Thomas Nevin’s VIP commission 1872

Between 31st January and 2nd February 1872, Hobart photographer Thomas J. Nevin accompanied two parties of VIPs on boat trips down the Derwent River: to Adventure Bay at Bruny Island, and to Port Arthur on the Tasman Peninsula. On the 31st January he took a series of photographs of a party of “colonists” which included Sir John O’Shanassy, former Premier of Victoria, on their day trip to Adventure Bay on the eastern side of Bruny Island. They travelled on board The City of Hobart, commanded by Captain John Clinch. … More Thomas Nevin’s VIP commission 1872

Portraits of older women by Thomas Nevin 1870s

This collection of studio portraits taken by Thomas J. Nevin in the early 1870s of otherwise unidentified older women includes just one whose name is inscribed verso: Mrs Morrison. Who might she have been? A servant, a farmer, a post-mistress, some relation to Askin Morrison, ship owner, of Morrison Street, opposite Franklin Wharf, Hobart? Or Mrs Morrison, teacher of Kangaroo Point whose health had forced her to retire (Mercury, 6 December 1872). Perhaps she was Mrs Ellen Morrison, licensee of the Launceston Hotel, Brisbane St. on a visit south to Hobart? Whoever this sitter was, she appears to have worked hard all her life, no fuss or frills about it. … More Portraits of older women by Thomas Nevin 1870s

Marcus Clarke and Thomas Nevin at the Old Bell Hotel 1870

Given that Thomas Nevin was partial to a drink, inebriation being the chief reason he was dismissed by the Police Committee from his position of Town Hall keeper in December 1880, the Old Bell Hotel was the closest public bar to his studio during the 1870s. Thomas Nevin was still alive in 1920 (d. 1923) when the hotel, known as the Old Bell, was delicensed, so he may have contributed to this story that Marcus Clarke drank there while writing his famous novel, published in 1870 after a visit to the derelict prison at Port Arthur on the Tasman Peninsula. … More Marcus Clarke and Thomas Nevin at the Old Bell Hotel 1870

Blame it on Beattie: the Parliamentarians photograph

Amateur photo-historian Chris Long was among the first to be targeted by A. H. Boyd’s descendants in 1984 with only their hearsay offered as proof, and together with co-editor Gillian Winter, assumed that there would be extant photographs by A. H. Boyd, if indeed he had photographed prisoners. Strangely enough, they found none. Gillian Winter found mention of THREE photographs of parliamentarian George William Keach, his wife and daughter, with a Boyd attribution in the Archives Office Tasmania. But those photographs were missing from the original Allport Album when she listed its contents. Those photographs were taken by Sydney photographer Thomas H. Boyd, loosely collated originally with other carte-de-visite items taken of Allport family members and their friends by photographers in Hobart, Melbourne, Brisbane, Rome and elsewhere … … More Blame it on Beattie: the Parliamentarians photograph

Captain Edward Goldsmith in Davey Street Hobart 1854

Paternal uncle and benefactor of Thomas J. Nevin’s wife, Elizabeth Rachel Day was the much respected master mariner and merchant Captain Edward Goldsmith (1804-1869), who first arrived in Van Diemen’s land in 1830 and departed never to return in 1856. He retired to his estate at Gad’s Hill, Higham, Kent, UK, where novelist Charles Dickens became a neighbour in 1857 when he purchased a house at No. 6 Gadshill Place.

Captain Goldsmith did not become a colonist, nor did he profit directly from convict transportation. His many and varied services and contributions – some at his own expense – during those years to the mercantile, horticultural and shipping development of the colony were inestimable. He built a patent slip on the Queen’s Domain and a vehicular steam ferry,  the Kangaroo, n 1854, sat on civic committees, established a marine insurance company, and set up a permanent residence for his family at lower Davey Street, Hobart, although he was away at sea for most of every year. The playwright and journalist David Burn who met him in Sydney in 1845, noted in his diary that Captain Goldsmith’s turnaround was eight months … More Captain Edward Goldsmith in Davey Street Hobart 1854

Captain Edward Goldsmith at the New Market banquet 1854

Captain Edward Goldsmith was highly esteemed by both the Hobart City Corporation’s Mayor and aldermen and the business community. He attended the Regattas as a judge, and at his testimonial dinner in 1849 at the Hobart Town Hall, he stated that he might become a colonist and settle in Hobart, but that was not to be. He attended many social functions sponsored by the Governor and Mayor before his final departure in 1855, sometimes with his younger son Edward Goldsmith jnr, who accompanied him to the Governor’s Levee. The construction of the New Market on the Hobart Wharves, and the banquet held to celebrate its opening in January 1854, was another of his interests and an event he attended in the company of Hobart’s most illustrious officers and the colony’s most modest traders alike. … More Captain Edward Goldsmith at the New Market banquet 1854

Testimonial to Captain Edward Goldsmith 1849

-Upon receiving the cup, Capt. Goldsmith remarked that he would retain the token until death ; and, with reference to some observations made by Mr. Carter, intimated it was not improbable he should next year, by settling in Van Diemen’s Land with Mrs. Goldsmith, become a fellow-colonist.

-The goblet, which was manufactured by Mr. C. Jones, of Liverpool-street, bears the following inscription:-“Presented to Captain Goldsmith, of the ship Rattler, as a slight testimonial for having introduced many rare and valuable plants into Van Diemen’s Land. January, 1849.” The body has a surrounding circlet of vine leaves in relief. The inscription occupies the place of quarterings in a shield supported the emu and kangaroo in bas relief, surmounting a riband scroll with the Tasmanian motto-” Sic fortis Hobartia crevit.” The foot has a richly chased border of fruit and flowers. In the manufacture of this cup, for the first time in this colony, the inside has undergone the process of gilding. … More Testimonial to Captain Edward Goldsmith 1849

The Excelsior Coal Mine at New Town 1874

Mr Nevin, photographer, Elizabeth-street, appears in this advertisement as an agent able to take orders for the delivery of coal from the Excelsior Coal Mine which was located on Mr Ebenezer Sims property at Kangaroo Bottom (Kangaroo Valley New Town), in close proximity to the home of Nevin’s parents. This coal was for domestic use but may have been included in the coal specimens which were exported to the Royal Colonial Institute, accompanied by James Boyd on board the Ethel in 1874. … More The Excelsior Coal Mine at New Town 1874

Portraits of children gifted to Prince Alfred, Hobart, 1868

“on Saturday 18th January (the day fixed for his departure) on board the Galatea, to his Excellency the Governor, Mrs Gore Browne and Miss Gore Browne, Her Majesty’s Ministers, the Chairman of the Reception Committee, the Hon JM Wilson MLC, and Mr Tarleton and advantage was taken of this farewell interview to place in the Prince’s hands the album of photographs of Tasmanian scenery which had been prepared under the direction of the Reception Committee for presentation to him from the colonists as a memorial of his visit. The album contained eighty three photographs illustrative of the scenery of Tasmania forty eight portraits of children born in the colony and nine plates immediately connected with the Prince’s visit. The title page was drawn by Mr Alfred Randall and illustrated by Mr WC Piguenit. His Royal Highness was pleased to request that the Reception Committee would furnish him with duplicate copies of all the pictures for the illustration of a work which his Royal Highness is preparing in connection with his visit to the Australasian Colonies…” . So where is this album of photographs of Tasmanian children taken in 1868? … More Portraits of children gifted to Prince Alfred, Hobart, 1868

An Ornithological Disaster: Thomas Nevin’s emu 1878

“AN ORNITHOLOGICAL DISASTER.– A young Emu the property of Mr. Nevin keeper of the Town Hall, came to an untimely end last week by being strangled in trying to force itself through the fence of the paddock in which it was kept at the rear of the Town Hall. The owner states his intention to present the Emu to the Royal Society’s Museum.” … More An Ornithological Disaster: Thomas Nevin’s emu 1878

Another rare Nevin & Smith studio stamp

This studio stamp from Nevin & Smith with the inclusion of the Prince of Wales’ blazon, is the second type of stamp from Thomas Nevin’s studio that bears an official insignia. Whether his use of this blazon was to signify a commission to contribute to the photograph albums gifted to Prince Alfred is quite possible though as yet undocumented. The blazon was used on decorations for official functions during Prince Alfred’s visit to Hobart in 1868. The banneret (below) adorned the ball given in his honour. Quite different is T. J. Nevin’s official government contractor stamp which appears on prisoner identification photographs taken at the Port Arthur prison and Hobart Gaol (below).  It features the Royal insignia of a lion and unicorn rampant encircled by a belt carrying Nevin’s name and studio address. It was devised by government printer James Barnard to endorse all official colonial government documents, including the weekly police gazettes. … More Another rare Nevin & Smith studio stamp

Cartes-de-visite photographs of convicts by Nettleton and Nevin

Charles Nettleton’s Patents (Victoria) National Archives of Australia Ref: A2388 Registers of Proprietors of Paintings, Photographs, Works of Art and Sculpture Charles Nettleton’s government commission to take photographs of the Benevolent Asylum,  National Museum, the Royal Mint (1873) etc Photography © KLW NFC 2008 ARR PATENTS REGISTRATION The numbers appearing on these cartes-de-visite (below) taken … More Cartes-de-visite photographs of convicts by Nettleton and Nevin

The Cohort: Charles A. Woolley and H.H. Baily

Thomas J. Nevin belonged to a cohort of Tasmanian professional photographers of the 1860s-1880 which included his two partners Alfred Bock who was an accomplished sennotypist (until 1867) and Samuel Clifford whose output of stereographs was prodigious (1860s-1878). From Alfred Bock he learnt studio portraiture, from Samuel Clifford he learnt stereography. Others with a close association were Charles A. Woolley who experimented with mega and micro photography and whose father furnished the cohort’s studios with carpets, tables, chairs, wall hangings etc  from his furniture warehouse; Alfred Winter who was a society portraitist and landscape photographer; and the Nevin family friend, H. H. Baily who was also a press lithographer. … More The Cohort: Charles A. Woolley and H.H. Baily

Tasmanian Newspapers: The Mercury & STILWELL Index

Researchers are indebted to the late G.T. Stilwell for his creation of the Stilwell Index during his service at the State Library of Tasmania. G.T. Stilwell also published a short biography of Thomas Nevin with J. S. Kerr outlining the Town Hall dismissal and the misattribution by Chris Long of Nevin’s convict portraiture to A.H. Boyd in The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870 , edited by Joan Kerr. (Melbourne: Oxford University Press 1992). … More Tasmanian Newspapers: The Mercury & STILWELL Index

Nevin & Smith studio Elizabeth St. Hobart 1867-1868

Robert Smith and Thomas J. Nevin established the firm of Nevin & Smith soon after Nevin acquired the stock, studio and glass house of Alfred Bock at 140 Elizabeth St. Hobart Town in 1865 on Bock’s imminent departure from Tasmania. The partnership was brief, lasting less than two years. It was dissolved by Thomas Nevin’s family solicitor, the Hon. W. R. Giblin, in February 1868. Two studio stamps and one label have survived from their brief partnership. The first stamp featuring the Prince of Wales’ blazon of three feathers and a coronet, banded with the German “ICH DIEN” (I Serve) dates from the visit of Prince Alfred Ernest Albert, the Duke of Edinburgh, second son of Queen Victoria, in 1868 on the Royal yacht, H.M.S. Galatea

These two children were probably photographed for an album of forty-eight photographic prints depicting the children of Tasmania which was gifted to Prince Alfred at his final reception on 18th January 1868 before returning to NSW where he was to survive an assassination attempt weeks later (at Clontarf, 12th March 1868). According to Jack Cato (1977:58), a group of Tasmanian photographers was invited to contribute to the Children’s Album … … More Nevin & Smith studio Elizabeth St. Hobart 1867-1868