the Terpsichoreans, New Norfolk 1867

Portraits and landscapes from T. J. Nevin’s cohort

September 14, 2017

A full-length carte-de-visite studio portrait of a young girl, possibly nine years old wearing a dark dress with a white collar and braiding along the sleeve, showing the lace of her bloomers at the hem against her bare legs. Spats cover her shoes. Her hair hangs loose in ringlets, and her gaze is slightly dropped and held steady to the viewer’s left. The studio decor includes an occasional table on wheels to the viewer’s right of frame on which sits a book, and a dining chair on the left on which the child rests her right arm. In her left hand she holds a thickly folded card. Charles Woolley’s signature technique was to produce prints in rich dark tones which made his portraits especially appealing. The verso bears Woolley’s “Advance Tasmania” studio stamp with emu and kangaroo animal iconography flanking the Tasmanian colonial insignia. His studio address for more than two decades was 42 Macquarie St. Hobart where he also ran a furniture business with his father. He must have supplied furniture, carpets and wall-hangings to all the Hobart photographic studios during the 1860s, and even sold items from his own studio when he ceased professional practice in the 1870s, because the same items appear in different photographers’ studio portraits. … More Portraits and landscapes from T. J. Nevin’s cohort

Amy Bock’s bid for marriage equality in 1909 in New Zealand

September 6, 2017

Amy Bock and Agnes Ottaway married on 21 April 1909 in Dunedin, NZ. Four days later Amy Bock was arrested at the Ottaways’ boarding house. She was convicted in the Dunedin Supreme Court on 27 May on two counts of false pretences and one of forgery, and was finally declared an habitual offender. The marriage was annulled on 17 June 1909. Was it a bid for “marriage equality” or not? … More Amy Bock’s bid for marriage equality in 1909 in New Zealand

One session, two poses

August 15, 2017

These two photographs of an unidentified woman who posed for photographer Alfred Bock ca. 1865-1867 in his Hobart studio were taken minutes apart. The provenance of the top cdv where the woman is gazing directly at the camera/photographer, was local: it was purchased for  KLW NFC Imprint Private Collection on eBay in 2017 from a seller located in South Australia. The provenance of the second cdv in which the woman’s gaze is directed 15 degrees to the viewer’s left, was the United Kingdom, according to Douglas Stewart Fine Books (Melbourne) who catalogued it for sale in July 2017. Here, on this webpage, exactly 150 years after these two photographs were taken in Bock’s glass house at 140 Elizabeth Street, Hobart, and probably printed within the hour on the same day, they are reunited in the hope they may excite recognition from a descendant who can provide this striking woman with a name and an account of her travels. … More One session, two poses