Treasures passed down from Captain Edward Goldsmith and Captain James Day

To contemporary Western eyes, each of these two carved ornaments might look like 19th century funerary artefacts, flower vases for example, which were customarily placed on the graves of the dearly departed. To the Sinophile, however, they are more likely to be brush washers used by a calligrapher or a watercolourist. Each appears to have a narrow pot and a wider one carved deep into the interior of the chunk of stone, where the narrow one might have held the brushes, and the wider pot the water to wash them. The age of these two “vases” – assuming their provenance goes back as gifts to the two daughters of Captain James Day in the 1860s-1870s – is at least 150 years old, and perhaps much older. If they were gifted as a pair of brush washers, why would they be deemed appropriate for these two young sisters? The answer now seems quite obvious: they were the colourists working in Thomas J. Nevin’s studio at 140 Elizabeth Street, Hobart from the late 1860s when Elizabeth Rachel Day became Thomas J. Nevin’s fiancée … … More Treasures passed down from Captain Edward Goldsmith and Captain James Day

Thomas Nevin and the Terpsichoreans, New Norfolk 1867

If the newspaper report is at all accurate, these excursionists danced up a storm. They never stopped. They danced on the bridge, accompanied by a brass band, whatever bridge that may have been, and they danced non-stop on board the Monarch steaming its way up the River Derwent until they reached their destination. Once at Shoobridge’s, they continued dancing non-stop for hours in the hop room, and then moved out to the paddock where they not only danced, they played a game called “kiss the ring” [?]. On the homeward journey, aboard the Monarch, their dancing reached fever-pitch – or, as the reporter phrased it, “all went merry as a marriage peal”.  The merriment of the New Norfolk excursionists was captured by Thomas Nevin with three photographs, according to the newspaper report, so where are the photographs now? The only extant photograph of dancers identified as Thomas Nevin’s  is this one, printed as a stereograph on a buff mount, and labelled verso with the firm’s name – … More Thomas Nevin and the Terpsichoreans, New Norfolk 1867

Thomas Nevin at the Tasmanian Poultry Show 1869

TASMANIAN POULTRY SOCIETY—We may remind our readers that the annual exhibition of this society, under the patronage of his Excellency the Governor and his Worship the Mayor and Aldermen commences tomorrow, and will be continued the following day. A very large number of entries have been made, so that a first-rate exhibition may be expected, and to add to its attractiveness valuable gifts of poultry, pigeons, canaries, &c. will be distributed each evening. The prize cards, which we have been permitted to inspect are beautifully executed photographs of poultry, pigeons, &c., by Mr Nevin, of this city, from engravings of model birds. … More Thomas Nevin at the Tasmanian Poultry Show 1869

John Nevin’s poem on the death of James William Chisholm 1863

Here is another beautifully crafted poem by John Nevin snr (1808-1887), father of Tasmanian photographer Thomas J. Nevin, the earliest to date of his poetry written in Tasmania to surface in public collections and press publications. This poem was penned to lament the premature death of his dear friend James William Chisholm (1802-1862) with whom he served in the Royal Scots First or Royal Regiment in the West Indies and at the Canadian Rebellions from 1827 to discharge in 1841. The lament was published in the Weekly Times (Hobart Town, Tas.), Saturday 29 August 1863, page 6. … More John Nevin’s poem on the death of James William Chisholm 1863