Rogues Gallery: the QVMAG collection

These police mugshots taken by police and commercial photographer Thomas J. Nevin in the 1870s-80s at the Port Arthur prison, the Hobart Gaol (assisted by his brother Constable John Nevin) and the Hobart Municipal Police Office (Mayor’s Court, Hobart Town Hall) are held in the John Watt Beattie Collection at the Queen Victoria Museum and Art Gallery, Launceston, Tasmania. Most are Nevin’s originals and duplicates produced in vignette carte-de-visite format; some were reproduced from Nevin’s glass negatives by Beattie for sale and exhibition in Hobart at his museum and in Sydney at the Royal Hotel in conjunction with convictaria from the prison hulk Success (1916). An exhibition of these photographs by T. J. Nevin was held at the QVMAG in 1977. … More Rogues Gallery: the QVMAG collection

Prisoners Wm MEAGHER, Wm LEE and Chas ROSETTA 1870s

William Meaghers was transported to NSW in 1838 on board the Bengal Merchant. Originally from Dublin, he was court martialled in Quebec, Lower Canada on 26 September 1836. In Paramatta, NSW, he was sentenced to 14 years for housebreaking on 10 December 1842 and transported to Van Diemen’s Land (Tasmania) on board the Sir J. Byng, arriving on 23 September 1843. He was married with two children. No date of birth appears on his arrival record, however, police records show he was 56 yrs old in 1871, so he was born ca. 1815, and was ca 59 years old in 1874 when Nevin photographed him. The NLA misattribution to Searle and the date of photographic capture catalogued as 1915 would mean that the prisoner William Meaghers, born in 1815, had to be a 100 year old man; clearly, the prisoner was photographed in his fifties on the occasion of his release, in 1874. … More Prisoners Wm MEAGHER, Wm LEE and Chas ROSETTA 1870s

From glass negative to print: prisoner Bewley TUCK

NEVIN’S GLASS NEGATIVES 1870s PRISONER BEWLEY TUCK or JOHN TUCK? Black and white print from Thomas Nevin’s glass negative taken of prisoner Bewley Tuck, No. 68 From the Tasmanian Museum and Art Gallery Collection (online until 2006) Of the three hundred and fifty (350) or so extant photographs taken by government contractor Thomas J. Nevin … More From glass negative to print: prisoner Bewley TUCK

Prisoner George LEATHLEY

Extant examples of Thomas J. Nevin’s photographs taken in the 1870s of Tasmanian prisoners – or “convicts” which is the archaic term used in Tasmanian tourism discourse up to the present – number more than 300 in Australian public collections. These two different photographs of prisoner George Leathley are typical of his application of commercial studio portraiture. They were taken by Thomas J. Nevin between Leathley’s conviction for murder in 1866 and Leathley’s discharge with a ticket of leave in 1876. During those years, the earlier photograph, No. 14, was the first, taken in 1872 and reprinted in 1874, entered into the Hobart Gaol photo book as No. 226, pasted again onto Leathley’s criminal record sheet. The photograph with the recto No. 89, might evince an older George Leathley, taken in 1876 on his discharge. His original conviction in 1866 was death, commuted to life in prison. … More Prisoner George LEATHLEY

Prisoner Bewley TUCK can speak for himself

Read this article by Carolyn Strange in which she points to the fictionalisation of the past as the dominant modality of museological practice at the Port Arthur Historic Site. Convict Bewley Tuck’s fictive “voice-over” tale stands in for a new “interpretative” identity between museum and tourist. Thomas Nevin’s photograph of Tuck (ca. 1870), however, is not a construct but an artefact of the convict’s reality as both convict and photographer experienced it. A documentary original photograph is not the same thing at all as a contemporary “interpretation” of it. As one visitor remarked to Strange on leaving the display, “I prefer the real thing.” … More Prisoner Bewley TUCK can speak for himself