Prisoner mugshots by Constable John Nevin to 1890

Most prisoner photographs taken in the 1880s in Tasmania required the subject to face the camera, and in some instances, show the backs of the hands clearly. The full frontal gaze marked the transitional phase between Thomas Nevin’s early to mid-1870s commercial cartes-de-visite and the 1880s prisoner photographs, taken more often than not at the Hobart Gaol by his brother John Nevin. No full profile photographs, in addition to the single full frontal shot, were taken until the late 1890s when the methods of Bertillon took hold … More Prisoner mugshots by Constable John Nevin to 1890

Mugshots removed; Reilly or Riley, Thomas

Thomas Rielly/Ryley/Riley was photographed by Nevin on the prisoner’s discharge, February 12, 1875. Thomas Riley’s mugshot is missing from the original goal record now held at Tasmanian Archives and Heritage, Ref: GD 6719. It was removed and sent to the National Library of Australia, at an unknown date and by an unknown person. This sort of defacement of original prison records, and the subsequent acquisition of this and the rest of the Tasmanian prisoner mugshots held at the NLA, has contributed to their staff’s recently professed ignorance of both their “convicts” photographs’ provenance and photographer attribution. Instead, isolated as artistic artefacts within their collection they are loosely titled “Port Arthur convicts 1874” despite widely variant dates of capture, and co-opted to the fictions promulgated by opportunistic individuals taking advantage of the absence of context. … More Mugshots removed; Reilly or Riley, Thomas

Convict portraits by Thomas J. Nevin at the National Library of Australia

In June 2005, the National Library of Australia had digitised just 25 photographs of their collection of 84 prisoner identification cartes-de-visite of Tasmanian prisoners, titled “Convict portraits, Port Arhur,1874”, with the long-standing and correct attribution to commercial and police photographer Thomas J. Nevin. … More Convict portraits by Thomas J. Nevin at the National Library of Australia