Category: Lucy Batchelor Collection

Child in costume posed on plinth, T. J. Nevin 1870s

Thomas J. Nevin’s studio decor: the plinth

May 1, 2024

Plinths were standard studio furniture in commercial portraiture of the 1860s-1870s. Not just decorative, they were essentially a solid object at waist height where the standing subject could place a hand to hold themselves steady while waiting a minute or so for exposure of their image on the glass negative. The plinth was a far more attractive proposition for a person standing than the metal headrest holding the back of the neck. There appears to be just one plinth featured in several portraits of children and young adults taken by Thomas J. Nevin in his studio at 140 Elizabeth St. Hobart during the late 1860s-mid 1870s. At least two sides of the plinth differed in small details of decoration. Damage to the plinth visible in these cdv’s include cracks through the top and plaster broken off the corners. … More Thomas J. Nevin’s studio decor: the plinth

Norma Witts Dance School concert ca. 1958

Christmas from our Archives

December 25, 2023

HAND-TINTED PORTRAITS as CHRISTMAS CARDS Red and green sprigs 1874
PHOTOGRAPHIC REDUCTIONS of LARGE DOCUMENTS Cdv of Mercury 1874; fire bell warnings 1878
CHARLES DICKENS and CAPTAIN GOLDSMITH The Gadshill mail box 1859
CHRISTMAS DRINKS at the MAYPOLE Drunk and disorderly at New Town 1885
PRISONERS partying 1881 and SAILORS hugging the holly 1850
CHRISTMAS CONCERT Theatre Royal Hobart ca. 1958
THE GRAND-CHILDREN’S ALBUMS Thomas and Elizabeth Nevin’s grandchildren 1942 … More Christmas from our Archives

Thomas Nevin’s Christmas feat 1874

December 24, 2016

A PHOTOGRAPHIC FEAT. – Mr T. J. Nevin, of Elizabeth-street, has performed a feat in photography which may be justly regarded as a literary curiosity. He has succeeded in legibly producing the front page of The Mercury of Wednesday, the 23 inst., on a card three inches by two inches. Many of the advertisements could be read without the aid of a glass, and the seven columns admit of a margin all round the card. … More Thomas Nevin’s Christmas feat 1874

Posing with a stereoscopic viewer

June 9, 2012

Clients of early photographers were not the only ones to pose with the photographer’s own stereoscopic viewers. Two extant cartes-de-visite self-portraits by Thomas J. Nevin (the selfies of his day) in the © KLW NFC Group & KLW NFC Imprint Private Collections captured his treasured stereoscopes, one with him holding a small viewer, possibly a Brewster, ca. 1868, and another with him standing next his large table-top stereoscopic viewer, possibly a Beckers (ca 1875). … More Posing with a stereoscopic viewer

A highly coloured portrait

June 1, 2012

DECOR: the shiny low chair, the table with griffin-shaped legs, tinted flowers and hair ribbons, the draped curtain, the diamond-patterned carpet, and the backdrop of a patterned patio looking out from an Italianate terrace to a vista of a cart path meandering stream, characterise this phase or aspect of Nevin’s commercial practice. … More A highly coloured portrait

Dr Edward Crowther 1880

Thomas Nevin and the Loyal United Brothers Lodge

March 27, 2010

“ODD FELLOWS’ ANNIVERSARY. The eleventh anniversary of the Loyal Tasmania’s Hope Lodge, of the Manchester Unity, Independent Order of Odd Fellows, was celebrated last evening by a tea and concert, at the Alliance Rooms. The tea, which was satisfactorily got up, having been disposed of, it was proposed by P. G. M. Mitchell, and seconded by P. P. G. M. Noah, that Mr. Davies, M.H.A., do take the chair, which was passed unanimously. The Chair-man was supported by the Provincial and other Officers of the Order, who wore their insignia. Mr. Davies wore the insignia of the G.M. of the A. 1.0.0. F. There was present a visiting officer of the M.U. from Queensland, P. P. G. M., H. E. Wright, who wore a handsome gold medal, presented to him by members of the Order in Brisbane, in acknowledgment of his services in introducing Odd Fellowship into Queensland, where there are two districts, Brisbane and Rockhampton, numbering five hundred members, who had been enrolled since Mr. Wright went to that colony in 1863….” … More Thomas Nevin and the Loyal United Brothers Lodge

Thomas Nevin's big tabletop stereograph viewer

T. J. Nevin’s big tabletop stereograph viewer

August 3, 2009

Although this image is faint – it is a scan of a print pasted into the scrapbook of his son George Ernest Nevin (1880-1957) which is held by Thomas and Elizabeth Nevin’s descendants in the Shelverton family – it shows clearly enough that George’s father, photographer Thomas J. Nevin, was rather fond of his big box table top stereograph viewer. It provided clientele with a ready amusement, a novel experience of 3D. The Victorian fascination with this “advanced” photography is quite understandable. Viewing a static stereograph, three images can be seen, not just one: the central image appears in deep perspective, with the image split into halves on either side. A double lens stereograph viewer of this size could hold a large number of stereograph cards; turning the wooden handle changed the card being viewed, providing a motion picture effect. In Nevin’s self-portrait – not a selfie in the strict sense, of course, taken probably by his younger brother Jack Nevin – a frame holder on top is propped up. In the two portraits below, the holder is flat. An earlier portrait of Thomas Nevin, taken ca. 1868, shows him wearing white gloves, posing with a smaller portable stereoscopic viewer, similar in size to a stereoscope camera. … More T. J. Nevin’s big tabletop stereograph viewer